Monthly Archive: May 2025

Much Hot Air

“FireWorks”
Gauthier Dance
Theaterhaus Stuttgart
Stuttgart, Germany
April 30, 2025

by Ilona Landgraf
Copyright © 2025 by Ilona Landgraf

1. Ensemble, “Hold me Now” by D.Dumais, Gauthier Dance 2025 © J.Bak Gauthier Dance’s latest program, FireWorks, is an homage to the Theaterhaus Stuttgart, its home since the company’s foundation in 2007. This year, the Theaterhaus celebrates its fortieth anniversary. In honor of the occasion, the company’s director, Eric Gauthier, selected forty short pieces of music performed at the Theaterhaus over the past decades and asked ten choreographers (among them long-term collaborators) to choose one for a new piece for FireWorks.
A born entertainer, Gauthier introduced the program on opening night, welcomed some choreographers, and, in doing so, put the audience in a celebratory mood.

The company’s sixteen dancers sat on chairs lined along the wings with a red carpet between them. As they acted like an onstage audience, a trumpet solo signaled something big to come. It belonged to Ciocârliǎ și suite by Fanfare Ciocǎrlia to which the troupe’s artist in residence, Barak Marshall, created The Gathering, an assembly of athletic and showy solos and partner dances during which the dancers roared and cheered each other. (more…)

Thunderous

Night on the Bald Mountain”
Igor Moiseyev Ballet

Tchaikovsky Concert Hall
Moscow, Russia
April 23, 2025

by Ilona Landgraf
Copyright © 2025 by Ilona Landgraf

1. Ensemble, “Night on the Bald Mountain”, Igor Moiseyev Ballet 2025 © Igor Moiseyev Ballet/ E.MasalkovThe stage shook under the stomping jumps of Roman Gavrilov as if to enforce his courtship with Kristina Kuznetsova in the Russian folk dance, Summer. The couple was the first to step onto the stage of the Tchaikovsky Concert Hall where the Igor Moiseyev company presented its program, Night on the Bald Mountain, on two consecutive days. The twelve couples that framed Kuznetsova and Gavrilov in a V-shape wore vibrant traditional garments, a signature feature of their folk-dance repertory. Compared to the performance of Summer I saw two years ago at another Moscow venue, the dancers seemed even more snappy and vigorous. Each step was clean and decisive, and the pace was mind-boggling. The Hopak sequences went on as if the dancers’ legs were inexhaustible. Calling it a lightning opening would be an understatement. (more…)