Czech Companies

Simply Wonderful

Wonderful Circus”
Laterna magika

The New Stage
Prague, Czech Republic
January 26, 2019

by Ilona Landgraf
Copyright © 2019 by Ilona Landgraf

1. P.Knolle and A.Volný, “Wonderful Circus” by K.Vrtiška, J.Hrabal, V.Jílek, J.Koníček and F.Pokorný, Laterna magika 2019 © P.NašicThirty-six years after its construction, Prague’s New Stage is no longer a spring chicken. Many of the auditorium’s dark-green leather seats are patched up, and the seating in the foyer is dated. But maybe that’s precisely the reason this theater is so cozy and welcoming. It’s the home stage of Laterna magika, the cross-genre theater founded in 1958 to represent Czechoslovakia at the Brussels EXPO. “Wonderful Circus”, the troupe’s signature piece, has been around for over forty years too. Its old-school theater magic might not appeal to today’s young audiences, but I found it simply wonderful. It’s creators, an all-Czech artistic team, worked from their fabulous instincts to captivate and entertain the audience. What’s more: they built the piece with love.

The circus-theme is by film director Evald Schorm. He directed the piece together with Jiří Srnec and Jan Švankmajer; the sets are by Josef Svoboda and Zdenek Seydl designed the costumes. Emil Sirotek, a cameraman, filmed the videos; script, choreography and music were generated by a team of five. (more…)

Regional

“The Little Mermaid”
Czech National Ballet
The Estates Theatre
Prague, Czech Republic
January 26, 2019 (2:00 pm)

by Ilona Landgraf
Copyright © 2019 by Ilona Landgraf

1. T.Podařilová and M.Matějková, “The Little Mermaid” by J.Kodet, Czech National Ballet 2019 © M.Divíšek This week’s Economist features the title “Slowbalisation” – an invented term combining the notion that globalization is slowing down with the idea that regional relations are becoming weightier than ever. Prague’s Czech National Ballet is a prime example of how slowbalisation can be seen in the dance sector as well. The artistic team behind its “Little Mermaid”, a ballet based on Hans Christian Andersen’s fairy tale, is almost entirely Czech, complemented only by two Slovakians and one German. (more…)

Let Heads Roll

“The Last Supper”
DEKKADANCERS
The New Stage
Prague, Czech Republic
January 28, 2018

by Ilona Landgraf
Copyright © 2018 by Ilona Landgraf

1. Š.Pechar, M.Deneux and M.Lanoue, “The Last Supper” by Š.Pechar, O.Vinklát and M.Svobodník, DEKKADANCERS © M.Hančovský  Two French chefs (Morgane Lanoue and Mathias Deneux) were already preparing “The Last Supper” onstage when the audience took its seats. Wearing pristine white chef’s hats and red and blue shoes respectively, they were on the hunt for a bluebottle that hummed obtrusively around the blocky table and marred the cozy bar music played by a little band in the back. But using a kitchen trowel as swatter wasn’t productive. While the guests arrived and gathered around the huge table center stage, the fly buzzed towards a safe place. The table, made of several smaller blocks, was plastered with pages of the international press, which later, when the parts were separated, revealed huge red blood stains splashed across the newspaper. This was certainly not a Christian meal… (more…)

A Fairy Tale Told Too Simply

“The Snow Queen”
Czech National Ballet
The National Theatre
Prague, Czech Republic
January 27, 2018

by Ilona Landgraf
Copyright © 2018 by Ilona Landgraf

1. A.Nanu and ensemble, “The Snow Queen” by M.Corder, Czech National Ballet © D.WhartonWhile beautifully costumed brass and percussion bands paraded across Prague’s Charles Bridge, vociferously driving out wintertime, icy winter’s cold descended on the National Theatre’s stage as the Snow Queen tried to extend her power over innocent village youth. She fails, securing a happy ending. Over the years a number of choreographers have adapted Hans Christian Andersen’s popular story for the ballet stage. In spring 2016 the Czech National Ballet took Michael Corder’s version into their repertoire, which was created for English National Ballet in 2007. (more…)