Monthly Archive: June 2016


Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, Netherlands
June 25, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. Ensemble, “Year of the Rabbit” by J.Peck, Dutch National Ballet © H.Gerritsen 2016The program of “Transatlantic”, recently premiered by Dutch National Ballet, is a teaser. The mixed bill has four pieces: two world premieres by George Williamson and Ernst Meisner, a Dutch premiere by Justin Peck and “Overture”, choreography by David Dawson from 2013. A kaleidoscope of up-to-date ballet! Strangely, large parts of the auditorium were empty at, the sixth and second to last performance on Saturday, June 25th. Maybe the round of 16 matches of the European Football Championship kept many glued to the TV screens. They missed a lot. (more…)


Gauthier Dance
Theaterhaus Stuttgart
Stuttgart, Germany
June 22, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. R.Guerra and L.Prunty, “Nijinski” by M.Goecke, Gauthier Dance © R.Brocke 2016Stuttgart’s Gauthier Dance is known for entertaining programs. Commissioning Marco Goecke, Stuttgart Ballet’s resident choreographer, with a ballet about Vaslav Nijinsky heralds a change of course towards the serious.
Nijinsky is a legend. He was the star dancer of Sergei Diaghilev’s Ballets Russes (1909 – 1921) and as a choreographer ahead of his time. But tragically mental illness struck him in the middle of his life. How did Goecke approach him?

One thing was clear from the beginning. Goecke and Nijinsky have things in common. Nijinsky’s choreographies, especially “L’Après-midi d’un faune” (1912) and “Le Sacre du printemps” (1913), sent shock waves through the cultural world. (more…)


“Illusions – like Swan Lake
Bavarian State Ballet
National Theater
Munich, Germany
June 19, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. M.Urban, “Illusions – like Swan Lake” by J.Neumeier, Bavarian State Ballet, Munich © W.Hösl 2016Melancholy pervaded Munich’s National Theater on Sunday. For the last time the company performed John Neumeier’s “Illusions – like Swan Lake”. With Igor Zelensky taking over as the company’s director, this production will be stored in mothballs for the time being. Also, twelve dancers had their last evening on stage. Twenty-nine members — around forty percent of the ensemble – are leaving. Being part of the audience made me sigh deeply, as did looking at the front curtain’s golden embroidery on a blue-white ground decorated with swans and lilies. Then there were Jürgen Rose’s superb decors and marvelous costumes. What a pity that so much of this will disappear from view.

“Illusions – like Swan Lake” is a 1976 collaboration of choreographer Neumeier and designer Rose. Although steeped in Bavarian history, this version of “Swan Lake” premiered in Munich only in 2011. Neumeier linked the swan story and the fate of Bavaria’s King Ludwig II (1845 – 1886), who had become known as the Fairy Tale Monarch or Swan King.

Parallels between Ludwig II and the ballet’s Prince Siegfried and also with composer Tchaikovsky are striking. Ludwig II struggled with being homosexual, as did Tchaikovsky. (more…)

Riding the Wild Surf

“Anita Berber – Goddess of the Night”
Ballet of the Theater and Philharmonic Orchestra Thuringia
Theater Gera
Gera, Germany
June 17, 2016

by Ilona Landgraf
copyright © 2016 by Ilona Landgraf

1. A.Kuzina and P.Jovicic, “Anita Berber – Goddess of the Night” by J.Bubeníček, Theater and Philharmonic Orchestra Thuringia © S.Ballone 2016Two months ago Jiří and Otto Bubeníček mounted the ballet “Doctor Zhivago” in Ljubljana. Last week the Czech Republic, their home country, honored them with the Gratias Agit for promoting the nation’s reputation abroad. Just this Friday the brothers gave their country a further reason for being proud of them: the premiere of “Anita Berber – Goddess of the Night” in Gera, Thuringia. This ballet traces the life and character of the scandalous German dancer, actress and self-promoter, a phenomenon of the “golden 1920s”. Choreography for the production is Jiří’s. Otto designed the set and costumes. Both brothers are responsible for the staging. This one acter, “Anita Berber”, again showed the Bubeniceks’ gift for storytelling. (more…)

Dull Orgy

Stuttgart Ballet
Stuttgart State Opera
Stuttgart, Germany
June 10, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. A.Amatriain, “Salome” by D.Volpi, Stuttgart Ballet © Stuttgart Ballet 2016“Salome” is the second program-filling piece that Stuttgart Ballet’s resident choreographer Demis Volpi has made for the company. “Krabat”, also multi-act, in 2013 was his auspicious first attempt. Last year’s “L’Histoire du Soldat”, part of a triple bill dedicated to Stravinsky, was weak.
For “Salome”, Volpi again gathered the “Krabat” team. Vivian Arnold, Stuttgart’s director of the press, communications and dramaturgy, was in charge of the libretto and the dramatic direction. Set and costume designs are by Katharina Schlipf. Lighting is Bonnie Beecher’s. This time, though, the quartet’s work fell short. (more…)

Giving Perspectives

Tigran Mikayelyan and “Forceful Feelings”
Munich, Germany
June, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. T.Mikayelyan, Bavarian State Ballet © S,KletzschI doubt whether Armenia was on the international ballet map twenty years ago. That this has changed is due to Tigran Mikayelyan. He was the first to leave his home country in 1997 for the sake of dance. Others followed. In 2006 he founded the ballet troupe “Forceful Feelings” with his best friend, Arsen Mehrabyan. They were joined by three fellow Armenians, Arman Grigoryan, now soloist of the State Ballet Berlin, Vahe Martirosyan, first soloist of the Royal Swedish Ballet and Artur Babajanyan, who dances with the Joffrey Ballet. Mikayelyan is principal of the Bavarian State Ballet; Mehrabyan, also principal, dances with the Royal Swedish Ballet.

For a number of years the five have been building bridges for their art between their home country and the west. All were born in Yerevan, trained in the Armenian National Ballet School, and left their country to pursue their careers abroad. They are as close as brothers, not related by blood, but kindred spirits. Also their families are closely connected. Now geographically separated, their paths came together again in Zurich where they danced with Zurich Ballet under Heinz Spoerli’s tenure. The next performances of “Forceful Feelings” at the end of June will bring them back to Switzerland’s global city. (more…)