Tag Archive: Eduardo Bertini

Taste, like all else, can be disputed

“Giselle”
Hamburg Ballet – John Neumeier
Hamburg State Opera
Hamburg, Germany
September 26, 2014

by Ilona Landgraf
Copyright © 2014 by Ilona Landgraf

1. Alina Cojocaru, Alexandr Trusch and ensemble, Giselle by John Neumeier, Hamburg Ballet, photo H.BadekowAfter returning home from performances in Copenhagen, Hamburg Ballet opened its season with John Neumeier’s “Giselle”. This paragon dance work of the Romantic period exists in quite a few versions, modern ones as well as those that try to be traditional. How did Neumeier, aiming to “provide this jewel of a classical-romantic ballet with a new, modern setting,” approach the tragic tale?

Neumeier first tackled “Giselle” in 1983. The current production dates back to a revision from the year 2000, a collaboration with Greek set designer Yannis Kokkos. The décor by Kokkos avoids stereotypes of 19th Century style. The first act is transferred to a timeless yard. Giselle’s crooked cottage on the left and the little shed on the right are cardboard-like facades, all in white. The contour of a distant castle is sketched roughly onto the backcloth. Plain, broad brushstrokes in brown, yellow and green color suggest autumn. The costumes of the villagers – grape pickers and peasants – are in the same range of colors: simple dresses in yellow, light blue, green and olive for the women; brown cord pants with suspenders or plain dark suits and white shirts for the men. Those in the Prince of Courland’s hunting party wear classic riding outfits: white pants, red jackets plus black riding boots and hats. (more…)

A Crisp Nutcracker

“The Nutcracker”
Hamburg Ballet – John Neumeier
Hamburg State Opera
Hamburg, Germany
December 19, 2013

by Ilona Landgraf
Copyright © 2013 by Ilona Landgraf

John Neumeier’s “Nutcracker” is free of any association with Christmas. This Hamburg production, like John Cranko’s earlier version for Stuttgart, converts the winter-holiday fairytale for children into a ballet for all seasons. Substantial content has been added, and watching it becomes a pleasure for adults, too. Christmas or not, this Neumeier has become a much loved classic during Hamburg’s winter season.

As starting point there is the celebration of the 12th birthday of the ballet’s protagonist, Marie. The party is in full swing already when the quirky Drosselmeier arrives. He is ballet master of the court theater where Marie’s older sister, Louise, dances. Drosselmeier’s present to the birthday girl is a pair of pointe shoes, which fuel her dreams of dancing as beautifully as Louise. Another present, a wooden Nutcracker who becomes Marie’s companion throughout the rest of the story, is given to her by the smart cadet, Günther. Needless to say, he becomes the young girl’s infatuation. When all the party guests have departed, Marie returns to the parlor to take another look at her Nutcracker and falls asleep. She dreams that Drosselmeier introduces her into the court theater, showing her rehearsals for a ballet and for various divertissements. Marie, fascinated, becomes involved and even dances a pas de deux on pointe with Günther. There’s a grand climax but then, woken by her mother, Marie finds herself back in the parlor.
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