Monthly Archive: June 2023

What to Choose for a Party

“Ildikó Pongor 70 Ballet Gala”
Hungarian National Ballet
Hungarian State Opera
Budapest, Hungary
June 24, 2023

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

1. I.Pongor, “Ildikó Pongor 70 Ballet Gala”, Hungarian National Ballet 2023 © A.Nagy / Hungarian State Opera One month after the Iván Nagy Ballet Gala, the Hungarian State Opera hosted another festive ballet evening – a birthday gala in honor of Ildikó Pongor, veteran artist of the company, who turned seventy earlier this June. Pongor spent almost her entire professional life at the Hungarian National Ballet, first as a dancer, then as artistic director, ballet master, and co-choreographer. She also worked internationally in Vienna and Stockholm, among others.
The brief compilation of archival videos and photos that opened the gala made it clear within seconds: Pongor has an effervescent energy whose positivity is infectious, even on celluloid. Regrettably, I don’t speak Hungarian and was unable to follow the round of talks. Her colleagues, Mária Aradi, Katalin Csarnóy, and Imre Dózsa, shared memories about Pongor’s career; the humor that sparkled in Pongor’s eyes while listening indicated that she was pleased. (more…)

Prix Benois Laureates 2023

Prix Benois de la Danse
Bolshoi Theatre (Historic Stage)
Moscow, Russia
June 21, 2023

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

Yesterday evening, this year’s laureates of the Prix Benois were announced on the Historic Stage of the Bolshoi Theatre.

1. J.Ryu, C.Kerche, and Q.Yunting, Prix Benois de la Danse, Bolshoi Theatre 2023 © Bolshoi Theatre / B.Annadurdyev2. M.Kang, Prix Benois de la Danse, Bolshoi Theatre 2023 © Bolshoi Theatre / B.AnnadurdyevQiu Yunting (National Ballet of China) and Misun Kang (Universal Ballet, South Korea) share the prize for the best female dancer. Yunting was nominated for her performance of Tatiana in John Cranko’s “Onegin”, Kang for her interpretation of the Widow in Bingxian Liu’s “Mirinaegil”. Hugo Marchand (Paris Opera Ballet) was awarded the prize for the best male dancer. He didn’t attend the ceremony. Vyacheslav Samodurov won the prize for the best choreography for “Dancemania” – a creation for the Bolshoi Ballet.

Mikhail Lavrovsky, People’s Artist of the USSR, was honored with the Lifetime Achievement Award. (more…)

Dancer Nominees for the Prix Benois 2023

Prix Benois de la Danse
Bolshoi Theatre
Moscow, Russia
June 17, 2023

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

Eleven dancers from five nations are nominated for this year’s Prix Benois. Of the six women and five men, one dances in South-Korea, four in Russia, and two each in China, France, and Kazakhstan. This Tuesday the laureates will be announced in an award ceremony at the Bolshoi Theatre, Moscow.

Here’s a short overview on the nominees:
1. M.Elchibayeva, Kazakh National Opera and Ballet Theatre after Abay © Kazakh National Opera and Ballet Theatre after Abay 2. M.Elchibayeva, Kazakh National Opera and Ballet Theatre after Abay © Kazakh National Opera and Ballet Theatre after AbayMalika Elchibayeva, leading soloist of the Kazakh National Opera and Ballet Theatre after Abay in Almaty, Kazakhstan, is nominated for her performance as Queen Shamkhat in “Frescoes” by Zaurbek Raibayev. Gulzhan Tutkibayeva, artistic director of the company, describes Elchibayeva as having “an outstanding appearance, beautiful texture, a professional school, and acting skills. For 5 years in the theater, Elchibayeva has performed almost all the leading parts of the ballet repertoire. In the role of the Queen Shamkhat she is organic, expressive, and managed to fully convey the idea of the ballet master Raibaev.” (more…)

Choreographer Nominees for the Prix Benois 2023

Prix Benois de la Danse
Li Jun / Maša Kolar / Wayne McGregor / Vyacheslav Samodurov
Bolshoi Theatre
Moscow, Russia
June 15, 2023

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

On June 20th, the Bolshoi Theatre hosts the annual Prix Benois ceremony, followed by a gala on June 21st. Prizes will be awarded for the best choreographer, and the best female and male dancers. Mikhail Lavrovsky will be honored for his lifetime achievement.

Four choreographers are competing this year:
1. “Where to Pour All My Love?” by L.Jun, National Ballet of China © National Ballet of China 2. “Where to Pour All My Love?” by L.Jun, National Ballet of China © National Ballet of ChinaLi Jun, dancer-choreographer of the National Ballet of China, is nominated for “Where to Pour All My Love?”, a twenty-minute piece set to music by Zhao Jiping. It premiered at the company’s 12th ballet workshop in April 2022. Jun’s source of inspiration was the Chinese multi-episode TV drama “Da Zhai Men” (Grand Mansion Gate) which traces the history of a Beijing-based family from the late Qing Dynasty (1644 – 1911) to World War II. “Where to Pour All My Love?” focuses on Bai Yuting – one member of this family – whose love for Peking Opera gets out of control. (more…)

Mighty

“Ivan the Terrible”
Bolshoi Ballet
Bolshoi Theatre (Historic Stage)
Moscow, Russia
June 06, 2023

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

1. E.Obraztsova (Anastasia) and I.Vasiliev (Ivan the Terrible), “Ivan the Terrible” by Y.Grigorovich, Bolshoi Ballet 2023 © Bolshoi Ballet / D.Yusupov For Yuri Grigorovich’s “Ivan the Terrible” at the Bolshoi Ballet I needed some preparation. The biography by the late Ruslan Skrynnikov (1931 – 2009), a research professor at St. Petersburg State University and a leading historian of early modern Russia, seemed useful. Although it was instructive, the reading was tedious. Skrynnikov is a painstaking sociopolitical analyst, an expert in imparting the cruelty of medieval life, but I learned little about the person Ivan the Terrible (1530 – 1584). Interestingly, his nickname terrible results from a misleading translation of the actual epithet Грозный (grozny) which – according the Russian lexicographer Vladimir Dal (1801 – 1872) – can be translated as “courageous, magnificent, magisterial and keeping enemies in fear, but people in obedience”. A “tsar who managed to keep everything under control” – that’s how ballet legend Ivan Vasiliev (who’s regularly performed the role) describes Ivan the Terrible in an interview (subtitled in English and very much worth seeing), adding that “when you bear responsibility for such a huge country, you cannot lose control.” (more…)

The Very Essence

Swan Lake”
Ballet of the Stanislavsky and Nemirovich-Danchenko Moscow Music Theatre
Stanislavsky and Nemirovich-Danchenko Moscow Music Theatre
Moscow, Russia

June 05, 2023

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

1. M.Drodzdova (Odile) and V.Tedeev (Prince Siegfried), “Swan Lake” by V.Burmeister and L.Ivanov, Ballet of the Stanislavsky and Nemirovich-Danchenko Moscow Music Theatre 1974 © Stanislavsky and Nemirovich-Danchenko Moscow Music Theatre 2. M.Drodzdova (Odette), “Swan Lake” by V.Burmeister and L.Ivanov, Ballet of the Stanislavsky and Nemirovich-Danchenko Moscow Music Theatre © Stanislavsky and Nemirovich-Danchenko Moscow Music Theatre 3. O.Kardash, K.Ryzhkova, M.Drodzdova, and K.Shevtsova; “Swan Lake” by V.Burmeister and L.Ivanov, Ballet of the Stanislavsky and Nemirovich-Danchenko Moscow Music Theatre 2023 © Stanislavsky and Nemirovich-Danchenko Moscow Music Theatre When I arrived at the Stanislavsky Theatre’s royal blue auditorium for Vladimir Burmeister’s 1953 version of “Swan Lake” I had no clue what was awaiting me. No one had told me that this performance wasn’t a regular one, but dedicated to Margarita Drodzdova, People’s Artist of the USSR, who spent almost her entire career at the Stanislavsky Ballet. A leading ballerina, many roles were tailored especially to her. After her farewell from the stage in 1987, Drodzdova continued to work as a teacher, passing her knowledge to future generations of dancers.

On the occasion of Drodzdova’s 75th birthday on May 7th, the Stanislavsky Ballet honored her with a special “Swan Lake” that featured three of her coachees in the roles of Odette and Odile. (more…)

Invincible

“The Flames of Paris”
Bolshoi Ballet
Bolshoi Theatre (New Stage)
Moscow, Russia
June 04, 2023 (matinee)

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

1. E.Kokoreva (Jeanne), V.Lantratov (Philippe), and ensemble; “The Flames of Paris” by V.Vainonen, Bolshoi Ballet 2023 © Bolshoi Ballet / E.Fetisova “A highly unlikely work” – commented the late Clement Crisp in his Financial Times review about “The Flames of Paris”, which the Bolshoi Ballet performed at the Royal Opera House as part of their 2016 London tour. He argued that the dramatic scheme was papery and the chief roles were predictable.
I checked myself, watching the 85th performance of the latest production at the Bolshoi Ballet’s home base in Moscow.

“The Flames of Paris”, first staged in 1932 at the Kirov Theater in Leningrad (today’s Mariinsky Theater in St. Petersburg) is about how French revolutionaries turned politics and society upside down. Its rousing score by Boris Asafiev draws on music by Lully and Rameau, including the Marseillaise, and climaxes in the powerful revolutionary song “Ça ira”. In 2008, the Bolshoi Ballet’s then artistic director Alexey Ratmansky restored and revised Vasily Vainonen’s original choreography. Nikolai Volkov’s and Vladimir Dmitriev’s libretto, initially spanning four acts, was condensed to two acts. It tells the story of the revolutionaries’ march to Paris and their storming of the Bastille in July 1789. Oblivious to the people’s fury, the monarchy and its representatives continue to debauch in festivities (including a court ballet) at Versailles, but eventually apprehend the looming danger. Puppets of King Louis XVI and Queen Marie Antoinette are already mangled by the crowd, soon to seize the palace. (more…)

Loyal Friendship

“Cipollino”
Armenian National Ballet
Armenian National Opera and Ballet Theatre
Yerevan, Armenia
June 03, 2023

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

1. G.Sargsyan (Cipollino) and A.Zakaryan (Signor Tomato), “Cipollino” by H.Mayorov, Armenian National Ballet 2023 © Armenian National Ballet“Cipollino” (Little Onion) sounds like a ballet made in Italy. Though inspired by the Italian children’s story “Il romanzo di Cipollino”, by Gianni Rodani (1920 – 1980), the ballet came into life miles away in Kiev. Henrich Mayorov (1936 – 2022), a Russian-Ukranian choreographer, turned the fairy tale into a two-act ballet to which Karen Khachaturian contributed a catchy score. Since its premiere in 1974, “Cipollino” has become a fixture of many eastern companies. I watched it in Yerevan, the home base of the Armenian National Ballet which I visited for the first time.

Where there is a little onion, adult onions aren’t far away. In fact, “Cipollino” employs an entire onion family – mother Cipolla (Mariam Aslanyan), father Cipollone (Artur Karchikyan), their daughter Cipolette (Marina Baghdasaryan), and their plucky son Cipollino (Gor Sargsyan) – plus a bountiful harvest of fruit and vegetables. Among them are the young, dauntless Little Radish (Tatevik Grigoryan), the lonely Count Cherry (Milton Kirakosyan), and the beguiling Magnolia (Nare Markosyan). The violin-playing Professor Pear (Vahe Babajanyan) belongs to the town’s folk, as does the homeless Godfather Pumpkin (Davit Kghbelyan), who’s busy assembling brick stones for constructing his own shelter. (more…)