Monthly Archive: October 2023

An Own Goal

Wiebke Hüster / Frankfurter Allgemeine Zeitung (FAZ)

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

Some days ago, an article by Wiebke Hüster, leading dance critic of Germany’s Frankfurter Allgemeine Zeitung, caught my attention (FAZ, October 07, 2023). Hüster wrote on the upcoming premiere of “Last Work” at the Hessian State Ballet. “Last Work” is by the Israeli Ohad Naharin – and he was the one Hüster objected. (more…)

Sorting Out

“Catharsis Dante”
Ballet of the Krasnoyarsk State Opera and Ballet Theatre
Hvorostovsky Krasnoyarsk State Opera and Ballet Theatre
Krasnoyarsk, Russia
June 30, 2023 (video)

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

1. G.Botenkov (Sisyphus) and ensemble, “Catharsis Dante” by N.Dmitrievsky, Hvorostovsky Krasnoyarsk State Opera and Ballet Theatre 2023 © Y.Raskova This April, the Krasnoyarsk Opera and Ballet Theatre scored a double victory at Russia’s Golden Mask Awards. Their reconstruction of “Catherine ou la fille du bandit” won the prize for the best ballet production and the best female part. I was curious about the company’s repertoire, but failed because of the distance. Krasnoyarsk is in Siberia, around 2400 miles east of Moscow. Luckily, Nikita Dmitrievsky helped me out. His ballet “Catharsis Dante” received its world premiere at the Krasnoyarsk Ballet this June and Dmitrievsky sent me a recording without much ado.

His name is well-known in Russia, where he realizes the majority of his dance projects, but he also worked in the Netherlands, UK, Israel, Bulgaria, the Czech Republic, Hungary, and Finland. An allrounder, Dmitrievsky is choreographer, artistic director, producer, filmmaker, lighting designer, and teacher in one. Costume design doesn’t seem to be on his spectrum and in the case of “Catharsis Dante” is by Inna Zaitseva. (more…)

Refurbished

“Swan Lake”
The Australian Ballet
Arts Centre Melbourne / State Theatre
Melbourne, Australia
September 29, 2023 (livestream)

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

1. B.Bemet (Odette), J.Caley (Prince Siegfried), and ensemble, “Swan Lake” by A.Woolliams after M.Petipa, The Australian Ballet 2023 © K.Longley The sixtieth anniversary season of the Australian Ballet called for the crème de la crème of classical ballet: “Swan Lake”. Of the several versions kept in the company’s archive, artistic director David Hallberg decided to reinvent Anne Woolliams’s 1977 rendition. Hallberg, for whom this project marked his debut as a director, commissioned a fresh look, but kept 95% of Woolliams’s choreography. The remaining parts were contributed not by himself (“I’m definitely not a choreographer”, he stated during last Friday’s livestream), but by the Australian choreographer Lucas Jervies.

Woolliams’s “Swan Lake” opens with a prologue, in which the malicious von Rothbart casts a spell over captivated maidens, transforming them into obedient swans. The following four acts are in line with the traditional libretto, but include some noteworthy details. At his birthday party, the prince doesn’t meet his potential fiancées face-to-face, but is confronted with a political choice between the crowns presented by ambassadors from Spain, Hungary, and Italy. The related princesses only attend the ball in Act III, where they lead their country’s delegation of folk dancers. (more…)

Twice as Tragic

“Swan Lake”
Ballet Company of Teatro alla Scala
Teatro alla Scala
Milan, Italy
September 27, 2023 (livestream)

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

1. M.Celeste Losa (Odette), “Swan Lake” by R.Nureyev after M.Petipa, Teatro alla Scala 2023 © Teatro alla ScalaLast Wednesday’s livestream of “Swan Lake” was the third such event since Manuel Legris took over the artistic reins of the Teatro alla Scala’s ballet company in December 2020. What a pity that I missed the previous livestreams – “Le Corsaire” and “Romeo and Juliet”!

La Scala dances a version of Rudolf Nureyev’s “Swan Lake” that, if I’m not mistaken, is the one he created for the Paris Opera Ballet in 1984. As all of his ballets, this one has jam-packed choreography. Last time it was shown in Milan in 2014 under the directorship of Makhar Vaziev. After Vaziev left to the Bolshoi Ballet in 2015, La Scala’s company entered unsteady waters. Legris’s guidance seems to be returning the company to its previous standards. Olga Smirnova and Jacopo Tissi (former colleagues at the Bolshoi and meanwhile at Dutch National Ballet) guested in the leading roles twice. The livestream was given to in-house soloists – Maria Celeste Losa (Odette / Odile) and Navrin Turnbull (Prince Siegfried). (more…)