Monthly Archive: November 2015

An Indomitable Woman

“Charlotte Salomon: Death and the Painter”
Ballett im Revier
Musiktheater im Revier
Gelsenkirchen, Germany
November 20, 2015

by Ilona Landgraf
Copyright © 2015 by Ilona Landgraf

1. K.Alexi, “Charlotte Salomon: Death and the Painter” by B.Breiner, photo C.RaduIt is just Bridget Breiner’s third season at the helm of the Ballett im Revier in Gelsenkirchen. But for the second time she has already been awarded the German theater prize “Faust” for best choreography. Breiner, who started her career as a dancer with the Bavarian State Ballet, later joined the Semperoper Ballet Dresden before dancing several years as principal with Stuttgart Ballet. In 2012 she took over as artistic director of the Ballett im Revier following Bernd Schindowski who had held the post for more than thirty years.

Getting the “Faust” twice is quite an achievement as Breiner’s company is small: around fifteen dancers including guests. “Ruß”, Breiner’s version of the Cinderella story, was the first work awarded in 2013. Just recently her latest work, “Charlotte Salomon: Death and the Painter”, received its laurels as well. (more…)

A Sweeping Goodbye

Semperoper Ballet
Dresden, Germany
November 11, 2015

by Ilona Landgraf
Copyright © 2015 by Ilona Landgraf

1. M.Hamilton and J.Bubeniček, “Manon” by Kenneth MacMillan, photo Ian WhalenOne could make things easier when it comes to the end of a dance career. A favorite piece which the audience likes should make for a decent leave-taking. Jiří Bubeníček is of another caliber. After nine years with Semperoper Ballet Dresden he tackled a debut for his farewell, Des Grieux in Kenneth MacMillan’s “Manon”. Moreover, he asked a ballerina, with whom he had never danced before, to be his Manon: Royal Ballet’s principal Melissa Hamilton, who will stay with the Semperoper company for the whole season.

“Go for it!” is one of Bubeníček’s principles. Exactly this is what he did. In fact, what the whole company did. Aaron S.Watkin, the company’s artistic director, aimed to use “Manon” to explore yet another style with his already versatile company. It was enthusiastically received. No wonder. All ingredients merged splendidly presenting “Manon” as a gripping narrative. (more…)

Give it Another Shot

Theaterhaus Stuttgart
Stuttgart, Germany
November 04, 2015

by Ilona Landgraf
Copyright © 2015 by Ilona Landgraf

1. J.Krämer, M.Kruuse, E.Madsen and T.Lempertz, “Greyhounds” by E.Madsen, photo: R.BrockeThe four dancers of Egon Madsen’s “Greyhounds” compare their careers to long-distance journeys with various stopovers. Although this is not quite correct. Only two protagonists are indeed gray-haired veterans of the dance floor, Marianne Kruuse and Madsen himself. Both are in their seventies. The quartet’s other two, Julia Krämer and Thomas Lempertz, bid their farewell to Stuttgart Ballet’s stage only around ten years ago: Krämer was principal, Lempertz first soloist. The current get-together of the four at the Theaterhaus Stuttgart was initiated by Madsen, a formative dancer of Stuttgart Ballet under Cranko’s reign.

From 1981 on, he was director of Frankfurt Ballet followed by directorships in Stockholm, Florence, and at the Nederlands Dans Theater III (NDT III). Madsen’s affinity to dance never stopped. He is closely connected with Stuttgart’s Gauthier Dance Company and a respected figure in the city’s dance scene. (more…)

A Star Enters Another Orbit

Jiří Bubeníček
Dresden, Germany
October, 2015

by Ilona Landgraf
Copyright © 2015 by Ilona Landgraf

1. Jiri Bubenicek, photo: Costin RaduIn about one week Semperoper Ballet Dresden will lose one of its mainstays, a formative figure of the company, the idol of the Saxon audience, Principal Jiří Bubeníček, who will bid farewell to the Semperoper stage on November 11th as Des Grieux in Kenneth MacMillan’s “Manon”. In 2009, already a longtime internationally recognized choreographer, he mentioned in an interview on the occasion of a new creation for New York City Ballet that he would have to decide soon whether to focus on dancing or on choreographing. Since then he has managed the balancing act between giving top-notch performances and creating even more ballets.

Jiří’s twin brother Otto had already bid goodby to Hamburg Ballet’s stage at the end of last season. Both are a perfectly attuned team. Jiří choreographs, Otto is in charge of set and costumes; sometimes he also composes the music. Now, shortly after turning forty-one, the time has also come for Jiří to finally stop dancing full-time. His schedule book is packed with commissions for the next two years. So there won’t be time to put up his feet after the final bow. But that would not suit Bubeníček’s nature anyway. A man of action he loves to be busy. Running several projects at the same time isn’t unusual for him. (more…)

Anderson’s Jubilee Menu No. 1

“Kylián / Van Manen / Cranko”
Stuttgart Ballet
Stuttgart State Opera
Stuttgart, Germany
October 27, 2015

by Ilona Landgraf
Copyright © 2015 by Ilona Landgraf

1. M.Kacerova/F.Vogel, A.Amatriain/J.Reilly, E.Bushuyeva/M.Crockard-Villa, “Forgotten Land” by J.Kylián, Stuttgart Ballet 2015Shortly before setting off on a tour to Korea and Japan Stuttgart Ballet premiered a mixed bill of four pieces by three choreographers. This season is Reid Anderson’s twentieth for which he chose his favorites. Combining choreography by Jiří Kylián, Hans van Manen – both long-term collaborators of the company – and John Cranko is a safe play, yet also a welcome treat. Especially as the company was in sunniest form. (more…)