Others

The Alvin Ailey Company Tours Germany

“Alvin Ailey American Dance Theater”
Deutsches Theater
Munich, Germany
August 22, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. B.Pereyra, “Four Corners” by R.K. Brown, Alvin Ailey American Dance Theater © P.KolnikThe summer tour of the Alvin Ailey company kicked off in Paris and, after one week in Basel, reached Germany in early August where the main body of performances was scheduled. The last stop will be in Copenhagen in September.
I saw the opening night in Munich, one of the five cities on the troupe’s German itinerary. The four pieces on the program included “Four Corners” by Ronald K. Brown, “Exodus” by Rennie Harris, Robert Battle’s short “Takademe” and the company’s signature piece “Revelations,” one of the Ailey’s earliest works. He created it in 1960 when he was just twenty-nine-year-old. “Four Corners” and “Exodus” were replaced by “Open Door” and “Piazzolla Caldera” at other venues on the tour. (more…)

Four Dancer Nominees for the Prix Benois 2017

Prix Benois de la Danse
Bolshoi Ballet / Korean National Ballet / National Ballet of Uruguay
Moscow / Seoul / Montevideo
April 28, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. Statuette of the Prix Benois de la Danse, design by I.Ustinov © Y.PokrovskyOn May 30th and 31st the Bolshoi again hosts the ceremonies of the annual Prix Benois de la Danse Galas. Prizes will be given on the first evening, while the gala on the following day will look back on highlights from the twenty-five-year history of the Prix Benois. It is already known that Marcia Haydée will be awarded the Benois Prize for Lifetime Achievement and Aurelie Dupont the Russian-Italian Prize Miroir de la Danse.

This year’s nominees include seven choreographers, six ballerinas and seven male dancers. I asked four dancers – two female, two male – about the roles which earned them the nomination: they are, alphabetically, Nina Kaptsova (Bolshoi Ballet), Jae-Woo Lee (Korean National Ballet), Maria Riccetto (National Ballet of Uruguay), and Denis Rodkin (Bolshoi Ballet).
All four were asked the same questions:
“Why was performing this role special compared to other roles you danced? What challenged you? In what perspective did the role make you grow as an artist?”

Here is what they answered: (more…)

Grand Glamor

“Les Ballets Trockadero de Monte Carlo”
Theaterhaus Stuttgart
Stuttgart, Germany
August 09, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. Ensemble, “Swan Lake” after L.Ivanov, Les Ballets Trockadero de Monte Carlo © S.VaughanFor almost a week the venerable “Trocks” have been doing themselves the honor of guesting at Stuttgart’s Theaterhaus as part of an extended tour through Germany. A packed house duly welcomed them and was generously rewarded with a mixed bill of iconic classics. I saw the program on opening night which, “in accordance with the greatest tradition of Russian Ballet”, slightly differed from what had been announced in advance. Instead of the “Pas de deux Mystérieux” we were presented with the threesome of the “Le Corsaire Pas de Deux”, “Go for Barocco” and the “Dying Swan” which were framed by Act II of “Swan Lake” and the Grand Pas Classique of “Paquita”. (more…)

Tradition made spectacular

“The Kabuki”
The Tokyo Ballet
Stuttgart State Opera
Stuttgart, Germany
June 08, 2014

by Ilona Landgraf
Copyright © 2014 by Ilona Landgraf

1. Ensemble, The Kabuki by Maurice Béjart, Tokyo Ballet 2014 The Tokyo Ballet toured Stuttgart on June 7th and 8th with one of their core repertory pieces, Maurice Béjart’s “The Kabuki”, a dance-drama created for the troupe in 1986. The plot is based on the Japanese national myth “The Revenge of the 47 Ronin”, events which took place between 1701 – 1703 during the Edo period. The term ‘Ronin’ means ‘masterless samurai’ due to the master’s death or the loss of the master’s favor or privilege.

It’s an intricate story set in the circles of the Shogun. Morono, a high-level officer of the Shogun, is rejected by Lady Kaoyo, the wife of Lord Enya Hangan. Out of wounded vanity he starts to quarrel with the husband. Enya Hangan finally loses his temper and attacks the womanizer, earning more than he bargained for. Provoking fights inside the palace is forbidden and is punished with the stipulation to commit Seppuku, ritual suicide through disembowelment. He also has to dissolve his clan. Having no choice, he took his own life. (more…)