Ural Opera Ballet

Prix Benois Laureates 2023

Prix Benois de la Danse
Bolshoi Theatre (Historic Stage)
Moscow, Russia
June 21, 2023

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

Yesterday evening, this year’s laureates of the Prix Benois were announced on the Historic Stage of the Bolshoi Theatre.

1. J.Ryu, C.Kerche, and Q.Yunting, Prix Benois de la Danse, Bolshoi Theatre 2023 © Bolshoi Theatre / B.Annadurdyev2. M.Kang, Prix Benois de la Danse, Bolshoi Theatre 2023 © Bolshoi Theatre / B.AnnadurdyevQiu Yunting (National Ballet of China) and Misun Kang (Universal Ballet, South Korea) share the prize for the best female dancer. Yunting was nominated for her performance of Tatiana in John Cranko’s “Onegin”, Kang for her interpretation of the Widow in Bingxian Liu’s “Mirinaegil”. Hugo Marchand (Paris Opera Ballet) was awarded the prize for the best male dancer. He didn’t attend the ceremony. Vyacheslav Samodurov won the prize for the best choreography for “Dancemania” – a creation for the Bolshoi Ballet.

Mikhail Lavrovsky, People’s Artist of the USSR, was honored with the Lifetime Achievement Award. (more…)

Choreographer Nominees for the Prix Benois 2023

Prix Benois de la Danse
Li Jun / Maša Kolar / Wayne McGregor / Vyacheslav Samodurov
Bolshoi Theatre
Moscow, Russia
June 15, 2023

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

On June 20th, the Bolshoi Theatre hosts the annual Prix Benois ceremony, followed by a gala on June 21st. Prizes will be awarded for the best choreographer, and the best female and male dancers. Mikhail Lavrovsky will be honored for his lifetime achievement.

Four choreographers are competing this year:
1. “Where to Pour All My Love?” by L.Jun, National Ballet of China © National Ballet of China 2. “Where to Pour All My Love?” by L.Jun, National Ballet of China © National Ballet of ChinaLi Jun, dancer-choreographer of the National Ballet of China, is nominated for “Where to Pour All My Love?”, a twenty-minute piece set to music by Zhao Jiping. It premiered at the company’s 12th ballet workshop in April 2022. Jun’s source of inspiration was the Chinese multi-episode TV drama “Da Zhai Men” (Grand Mansion Gate) which traces the history of a Beijing-based family from the late Qing Dynasty (1644 – 1911) to World War II. “Where to Pour All My Love?” focuses on Bai Yuting – one member of this family – whose love for Peking Opera gets out of control. (more…)

A Farewell and a Fresh Start

“Pavilion of Armids” / “Hungarian Dances” / “Sextus Propertius”
Ural Opera Ballet
Yekaterinburg State Academic Opera and Ballet Theatre
Yekaterinburg, Russia
April 14, 2023 (video)

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

1. A.Lazarev (Museum attendant), “Pavilion of Armids” by M.Petrov, Ural Opera Ballet 2023 © I.Mohnatkin / Ural Opera BalletPerseverance pays off. A few weeks after the premiere of the Ural Opera Ballet’s new triple bill in mid-April I finally got access to its recording. Three Russian choreographers contributed to the program: the Maryinsky Ballet’s dancer-choreographer Maxim Petrov, the artistic director of the Perm Opera Ballet Anton Pimonov, and the Yekaterinburg company’s own artistic director Vyacheslav Samodurov.

Petrov chose to reinterpret Michel Fokine’s “Le Pavillon d’Armide” – one of the ballets that manifested the Ballet Russes’ legendary tour to Paris in May 1909. Its libretto by Alexandre Benois (which is based on Théophile Gauthier’s novel “Omphale”) tells of the sorceress Armida who descends at night from a magic tapestry in a marquis’s garden pavilion to bewitch an aristocrat. Petrov relocated the action to a modern-day museum and swapped the tapestry for a wall-sized modern field painting, evoking the work of Mark Rothko (set design by Aliona Pikalova). Instead of an aristocrat, Armida (Anna Domke) beguiles (or rather befools) a young, bored museum attendant (Alexandr Merkushev). Petrov didn’t stint on satire when portraying Armida’s maneuvers, reinstating the humor Benois had deleted when adapting Gautier’s “Omphale”. (more…)

What a Mess

“The Order of the King”
Ural Opera Ballet
Ekaterinburg State Academic Opera and Ballet Theatre
Ekaterinburg, Russia
May 02, 2021 (online)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1. M.Klekovkin (The King) and ensemble, “The Order of the King” by V.Samodurov, Ural Opera Ballet 2021 © O.Kerelyuk / Ural Opera Ballet “The Order of the King” – choreographed in 2018 for the Ural Opera Ballet by its artistic director Vyacheslav Samodurov – won two Golden Mask awards last year. Samodurov was awarded the prize for Best Choreographer and set designer Aleksei Kondratiev the prize for Best Designer in Musical Theatre. The ambitious two-act production marked the bicentennial of Marius Petipa’s birth and was staged according to his templates, augmented by additional historic analysis and scientific research. (more…)

Let’s Party!

“Brahms Party”
Ural Opera Ballet
Ekaterinburg State Academic Opera and Ballet Theatre
Ekaterinburg, Russia
April 2021 (video)

 

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1. Ensemble, “Brahms Party” by A.Pimonov, Ural Opera Ballet 2021 © O.Kerelyuk / Ural Opera Ballet Last season, two of the Ural Opera Ballet’s programs were nominated for Golden Mask awards in several categories: “Walpurgisnacht” by George Balanchine (which was shown in a double bill with “Brahms Party” by Anton Pimonov) and “The Order of the King”, a full-evening piece by the company’s artistic director Vyacheslav Samodurov. Though the pandemic halted the festival the first time around, the company brought both productions to the Stanislavsky and Nemirovich-Danchenko Moscow Music Theatre as part of this season’s festival in mid-April. (more…)