Monthly Archive: April 2022

Homage to Iván Nagy

“6th Iván Nagy International Ballet Gala”
Ballet of the Hungarian State Opera
Hungarian State Opera
Budapest, Hungary
April 23, 2022

by Ilona Landgraf
Copyright © 2022 by Ilona Landgraf

1. T.Solymosi and O.Chernakova, Ballet of the Hungarian State Opera 2022 © A.Nagy / Hungarian State Opera Iván Nagy (1943 – 2014), a ballet dancer born and trained in Hungary, rose to stardom as a principal for the American Ballet Theatre in the 1970s. He later embarked on a second career as an artistic director – first at the Ballet de Santiago, and subsequently at the Cincinnati/New Orleans Ballet and the English National Ballet. In his final years, he returned to his homeland to support the ballet of the Hungarian State Opera as an artistic advisor. Since 2015, the company has paid tribute to him at a yearly international gala, which was canceled due to the pandemic in 2020 and 2021. (more…)

A Whole Lot

“Without Limits”
Ballet of the Hungarian State Opera
Eiffel Art Studios
Budapest, Hungary
April 23, 2022 (matinee)

by Ilona Landgraf
Copyright © 2022 by Ilona Landgraf

1. Students from the Hungarian National Ballet Institute, “Paquita Suite” by T.Solymosi, A.Mirzoyan, and I.Prokofieva after M.Petipa; Ballet of the Hungarian State Opera 2022 © P.Rákossy / Hungarian State Opera The new triple bill from the Hungarian State Opera’s ballet company, aptly titled “Without Limits”, certainly offers a whopping amount of dance. Harald Lander’s “Études” (1948), a one-act homage to the formal classical technique, contrasts with William Forsythe’s sprightly “The Vertiginous Thrill of Exactitude” (1996). A new version of another purely classical ballet Marius Petipa’s Paquita Grand Pas (“Paquita Suite”) – opened the program. “Without Limits” was shown at the Eiffel Art Studios, a former railway maintenance and engineering complex transformed in 2020 into the Hungarian Opera’s second stage in Budapest. The capacious, light-filled venue houses a modern 500-seat stage, rehearsal and storage space, production workshops, and an exhibition area. The toot-toot of the historic locomotive located in the foyer calls the audience back after breaks. (more…)

Great Moments

Ballet Estable del Teatro Colón
Teatro Colón
Buenos Aires, Argentina
April 17, 2022 (livestream)

by Ilona Landgraf
Copyright © 2022 by Ilona Landgraf

1. N.Osipova (Giselle), D.Camargo (Duke Albrecht), and ensemble, “Giselle” by G.Mollajoli after J.Coralli, J.Perrot, and M.Petipa, Teatro Colón 2022 © Prensa Teatro Colón / M.Parpagnoli Last weekend, the Teatro Colón scored a ballet coup par excellence with two performances of “Giselle” that starred two extraordinary guest dancers: the Royal Ballet’s Natalia Osipova, and Daniel Camargo, a former principal of Stuttgart Ballet and Dutch National Ballet who played Franz in the recently released dance film “Coppelia”. The second “Giselle” was streamed live – and it felt as if Christmas and Easter had been rolled into one.

Unfazed by technical challenges, Osipova plumbed the depths of her role with stunning intensity and freshness. (more…)


“Narrenschiff” (Ship of Fools)
Ballet of the State Theater Nuremberg
State Theater
Nuremberg, Germany
April 10, 2022

by Ilona Landgraf
Copyright © 2022 by Ilona Landgraf

1. Ensemble, “Maria” by G.Montero, Ballet of the State Theater Nuremberg 2022 © J.Vallinas“Narrenschiff” (Ship of Fools), the first premiere of the season for the State Theater Nuremberg, is a double bill choreographed by the company’s artistic director Goyo Montero. It is comprised of two ensemble pieces: “Maria”, a ballad about the bible’s Maria Magdalena co-produced with the Diana Vishneva Foundation, St. Petersburg (Vishneva danced the leading role at the premiere in December; the photos below show her), and “Narrenschiff”, which gave the program its title. I saw the – for now – final performance. (more…)


Nederlands Dans Theater
Forum Ludwigsburg
Ludwigsburg, Germany
March 26, 2022

by Ilona Landgraf
Copyright © 2022 by Ilona Landgraf

1. “Toss of a Dice” by J.Kylián, NDT I 2022 © J.J.BosLast weekend, the Nederlands Dans Theater (NDT I) toured Ludwigsburg near Stuttgart, performing a triple bill they’d recently premiered at the Holland Dance Festival: “Toss of a Dice” by Jiři Kylián (2005); a new piece by Spain’s Marina Mascarell (“How to cope with a sunset when the horizon has been dismantled”); and “I love you, ghosts” – newly created by the company’s associate choreographer Marco Goecke.

The poem “Un coup de dés jamais n’abolira le hasard” (“A Throw of the Dice will Never Abolish Chance” penned by Stéphane Mallarmé in 1897) was the springboard for “Toss of a Dice”. (more…)