Yearly Archive: 2025

The Hub

4. January 2025

“The Nutcracker”
Bolshoi Ballet
Bolshoi Theatre
Moscow, Russia
December 31, 2024 (live stream)

by Ilona Landgraf
Copyright © 2025 by Ilona Landgraf

1. E.Kokoreva (Marie) and ensemble, “The Nutcracker” by Y.Grigorovich, Bolshoi Ballet 2024 © Bolshoi Ballet/D.Yusupov2. A.Ovcharenko (Nutcracker Prince), “The Nutcracker” by Y.Grigorovich, Bolshoi Ballet 2024 © Bolshoi Ballet/D.Yusupov During this year’s Christmas sermon, my pastor asked which moment should best represent Christmas. The Christmas dinner? The lighting of the candles? Or, perhaps, unwrapping the presents? For me, this moment was the moment during the Bolshoi Ballet’s performance of The Nutcracker when the newlywed Marie (Elizaveta Kokoreva) and the Nutcracker Prince (Artem Ovcharenko) were lifted by their court toward the star at the top of the Christmas tree. It was the climax of their spiritual journey and of Yuri Grigorovich’s choreography for which I had been waiting since I last saw his Nutcracker live in Moscow in 2022.

Two live streams on December 30th (evening performance) and December 31st (matinee) enabled a vast audience to follow the heroes’ journey. To meet the demand, the number of cinemas offering live broadcasts grew from one hundred to three hundred in December. Most were located in Russia, but cinemas in Belarus, Armenia, and the United Arab Emirates also participated. I was able to watch the matinee on the Bolshoi’s vk video platform. (more…)

An Endeavor

1. January 2025

“La Bayadère”
Ballet Estable del Teatro Colón
Teatro Colón
Buenos Aires, Argentina
December 28, 2024 (stream)

by Ilona Landgraf
Copyright © 2025 by Ilona Landgraf

1. Ensemble, “La Bayadère” by M.Galizzi after M.Petipa, Ballet Estable des Teatro Colón 2024 © Prensa Teatro Colón/A.Colombaroli The Teatro Colón wrapped up its 2024 season with a stream of La Bayadère, which had been recorded a few days earlier. The choreography is by Mario Galizzi, the company’s artistic director for the past three years. His new version stays faithful to Petipa’s original and, like in Yuri Grigorovich’s rendition for the Bolshoi Ballet, Act III ends with Solor’s breakdown after he recognizes Nikiya among the Shades. Solor’s and Gamzatti’s wedding, the destruction of the temple, and the apotheosis were omitted. (more…)