The Paragon of Perfection
480 pages, plenty of of color and b/w illustrations
Verlag für Moderne Kunst, August 2014
by Ilona Landgraf
Copyright © 2014 by Ilona Landgraf
“Of all set and costume designers he’s the only one not merely competent in all fields but ingenious,” Sir Peter Jonas states about Jürgen Rose. Rose would master everything, ballet – classical or modern – conceptual and decorative theater as well as dramatic and popular operas. “That’s one point. The other is much more important for professionals,” Jonas, said, “and like a gift from God: Rose doesn’t grow old fashioned. He has no expiration date.” Jonas, general director of the Bavarian State Opera from 1993 until 2006, highly appreciates Rose’s designs. He was by far not the only one! Rose was very much in demand, everyone wanted to work with him: Hans Lietzau, Rudolf Noelte, John Cranko, John Neumeier, Marcia Haydée, Dieter Dorn, Otto Schenk, August Everding – to name just a selection.
At age seventy-seven, Rose looks back on around 300 set and costume designs for operas, ballets and theater productions. He gained laurels as a stage director and, for a quarter of a century, inspired students of Stuttgart’s Academy of the Fine Arts in finding their own language as future stage designers. Earlier this year stage director Dieter Dorn and Jürgen Rose, a seasoned, longtime duo, welded together by more than twenty years of collaboration at Munich’s Kammerspiele, followed by eleven years at Munich’s Residenztheater, staged Richard Wagner’s “The Ring of the Nibelung” at the Grand Théâtre de Genève to acclaim. Professional to the core, Rose’s life was – and presumably still is – the stage. An outstanding figure of German culture! (more…)