Tag Archive: Léo Lecarpentier

Effervescent

“The Merry Widow”
Hungarian National Ballet
Hungarian State Opera
Budapest, Hungary
February 8-9, 2025

by Ilona Landgraf
Copyright © 2025 by Ilona Landgraf

1. M.Takamori (Valencienne), M.Bäckström (Camille), and D.Zhukov (Njegus), “The Merry Widow” by R.Hynd, Hungarian National Ballet 2025 © V.Berecz 2. M.Radziush (Count Danilo Danilovitch) and T.Melnyik (Hanna Glawari), “The Merry Widow” by R.Hynd, Hungarian National Ballet 2025 © V.Berecz The brisk beats that opened last Saturday’s revival of The Merry Widow at Budapest’s opera house promised a peppy performance, and the following two and a half hours delivered brio indeed. Franz Lehár composed the music in 1905 for his popular eponymous operetta, and John Launchbery and Allen Abbot were the first to edit it for the dance stage in 1974. Both worked on behalf of the British choreographer Ronald Hynd who in 1975 adapted the comic operetta into a three-act ballet for the Australian Ballet. Since then, many ballet companies have added it to their repertory. The Hungarian National Ballet premiered The Merry Widow in 2014 with new sets and costumes by the Brit Peter Docherty.

Docherty designed a long workbench stuffed with books and champagne (shadowed by a wall-sized replica of the national coat of arms) where the staff of the Pontevedrian embassy in Paris shuffled papers, boozed, and stood at attention as soon as the anthem sounded. The small Balkan state of Pontevedrian was bankrupt, but its geriatric ambassador, Baron Zeta, had a bailout plan. If his first secretary, Count Danilo Danilovitch, married the Pontevedrian millionaire’s widow, Hanna Glawari, her money would refill the state coffers. (more…)

A Hushed-Up Scandal

“Mayerling”
Ballet of the Hungarian State Opera
Hungarian State Opera
Budapest, Hungary
March 19, 2022

by Ilona Landgraf
Copyright © 2022 by Ilona Landgraf

 1. Ensemble, “Mayerling” by K.MacMillan, Ballet of the Hungarian State Opera 2022 © P.Rákossy / Hungarian State OperaEighteen years after its Hungarian premiere, Kenneth MacMillan’s “Mayerling” returned to the stage of Budapest’s newly renovated State Opera this March. According to a local dance critic, audience members cried while watching the 2004 performance, as the tragic 1889 death of Crown Prince Rudolf (heir to the throne of Austria-Hungary) is a chapter of Hungarian history that stirs up many emotions. Though he led a life of debauchery and primarily performed insignificant tasks in his role, the liberal-leaning Crown Prince was popular among the people. They pinned great hope on him, (more…)