Stuttgart Ballet

Noverre Evening 2017

“Young Choreographers”
Noverre Society
Schauspielhaus Stuttgart
Stuttgart, Germany
April 20, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. A.McGowan and E.Comak, “Fraternal | Stories” by A.McGowan and E.Comak, Noverre Society Stuttgart – Young Choreographers 2017 © R.NovitzkyTwelve young choreographers presented their works to the public as part of this season’s two Noverre Evenings – Stuttgart’s platform for aspiring choreographers of dance. Two of the choreographers are female. Two of the ten pieces are collaborative works. Seven originated from within the ranks of the Stuttgart Ballet, and three were created by individual dancers from Lyon, Munich and Mannheim. Notably, none included point work. The quality of the works varied, but each was warmly applauded and some raised enthusiastic cheers. (more…)

Stuttgart Ballet’s “Walking, Talking Historical Person”

“Reid Anderson – Having it”
240 pages, b/w illustrations
Henschel Publishing House, April 2017
ISBN 978-3894877903
April 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. “Reid Anderson – Having It”, book cover © Henschel Publishing HouseReid Anderson celebrated his 68 years anniversary on April 1st a few weeks ago. His birthday present was a book: Reid Anderson – Having It, From Dancer to Director, initiated and edited by Vivien Arnold, Stuttgart Ballet’s Director of Press, Dramaturgy and Communications. Its authors, Angela Reinhardt and Gary Smith, are both very familiar with Anderson’s career. Smith covered Anderson’s childhood and teenage years in Canada, his training at the Royal Ballet School in London and his time as director, first of the Ballet British Columbia, then of the National Ballet of Canada. Stuttgart-based Reinhardt contributed the Stuttgart chapters of Anderson’s life, one as a dancer of John Cranko’s company, and the second, ten years later, as director of the company, a post he still holds.

The book, available in German and English, was introduced to the public by Anderson and Tim Schleider, Head of the Culture Department of the Stuttgarter Zeitung and the Stuttgarter Nachrichten, in a matinée talk in Stuttgart’s opera house on April 1st. (more…)

Creating an Image

Ballet Companies in Germany, the Netherlands and Switzerland
Semperoper Ballet, Bavarian State Ballet, State Ballet Berlin, Stuttgart Ballet, Ballett am Rhein,
Dutch National Ballet, Zurich Ballet
October 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

What kind of image distinguishes Stuttgart Ballet from Dutch National Ballet? Or the Bavarian State Ballet from the State Ballet Berlin? What is it the dancers – and their audience – identify with as their company? How do companies present themselves to the public? Such were my thoughts when seeing the Semperoper Ballet’s new image campaign, #WHYWEDANCE. I asked several major companies to send me images of their choice representing their respective company’s image.

1. R.Martínez, #WHYWEDANCE, Semperoper Ballet © I.Whalen 20162. J.Gray, #WHYWEDANCE, Semperoper Ballet © I.Whalen 2016Semperoper Ballet chose four of the sixty-one dancer portraits of #WHYWEDANCE. The new ensemble brochure presents each in full-page size. In addition they are spread via social media and on billboards and advertising pillars in Dresden. Aaron S.Watkin, in his eleventh year as artistic director, put the spotlight on his company this season whose face has changed since his beginning in 2006. Next to the dancers, Ian Whalen, the troupe’s photographer and multimedia expert, also shot Watkin and staff members. Names, places of birth, ranks within the company and the year when joining the ensemble come along with each portrait. In addition, every dancer sums up their motivation for the profession, the why and wherefore of choosing a career with dance in a single word. (more…)

A Conversation with Tadeusz Matacz

John Cranko School
Stuttgart, Germany
September, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. Tadeusz Matacz © T.Matacz The Cranko School is one of the most renowned ballet schools of the world, a talent pool known for excellence and, according to surveys at the Youth American Grand Prix (YAGP), the second most favored school among students after London’s Royal Ballet School. When I arrived in Stuttgart in mid-September to find out about the school’s formula of success, I was surprised. Located in the Urbanstrasse, around 0,6 miles distance from the State Opera, the five-story building is unremarkable in the row of houses. Only a metal plate next to the entrance reveals that this is the school John Cranko founded in December 1971, ten years after he had taken over the reins of Stuttgart Ballet. (more…)

Done For Reid

Stuttgart Ballet’s Festival Weeks: “Gala”
Stuttgart Ballet
Stuttgart State Opera
Stuttgart, Germany
July 24, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. R.Anderson, guests and ensemble,”Stuttgart Ballet Gala” © Stuttgart Ballet 2016Not even a quarter of the way into Reid Anderson’s twentieth jubilee gala, this leader of the Stuttgart Ballet confided to the audience that “We’re both done for and, by the way, I’m a bit gaga.” By “we” he meant himself and Tamas Detrich, his Associate Artistic Director. Detrich, though, will take charge after the 2017/18 season. What was going on ? (more…)

The Talent Scout

Stuttgart Ballet’s Festival Weeks: “Sketches”
Stuttgart Ballet
Kammertheater Stuttgart
Stuttgart, Germany
July 17, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. A.Osadcenko and J.Reilly, “Delta Inserts” by K.O'Day, Stuttgart Ballet © Stuttgart Ballet 20162. A.Osadcenko and J.Reilly, “Delta Inserts” by K.O'Day, Stuttgart Ballet © Stuttgart Ballet 2016In Stuttgart the ballet season reached its climax this July. Reid Anderson’s twentieth jubilee as artistic director is being celebrated with a vast program of extras for three weeks. On July 3rd he had allowed insight into his life and career in the talk “Everything you Always wanted to Know…”. The film documentation “Miracles and Superheroes – 55 Years Stuttgart Ballet” received its cinema premiere on July 15th. It was broadcast on television on July 20th. (more…)

Dull Orgy

“Salome”
Stuttgart Ballet
Stuttgart State Opera
Stuttgart, Germany
June 10, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. A.Amatriain, “Salome” by D.Volpi, Stuttgart Ballet © Stuttgart Ballet 2016“Salome” is the second program-filling piece that Stuttgart Ballet’s resident choreographer Demis Volpi has made for the company. “Krabat”, also multi-act, in 2013 was his auspicious first attempt. Last year’s “L’Histoire du Soldat”, part of a triple bill dedicated to Stravinsky, was weak.
For “Salome”, Volpi again gathered the “Krabat” team. Vivian Arnold, Stuttgart’s director of the press, communications and dramaturgy, was in charge of the libretto and the dramatic direction. Set and costume designs are by Katharina Schlipf. Lighting is Bonnie Beecher’s. This time, though, the quartet’s work fell short. (more…)

Brisk Steps

“Young Choreographers”
Noverre Society
Schauspielhaus Stuttgart
Stuttgart, Germany
May 11, 2016


by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. M.Miccini and B.E.Comak, “Cello contra bass” by R.Novitzky; Noverre Society, Young Choreographers © Carlos Quezada Since the era of John Cranko, Noverre Evenings have been firmly established in Stuttgart. They offer fledgling choreographers a chance to present their works to the audience. This year Rainer Woihsyk, head of the Noverre Society, had chosen thirteen pieces. “The evening is a bit too long”, he told me, “but I never know if one or the other backs out shortly before the premiere. That’s why I usually accept a few more applicants.” This time all succeeded and, as Woihsyk does not withdraw a promise once given, the program amounted to three hours including a break. Yet the pieces had been cleverly arranged, their variety kept one’s attention. (more…)

A Ravishing Cast

“Romeo and Juliet”
Stuttgart Ballet
Stuttgart State Opera
Stuttgart, Germany
March 25, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. E.Badenes and D.Camargo, “Romeo and Juliet” by J.Cranko © Stuttgart BalletThough spring is still dawdling away in Stuttgart, in the opera house spring fever has grown into fervent passion. Behind that is Cranko’s “Romeo and Juliet”, back for three performances within one week. The first one was led by Anna Osadcenko and Jason Reilly, followed by Elisa Badenes and Daniel Camargo. Later in the week, Miriam Kacerova and Constantine Allen had their Stuttgart debut as the star-crossed lovers. I saw Badenes and Camargo, each a marvelous dancer, superb when together.

But not until the first encounter of Romeo and Juliet did the story liven up. What was the sticking point? It was not the music, even if James Tuggle and the State Orchestra Stuttgart delivered Prokofiev’s score in a less richly way than on other occasions. Certainly the dancers are not to blame. They were fully engaged. Might it be Jürgen Rose’s sets, used unchanged since the piece’s premiere more than fifty years ago? (more…)

Those Who Can – Anderson’s Jubilee Menu No. 3

“Kammerballette” (“Kammerballett”, “Arena”, “Neurons”)
Stuttgart Ballet
Schauspielhaus Stuttgart
Stuttgart, Germany
March 04, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. M.F.Paixa, A.Amatriain, J.Reilly, P. v.Sternenfels, D.Camargo and A.Osadcenko, “Kammerballett” by H.v.Manen, Stuttgart Ballet 2016Reid Anderson’s third new ballet evening sticks to the format of the previous ones. Again, three short ballets are assembled on a mixed bill, this time shown on the stage of the Stuttgart Schauspielhaus. Hans van Manen’s “Kammerballett”, choreography from 1995 for the Nederlands Dans Theater, opened the program. It is new for the company enlarging Stuttgart Ballet’s already vast van Manen repertory. “Arena”, the middle piece, is by Glen Tetley, the company’s director in the period 1974 – 1976. Anderson had danced under Tetley’s reign. Their longstanding collaboration originated then. The new piece was saved for the finale: “Neurons”, a world premiere by the Polish choreographer Katarzyna Kozielska. (more…)

Bridging the Established and the New: Resident Choreographers – Anderson’s Jubilee Menu No. 2

“Forsythe / Goecke / Scholz”
Stuttgart Ballet
Stuttgart State Opera
Stuttgart, Germany
January 29, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. A.Morita, R.Robinson, H.-J.Kang, C.Allen, A.Zuccarini, A.Soares da Silva and M.Kacerova, “The Second Detail” by W.Forsythe, Stuttgart Ballet For his twentieth anniversary as artistic director of Stuttgart Ballet, Reid Anderson picked works by his favorite choreographers. In October an evening with pieces by Jiří Kylián, Hans van Manen and John Cranko premiered. Now, in the second new program, the company proves its versatility by yet again indulging in different styles. The triple bill combines ballets by William Forsythe, Marco Goecke and Uwe Scholz (1958 – 2004). All were or, in the case of Marco Goecke, are resident choreographers of the company. And they were all fledgelings of Stuttgart’s Noverre Society, whose Noverre evenings serve as a springboard for young choreographic talents. (more…)

Keeping Cranko’s Heritage Vivid

Georgette Tsinguirides
Stuttgart Ballet
Stuttgart, Germany
December, 2015

by Ilona Landgraf
Copyright © 2015 by Ilona Landgraf

1. Georgette Tsinguirides © Roman Novitzky 2015Reviving a ballet from the repertory or mounting it for another company isn’t just learning the steps. The most crucial part of the work is to make the role speak. In story ballets, the characters’ personalities have to come across authentically. Most of all the choreographer’s intentions must have priority.

Today, when starting rehearsals, ballet masters and dancers usually refer to videos of former performances. They are the perfect tools to convey a piece’s atmosphere, the steps and lifts of a pas de deux or a solo variation. Depending on the perspective of the camera they also depict group patterns. But other details are lost. What exactly is each member of the corps doing from the third line back? What is the posture hidden by the costume? Learning from videos promotes copying. But isn’t the goal to develop one’s own interpretation of the role?

Stuttgart Ballet also draws on videos when reviving old choreography. The ballet masters’ and Reid Anderson’s recollections are trustworthy too. They have danced the ballets many times themselves. But first and foremost the company relies on Georgette Tsinguirides, choreologist, ballet mistress and coach. (more…)

Anderson’s Jubilee Menu No. 1

“Kylián / Van Manen / Cranko”
Stuttgart Ballet
Stuttgart State Opera
Stuttgart, Germany
October 27, 2015

by Ilona Landgraf
Copyright © 2015 by Ilona Landgraf

1. M.Kacerova/F.Vogel, A.Amatriain/J.Reilly, E.Bushuyeva/M.Crockard-Villa, “Forgotten Land” by J.Kylián, Stuttgart Ballet 2015Shortly before setting off on a tour to Korea and Japan Stuttgart Ballet premiered a mixed bill of four pieces by three choreographers. This season is Reid Anderson’s twentieth for which he chose his favorites. Combining choreography by Jiří Kylián, Hans van Manen – both long-term collaborators of the company – and John Cranko is a safe play, yet also a welcome treat. Especially as the company was in sunniest form. (more…)

Only a Fairytale?

“Sleeping Beauty”
Stuttgart Ballet
Stuttgart State Opera
Stuttgart, Germany
July 25, 2015

by Ilona Landgraf
Copyright © 2015 by Ilona Landgraf

1. J.Reilly and M.Simon, “Sleeping Beauty” by M.Haydée after M.Petipa, Stuttgart Ballet 2015 © Stuttgart BalletStuttgart closes this season in high spirits with several performances of Maria Haydée’s “Sleeping Beauty”. The company has every reason to be in good mood. Recently, quite some intricate issues were resolved: after years of debate about financing, the first sod for the new Cranko School building was cut a few days ago. It is scheduled to be ready for the 2018/19 season. Renovation of the Stuttgart Opera House is also pending and, though it is not yet clear where the interim stage will be located during the projected five years of construction, the management, backed by the company’s team spirit, radiates confidence. Also a tricky personnel matter – who should succeed artistic director Reid Anderson? – was solved shortly before the end of the season. (more…)

Hope is the last to die

“A Streetcar named Desire”
Stuttgart Ballet
Stuttgart Schauspielhaus
Stuttgart, Germany
May 30, 2015

by Ilona Landgraf
Copyright © 2015 by Ilona Landgraf

1. A.Amatriain, “A Streetcar named Desire” by J.Neumeier, Stuttgart Ballet © Stuttgart Ballet 2015John Neumeier’s “A Streetcar named Desire”, based on Tennessee Williams’s drama of the same title, is probably not a piece one would be eager to see several times in a row. Unless one is hard-boiled. Calling it disturbing is too lenient. Its dense, oppressive atmosphere and brutal physicality that finally seals the mental destruction of its main character, Blanche DuBois, devours one. As food for thought, a single dose of this ballet brings along with it more than enough indigestion.
Neumeier has woven a masterful psychological drama, whose intensity might even surpass the stage play. What the dancers’ bodies express is more direct than any spoken word. Stuttgart Ballet has now again revived the two-act piece which Neumeier had created for the Baden-Wuerttemberg company in 1983. Back then the forty-six year old Marcia Haydée and Richard Cragun danced the leading characters, Blanche and Stanley.

Neumeier begins the story with its end. When the curtain rises we see Blanche (Alicia Amatriain) sitting on a bed in an asylum. She is elegantly dressed but looks distraught. Flashbacks are tormenting her, making her tremble. What has happened unfolds in cross-fades, not necessarily following the story’s chronological order. Music from Prokofiev’s “Visions fugitives op.22”, fragmented like Blanche’s memories, underscores the first act’s nostalgic, subdued mood. (more…)