Author Archive: Ilona Landgraf

The Royal Ballet Re-Opens

“21st-Century Choreographers”
(“Within the Golden Hour” / Optional Family: A Divertissement” / “The Statement” / “Solo Echo”)

The Royal Ballet
Royal Opera House
London, Great Britain
May 28, 2021 (online)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1. Artists of the Royal Ballet, “Within the Golden Hour” by C.Wheeldon, The Royal Ballet 2021 © B.Cooper Over half a year ago, pandemic-related restrictions forced the Royal Opera House to close its doors. On May 18th, a limited audience was finally welcomed back to see the company live on stage. The program – “21st-Century Choreographers” – consisted of four pieces: “Within the Golden Hour” by Christopher Wheeldon; “Optional Family: A Divertissement” – a new piece by Kyle Abraham; and two pieces by Crystal Pite: “The Statement” and “Solo Echo”. (more…)

Made For Film

“Young Creatives” (“Memento” / “Rose” / “I Feel It Too”)
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, The Netherlands
May, 2021 (online)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1. B.Stoop, D.Bai, S.Quintyn, L.Rosillo, W.Wijkstra, and M.Kumar, “Memento” by W.Kuindersma, Dutch National Ballet 2021 © H.GerritsenFollowing the online premiere of “Metamorphosis”, the new ballet by Dutch National Ballet’s associate artist David Dawson, the company released three additional videos at the end of May. Each features a ballet film by a young creative associate: “Memento” (concept and choreography by Wubkje Kuindersma), “Rose” (direction, concept, and choreography by Milena Sidorova), and “I Feel It Too” (creative direction and choreography by Sedrig Verwoert). All three films can be viewed for free on the company’s YouTube channel until October 2021. (more…)

The Royal Ballet’s Young Choreographers

“Spring Draft Works”
The Royal Ballet
Royal Opera House
London, Great Britain
May 14, April 2021 (online)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1. J.Junker, I.Lubach, F.Serrano, I.Gasparini, K.McNally, and T.Dubreuil, “The Morning Routine” by J.Junker, The Royal Ballet 2021 © A.UspenskiIt’s hard to imagine that the pandemic has had any positive impact on the performing arts – but, as Kevin O’Hare, the Royal Ballet’s ever-optimistic artistic director points out in his introductory comments on this season’s “Spring Draft Works” (an annual project that assembles choreographies created by the company’s dancers) – there’s a silver lining: more free time to unlock hidden choreographic potential and rehearse, and the chance to include live music. Even the renowned lighting designer Natasha Chivers had time to create clever lighting tailored to each piece. (more…)

What Became of …?

“A Midsummer Night’s Dream”
Teatro dell’Opera di Roma Ballet School
Teatro Nazionale
Rome, Italy
May 2021

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1. G.Starace (Oberon), C.Onesti (Titania), and ensemble, “A Midsummer Night's Dream” by A.Delle Monache, Teatro dell’Opera di Roma Ballet School 2014 © Y.KageyamaEarlier this May, the Teatro dell’Opera di Roma unearthed an archival recording of a 2014 performance by the opera’s ballet school: Shakespeare’s romantic comedy (or, rather, satire on romantic comedy) “A Midsummer Night’s Dream”, choreographed and directed by Alessandra Delle Monache. Her genre-spanning production is grounded by the explanations of a narrator (Giulia Tomaselli, a student of the Accademia Nazionale D’Arte Drammatica Silvio d’Amico, Rome) who helps us sort out the tangle of romances blossoming in the forests outside Athens. It’s an understandable move, since – unlike in other productions – two of the four couples (Hermia & Lysander, Helena & Demetrius) are dressed so similarly that mixing them up is inevitable. (more…)

What a Mess

“The Order of the King”
Ural Opera Ballet
Ekaterinburg State Academic Opera and Ballet Theatre
Ekaterinburg, Russia
May 02, 2021 (online)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1. M.Klekovkin (The King) and ensemble, “The Order of the King” by V.Samodurov, Ural Opera Ballet 2021 © O.Kerelyuk / Ural Opera Ballet “The Order of the King” – choreographed in 2018 for the Ural Opera Ballet by its artistic director Vyacheslav Samodurov – won two Golden Mask awards last year. Samodurov was awarded the prize for Best Choreographer and set designer Aleksei Kondratiev the prize for Best Designer in Musical Theatre. The ambitious two-act production marked the bicentennial of Marius Petipa’s birth and was staged according to his templates, augmented by additional historic analysis and scientific research. (more…)

Uplifting

“The Sleeping Beauty”
Czech National Ballet
The National Theatre
Prague, Czech Republic
April 29, 2021 (online)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1.A.Fujii (Fairy of Wisdom), A.Pera (Fairy of Grace), E.V.Gonzales (Fairy of Force), R.Zvonařová (Lilac Fairy), M.Hejduková (Fairy of Beauty), K.Němečková (Fairy of Eloquence), P.Holeček (Carabosse), and ensemble, “The Sleeping Beauty” by M.Haydée after M.Petipa, Czech National Ballet 2021 © S.Gherciu It is nearly impossible to mount a three-act full-ensemble classic in the midst of a pandemic – or at least it has been for many companies. That the Czech National Ballet accomplished this feat feels like a harbinger of better times to come. Last Thursday, on World Dance Day, they premiered “The Sleeping Beauty” on their YouTube channel. The video will be online until May 5th. (more…)

Nuremberg’s Junior Choreographers (III)

Exquisite Corpse Extra” (episode 3)
Ballet of the State Theater Nuremberg

State Theater
Nuremberg, Germany
April 24, 2021 (online)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1. V.Ketelslegers, “The Path” by C.Ide, Ballet of the State Theater Nuremberg 2021 © B.StößThe final program of the three-part “Exquisite Corpse Extra” project by the Ballet of the State Theater Nuremberg was comprised of four short contemporary pieces by six young choreographers: Chisato Ide, Bo Jacobs, and Oscar Alonso (who created one piece each) and Michael García, Victor Ketelslegers, and Ana Tavares (who created a joint work). As with the previous presentations (episode 1, episode 2), the program lasted for around a half hour and was accompanied by videos in which the choreographers commented on their work. (more…)

Let’s Party!

“Brahms Party”
Ural Opera Ballet
Ekaterinburg State Academic Opera and Ballet Theatre
Ekaterinburg, Russia
April 2021 (video)

 

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1. Ensemble, “Brahms Party” by A.Pimonov, Ural Opera Ballet 2021 © O.Kerelyuk / Ural Opera Ballet Last season, two of the Ural Opera Ballet’s programs were nominated for Golden Mask awards in several categories: “Walpurgisnacht” by George Balanchine (which was shown in a double bill with “Brahms Party” by Anton Pimonov) and “The Order of the King”, a full-evening piece by the company’s artistic director Vyacheslav Samodurov. Though the pandemic halted the festival the first time around, the company brought both productions to the Stanislavsky and Nemirovich-Danchenko Moscow Music Theatre as part of this season’s festival in mid-April. (more…)

Nuremberg’s Junior Choreographers (II)

“Exquisite Corpse Extra” (episode 2)
Ballet of the State Theater Nuremberg
State Theater
Nuremberg, Germany
April 17, 2021 (online)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1. E.Nunes and L.Axel, “Indoor” by L.Axel, Ballet of the State Theater Nuremberg 2021 © B.StößThe second part of the State Ballet Nuremberg’s “Exquisite Corpse Extra” project featured works by four aspiring choreographers: Lucas Axel, Sarah-Lee Chapman, Kate Gee, and Sofie Vervaecke. As with the first part, the program lasted for around a half hour and was accompanied by videos of the dancers commenting on their work.

The opening piece was by Brazilian-born Axel, who received his training at the Bolshoi Theater School in Joinville/Brazil and danced with three companies in São Paulo before moving to Germany. There, he joined the ballet of the State Theater Augsburg, later moving to Nuremberg’s company. He describes himself as having struggled with anxiety since the age of ten. This experience was one grounding focus of his choreography – depression, anxiety, and death. (more…)

Marijn Rademaker Turns to Choreography

Verklärte Nacht” (“Transfigured Night”)
Ballet Dortmund

Theater Dortmund
Dortmund, Germany
April 17, 2021 (online)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1. A.Uzunova and L.Kalbusch, “Verklärte Nacht” (“Transfigured Night”) by M.Rademaker, Ballet Dortmund 2021 © L.JanuszewskiFour years ago, Marijn Rademaker told me about his excitement to return to the stage after a long break resulting from injury. At that time, he was involved in umpteen other projects, yet had not given any indication that he wanted to try his hand at choreography or direction – but, as with any seed, talent can sprout in hiding.

This Saturday, Rademaker presented the first result of his new ambition: “Verklärte Nacht” (“Transfigured Night”), a contemporary ballet-film set to Arnold Schoenberg’s eponymous thirty-minute composition, created in collaboration with the Academy for Theatre and Digitality, Dortmund, and the filmmaker Mathieu Gremillet. It was danced by the Ballet Dortmund. (more…)

Nuremberg’s Junior Choreographers (I)

“Exquisite Corpse Extra” (episode 1)
Ballet of the State Theater Nuremberg
State Theater
Nuremberg, Germany
April 10, 2021 (online)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1. C. Blanco, “Me Inside Me” by C.Blanco, Ballet of the State Theater Nuremberg 2021 © B.StößThirteen of the State Theater Nuremberg’s twenty-one dancers tried their hand at choreography this season, resulting in eleven new contemporary pieces split over three programs. The first of these programs premiered last Saturday; the remaining two will be broadcast online on upcoming weekends.
The first program (approximately 30 minutes) was assembled from three short pieces: a solo (choreographed and danced by Carlos Blanco) and two ensemble works (one by Edward Nunes and one by Andy Fernández). Each choreographer commented on their work in an accompanying video. (more…)

Dancers’ Choice

Spring Special”
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, The Netherlands
April 05, 2021 (online)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1. N.Tonoli, S.Yamada, J.Spunda, and S.Leverashvili (Peasants), “Giselle“ by M.Petipa after J.Coralli and J.Perrot, production and additional choreography by R.Beaujean and R.Bustamante, Dutch National Ballet 2021 © H.GerritsenFor most artists, the flow of opportunities for performance on home stages or abroad has either thinned to a trickle or dried up altogether since the onset of the pandemic. The Dutch National Ballet filled some of those gaps with a “Spring Special” -gala that featured a selection of ten short pieces in total – eight excerpts from the company’s existing repertory, one new acquisition, and one world premiere. Each dancer was able to choose which piece to perform in (with appropriate attention to pandemic-related restrictions of group size). All of the principals, several soloists, and one member of the corps de ballet participated. The gala was streamed live on April 5th. A second broadcast is scheduled for April 10, 2021 (more…)

Saucy

In and Out”
Junior Company of the Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, The Netherlands
March / April 2021 (online video)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1. E.Mardegan (center) and members of the Junior Company, “In and Out” by H.van Manen, Junior Company of the Dutch National Ballet 2021 © H.GerritsenAlthough the Dutch National Ballet’s Junior Company hoped to tour Hans van Manen’s “In and Out” in spring 2020, their plan was shattered by the onset of the COVID-19 pandemic. Recently, though, the current members of the Junior Company revived the short ballet on the Dutch National Ballet & Opera’s main-stage. The performance was recorded and can be viewed for free until April 25, 2021 on the company’s website.

(more…)

Necessity Yields Virtue

“Puppet” / “ Dos Soles Solos”
Czech National Ballet
The National Theatre
Prague, Czech Republic
March 18 and 25, 2021 (online)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1) F.Scarpato, “Puppet” by D.Lee, Czech National Ballet 2021 © M.Divíšek The Czechs’ are clearly adept at making films – no matter the genre. Last December, the Czech National Ballet danced a heartwarming “The Nutcracker – A Christmas Carol”, which was broadcast live on national television and on YouTube. This March, they premiered recordings of two short new pieces on their YouTube channel. The works – “Puppet” by Douglas Lee and “Dos Soles Solos” by Alejandro Cerrudo – are well worth watching. They are part of a triple bill (the third, yet-to-be released piece is by Cayetano Soto) that will be performed for an in-person audience whenever Czech theaters are allowed to re-open for the public. Martin Kubala, the filmmaker who oversaw the recording, expertly captured the production from interesting angles and distances. (more…)

Leader(s) and Followers

“Five Years and Three Days With Makhar Vaziev”
Bolshoi Ballet
Bolshoi Theatre
Moscow, Russia
February 26, 2021 (documentary)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1. I.Tsvirko and M.Vaziev after a performance of “Ivan the Terrible”, “Ivan the Terrible” by Y. Grigorovich, Bolshoi Ballet 2019 © Bolshoi Ballet / G.Uféras This year marks the fifth season with Makhar Vaziev as head of the Bolshoi Ballet. Upon this occasion, the Bolshoi Theatre released the TV documentary “Five Years and Three Days with Makhar Vaziev”, which is also available on YouTube (and includes English subtitles). For three days at the end of January, a film crew followed Vaziev from meeting to rehearsal to performance and back again, conducting several interviews along the way. Despite COVID-19, everyday work has continued at the Bolshoi. We witness the company’s preparations for two revivals: a performance of “Nureyev”, supervised by its stage director and set designer Kirill Serebrennikov, and a re-run of Sergei Vikharev’s version of “Coppélia(more…)