Monthly Archive: December 2023

Homage to Rainier III, Prince of Monaco

“Soirée Maurice Ravel” (“La Valse”/“L’Enfant et les Sortilèges”)
Les Ballets de Monte-Carlo
Salle des Princes, Grimaldi Forum
Monte-Carlo, Monaco
December 23, 2023

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

1. Ensemble, “La Valse” by G.Balanchine, Les Ballets de Monte-Carlo 2023 © A.BlangeroThis year, Monaco celebrated the centenary anniversary of Prince Rainier III (1923–2005), the Principality’s monarch and head of state for almost 56 years. One highlight among the numerous events and exhibitions was a new double bill of Les Ballets de Monte-Carlo, featuring Balanchine’s La Valse and the company’s artistic director, Jean-Christophe Maillot’s L’Enfant et les Sortilèges (The Child and the Spell). Both pieces are set to music by Maurice Ravel. L’Enfant et les Sortilèges is a one-act opera with a libretto by Colette whose 150th anniversary happens to be celebrated this year. World War I delayed its premiere at the Monte-Carlo Opera until 1925. Back then, Balanchine choreographed the dance sequences. In 1992, Maillot created his adaption. As a tribute to Prince Rainier – who is said to have loved Ravel’s music in general and especially L’Enfant et les Sortilèges – he presented a new version this year. There were only four performances scheduled at the Grimaldi Forum, and I saw the last one on December 23rd. It was attended by Prince Albert II, Princess Caroline, and Princess Stéphanie and opened with Monaco’s anthem. (more…)

Work Ethics

The Australian Ballet
Southbank/Victoria, Australia
December 2023

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

It’s no secret that the country of Germany is in descent. Of the various aspects that add to the misery, one is that work has lost its intrinsic value in many classes of German society. Matters are different in the ballet world though. The Australian Ballet, for example, delivered high quality throughout the year. Earlier this December, the company’s artistic director, David Hallberg, honored the achievements of his dancers. In a sweeping series of promotions, sixteen dancers climbed the ranks. Their joy was infectious. Each promotee knows that a higher rank bestows higher expectations, and each one seemed to wholeheartedly embrace the new challenge.

The newest coryphées are Sara Andrlon, Saranja Crowe, Hugo Dumapit, Adam Elmes, Evie Ferris, Lilla Harvey, Larissa Kiyoto-Ward, and Montana Rubin.

(more…)

Lacking Punch (and more)

“The Nutcracker”
Stuttgart Ballet
Stuttgart State Opera
Stuttgart, Germany
December 19, 2023

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

1. A.Su (Clara), D.Ionescu (Mrs. Stahlbaum), H.Erikson (Fritz), F.Puthenpurayil (Mr. Stahlbaum), and ensemble; “The Nutcracker” by E.Clug, Stuttgart Ballet 2023 © R.Novitzky/Stuttgart BalletAfter half a century without a family-friendly “Nutcracker”, the Stuttgart Ballet decided last year to fill the vacuum with a new version by Edward Clug. Clug, artistic director of the Maribor Ballet/Slovenia, had already contributed several short pieces to the Stuttgart company’s repertory, but “The Nutcracker” was his first full-evening story ballet for them. Stuttgart Ballet’s artistic director, Tamas Detrich, took the set and costume design choices into his own hands and commissioned a longstanding collaborator of the troupe – Jürgen Rose – to team up with Clug.

Rose’s design for the Stahlbaums’ Christmas celebration and their daughter Clara’s dream journey into a magical realm is a medley of old and new styles. The costumes and Clara’s bed are Biedermeier-ish, and the Stahlbaums’ mansion is ultra-modern. Its plain, washy-brown walls create a claustrophobic atmosphere. Walnuts of different sizes connect the scenes like a visual leitmotiv. (more…)

Customized

“Jane Eyre”
Hamburg Ballet – John Neumeier
Hamburg State Opera
Hamburg, Germany
December 09, 2023

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

1. M.Sugai (Jane Eyre), “Jane Eyre” by C.Marston, Hamburg Ballet 2023 © K.WestLast December, John Neumeier announced that his then-new “Dona Nobis Pacem” would be his last choreography for the Hamburg Ballet. I was rightfully doubtful because the eighty-four-year-old did indeed schedule the premiere of yet another new creation – Epilogue” – for July 2024. With very few exceptions, the Hamburg Ballet’s purpose has been to present its artistic director’s oeuvre. In his farewell season, he at least allocated the other premiere to a foreign choreographer, the Zurich Ballet’s new artistic director, Cathy Marston. Her “Jane Eyre” received its Hamburg debut earlier this December. It’s an adaptation of Charlotte Brontë’s eponymous 1847 novel and was created for Northern Ballet in 2016 and later developed into a big-scale production for American Ballet Theatre and the Joffrey Ballet.

In an interview printed in the program booklet, Marston reports having been surprised about the unexpected assignment by Neumeier and also hints as to why Neumeier might have chosen “Jane Eyre”. (more…)