Tag Archive: Garazi Perez Oloriz

Much Hot Air

“FireWorks”
Gauthier Dance
Theaterhaus Stuttgart
Stuttgart, Germany
April 30, 2025

by Ilona Landgraf
Copyright © 2025 by Ilona Landgraf

1. Ensemble, “Hold me Now” by D.Dumais, Gauthier Dance 2025 © J.Bak Gauthier Dance’s latest program, FireWorks, is an homage to the Theaterhaus Stuttgart, its home since the company’s foundation in 2007. This year, the Theaterhaus celebrates its fortieth anniversary. In honor of the occasion, the company’s director, Eric Gauthier, selected forty short pieces of music performed at the Theaterhaus over the past decades and asked ten choreographers (among them long-term collaborators) to choose one for a new piece for FireWorks.
A born entertainer, Gauthier introduced the program on opening night, welcomed some choreographers, and, in doing so, put the audience in a celebratory mood.

The company’s sixteen dancers sat on chairs lined along the wings with a red carpet between them. As they acted like an onstage audience, a trumpet solo signaled something big to come. It belonged to Ciocârliǎ și suite by Fanfare Ciocǎrlia to which the troupe’s artist in residence, Barak Marshall, created The Gathering, an assembly of athletic and showy solos and partner dances during which the dancers roared and cheered each other. (more…)

Limitations

“Nijinski”
Gauthier Dance
Theaterhaus Stuttgart
Stuttgart, Germany
June 22, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. R.Guerra and L.Prunty, “Nijinski” by M.Goecke, Gauthier Dance © R.Brocke 2016Stuttgart’s Gauthier Dance is known for entertaining programs. Commissioning Marco Goecke, Stuttgart Ballet’s resident choreographer, with a ballet about Vaslav Nijinsky heralds a change of course towards the serious.
Nijinsky is a legend. He was the star dancer of Sergei Diaghilev’s Ballets Russes (1909 – 1921) and as a choreographer ahead of his time. But tragically mental illness struck him in the middle of his life. How did Goecke approach him?

One thing was clear from the beginning. Goecke and Nijinsky have things in common. Nijinsky’s choreographies, especially “L’Après-midi d’un faune” (1912) and “Le Sacre du printemps” (1913), sent shock waves through the cultural world. (more…)