Tag Archive: Nicoletta Manni

Ambivalent

“Manon”
Ballet Company of Teatro alla Scala
Teatro alla Scala
Milan, Italy
July 08, 2024 (live stream)

by Ilona Landgraf
Copyright © 2024 by Ilona Landgraf

 1. N.Manni (Manon) and R.Clarke (Des Grieux), “Manon” by K.MacMillan, Teatro alla Scala 2024, photo by Brescia and Amisano © Teatro alla Scala Given the mind-boggling speed with which Western culture is changing, La Scala’s live stream of Kenneth MacMillan’s Manon felt like a relic from the good old days of ballet. Unlike other staples of the classical repertory—Swan Lake, Sleeping Beauty, or The Nutcracker, for example—with a spiritual dimension that serves as a source of inspiration in difficult times, Manon has the opposite effect. Based on Abbé Prévost’s novel Manon Lescaut (1731), it dives deeply into the social swamp of early-18th-century France and in the real swamps near the then-French colony of Louisiana. Rabble and the poor crowd the streets and the upper class’s silk and satin façade barely hides their rotten morals. Sex, money, and power reign in everyday life, and, for women, alluring men is the only way to secure an existence. Not a single soul remains untainted in the sex-and-crime-ridden love tragedy of Manon. (more…)

Dancer Nominees for the Prix Benois 2024

Prix Benois de la Danse
Bolshoi Theatre (Historic Stage)
Moscow, Russia
June 2024

by Ilona Landgraf
Copyright © 2024 by Ilona Landgraf

1. Bolshoi Theatre © D.Yusupov/Bolshoi Theatre 2. Statuette of the Prix Benois de la Danse, design by Igor Ustinov © Benois Center Thirteen dancers from eight companies are nominated for this year’s Prix Benois. Of the seven women and six men, two dance in China, Hungary, and Italy; one dances in Japan, and six in Russia. Next week, the laureates will be announced in an award ceremony at the Bolshoi Theatre, Moscow.

Here’s a short overview of the nominees in alphabetical order by company names:
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Additional Thoughts

“Coppélia”
Ballet Company of Teatro alla Scala
Teatro alla Scala
Milan, Italy
December 17, 2023 (online broadcast)

by Ilona Landgraf
Copyright © 2024 by Ilona Landgraf

1. T.Andrijashenko (Franz) and L.Di Pasquale (Coppélia), “Coppélia” by A.Ratmansky, Teatro alla Scala 2023, photo by Brescia and Amisano © Teatro alla ScalaAlexei Ratmansky’s latest piece is a new version of Coppélia for the Ballet Company of Teatro alla Scala. A recording of its premiere on December 17th can be watched on Medici TV. In her review on December 18th, the New York Times dance critic, Roslyn Sulcas, praised the “wealth and detail of nuance” that Ratmansky brought alive. “He has infused [Coppélia] with new life,” she wrote, “as if a carapace of formulaic presentation and interpretation has been cracked open.”

She’s right, it’s an ambitious production in many respects – an asset for the company. At times though, Ratmansky’s wealth of detail feels like a continuous bombardment, as if he is overeager in combining an abundance of steps with plenty of flourish and excessive acting. His unconventional, fresh approach suffers from his striving for exceptionalism. And though I understand that as many dancers as possible should be involved, I’d have preferred a less crowded village square to better show off the pas de deux of the leading couple – Nicoletta Manni (Swanilda) and Timofej Andrijashenko (Franz). (more…)

And Now?

“The Sleeping Beauty”
Ballet Company of Teatro alla Scala
Teatro alla Scala
Milan, Italy
September 26, 2015

by Ilona Landgraf
Copyright © 2015 by Ilona Landgraf

1. M.Murru and ensemble, The Sleeping Beauty by M.Petiba and A.Ratmansky, Teatro alla Scala, photo M.Brescia and R.Amisano Six months after Alexei Ratmansky’s “The Sleeping Beauty” received its premiere in Costa Mesa, California, with American Ballet Theater, gracing the company’s 75th anniversary, European audiences now have the opportunity to enjoy the lavish production as well. It premiered on September 26 at the Teatro alla Scala, which shouldered the costs of the project with ABT.

Today’s traditionally known “Sleeping Beauty” is the result of adaptions and changes made since the piece’s premiere in St. Petersburg in 1890. (more…)