Growing From Solid Roots

“Miniatures”
Les Ballets de Monte Carlo
Salle Garnier Opéra de Monte-Carlo
Monte-Carlo, Monaco
April 18, 2026

by Ilona Landgraf
Copyright © 2026 by Ilona Landgraf

1. Ensemble, “Résonances” by J.-C.Maillot, Les Ballets de Monte-Carlo 2026 © A.BlangeroLes Ballets de Monte-Carlo’s recent premiere, Miniatures, takes up the 2004 project of the same title. Back then, Bruno Mantovani, artistic director of the festival Printemps des Arts de Monte-Carlo and director of the Ensemble Orchestral Contemporain, challenged Le Ballets de Monte-Carlo’s artistic director, Jean-Christophe Maillot, with seven contemporary compositions. Each of them represented another mindscape; none was written for dance, and Maillot was tasked with choreographies. He was successful. Mantovani threw four new compositions commissioned for this year’s festival into the ring (and also played them with the Ensemble Orchestral Contemporain during the run of the program), which former and current dancers of the company put into dance. Two of Maillot’s 2004 works complemented the ninety-minute program. Continue reading “Growing From Solid Roots”

A Strong Comeback

“Beethoven” (“Prometheus” / “Grosse Fuge”)
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, The Netherlands
June 08, 2021 (live broadcast)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1. S.Yamada, D.Silva, and ensemble, “Prometheus” by W.Kuindersma, E.Meisner, and R.Wörtmeyer, Dutch National Ballet 2021 © H.GerritsenThe Dutch National Ballet’s celebration of Beethoven’s 250th birthday was, in fact, supposed to premiere a year ago. “We’re a little bit late,” admitted Ted Brandsen, Dutch National Ballet’s artistic director, for reasons dictated by COVID-19. The originally scheduled program would have included Toer van Schayk’s “7th Symphony”. The anniversary program that was ultimately shown on June 8th was an adaption of this program comprised of two pieces: “Prometheus” (a new creation by the choreographer-trio Wubkje Kuindersma, Ernst Meisner, and Remi Wörtmeyer) and Hans van Manen’s “Grosse Fuge”. The break was used for an excursion away from Beethoven to Milena Sidorova’s recently released dance film “Rose”. Continue reading “A Strong Comeback”