Gauthier Dance

Wrongdoings

“The Seven Sins”
Gauthier Dance
Theaterhaus Stuttgart
Stuttgart, Germany
May 08, 2022

by Ilona Landgraf
Copyright © 2022 by Ilona Landgraf

1. Ensemble, “Corrupt” by S.L.Cherkaoui, Gauthier Dance 2022 © J.BakThose who aren’t well-versed in the dos and don’ts of Christianity might find a visit to the Theaterhaus Stuttgart to be worthwhile. Their recent premiere – “The Seven Sins” – translates each of the capital vices into a short piece of dance by a different choreographer.

Sidi Larbi Cherkaoui’s “Corrupt” deals with the first capital sin: greed. Accompanied by an extensive pre-recorded lecture on the nature of greed, nine dancers squirm and writhe, sabotage and manipulate. We hear about the Buddhist way of freeing ourselves from greed; about greed’s connection to hate and ignorance; about the upsides and downsides of wanting something; and about the impact of money. At times, their arms stretch outwards, as if attempting to escape the self-made prison. Cash is their sacred cow; bundles of crumpled notes bulge from the pockets of their dark suits, decorating their arms like bracelets and being exchanged by the handful. (more…)

Limitations

“Nijinski”
Gauthier Dance
Theaterhaus Stuttgart
Stuttgart, Germany
June 22, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. R.Guerra and L.Prunty, “Nijinski” by M.Goecke, Gauthier Dance © R.Brocke 2016Stuttgart’s Gauthier Dance is known for entertaining programs. Commissioning Marco Goecke, Stuttgart Ballet’s resident choreographer, with a ballet about Vaslav Nijinsky heralds a change of course towards the serious.
Nijinsky is a legend. He was the star dancer of Sergei Diaghilev’s Ballets Russes (1909 – 1921) and as a choreographer ahead of his time. But tragically mental illness struck him in the middle of his life. How did Goecke approach him?

One thing was clear from the beginning. Goecke and Nijinsky have things in common. Nijinsky’s choreographies, especially “L’Après-midi d’un faune” (1912) and “Le Sacre du printemps” (1913), sent shock waves through the cultural world. (more…)

Give it Another Shot

“Greyhounds”
Theaterhaus Stuttgart
Stuttgart, Germany
November 04, 2015

by Ilona Landgraf
Copyright © 2015 by Ilona Landgraf

1. J.Krämer, M.Kruuse, E.Madsen and T.Lempertz, “Greyhounds” by E.Madsen, photo: R.BrockeThe four dancers of Egon Madsen’s “Greyhounds” compare their careers to long-distance journeys with various stopovers. Although this is not quite correct. Only two protagonists are indeed gray-haired veterans of the dance floor, Marianne Kruuse and Madsen himself. Both are in their seventies. The quartet’s other two, Julia Krämer and Thomas Lempertz, bid their farewell to Stuttgart Ballet’s stage only around ten years ago: Krämer was principal, Lempertz first soloist. The current get-together of the four at the Theaterhaus Stuttgart was initiated by Madsen, a formative dancer of Stuttgart Ballet under Cranko’s reign.

From 1981 on, he was director of Frankfurt Ballet followed by directorships in Stockholm, Florence, and at the Nederlands Dans Theater III (NDT III). Madsen’s affinity to dance never stopped. He is closely connected with Stuttgart’s Gauthier Dance Company and a respected figure in the city’s dance scene. (more…)