Tag Archive: Sébastien Galtier

The Art of Storytelling

February 19, 2018

“Don Quixote”
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, The Netherlands
February 13, 2018

by Ilona Landgraf
Copyright © 2018 by Ilona Landgraf

1. M.Makhateli, D.Camargo and ensemble, “Don Quixote” by M.Petipa, A.Gorski and A.Ratmansky, Dutch National Ballet 2018 © M.HaegemanLast June, after the premiere of Alexei Ratmansky’s “Shostakovich Trilogy” at Dutch National Ballet, principal dancer Jozef Varga told me how much he was looking forward to the revival of Ratmansky’s “Don Quixote”. Amsterdam’s company holds six pieces by Ratmansky in its repertoire and quite likely it will soon have more. The dancers love to work with him. Ratmansky’s “Don Quixote” premiered in 2010 and now, for the third revival, he came over from New York to direct the final rehearsals. Varga wasn’t on stage on opening night, but will dance in later performances. (more…)

Creating an Image

October 22, 2016

Ballet Companies in Germany, the Netherlands and Switzerland
Semperoper Ballet, Bavarian State Ballet, State Ballet Berlin, Stuttgart Ballet, Ballett am Rhein,
Dutch National Ballet, Zurich Ballet
October 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

What kind of image distinguishes Stuttgart Ballet from Dutch National Ballet? Or the Bavarian State Ballet from the State Ballet Berlin? What is it the dancers – and their audience – identify with as their company? How do companies present themselves to the public? Such were my thoughts when seeing the Semperoper Ballet’s new image campaign, #WHYWEDANCE. I asked several major companies to send me images of their choice representing their respective company’s image.

1. R.Martínez, #WHYWEDANCE, Semperoper Ballet © I.Whalen 20162. J.Gray, #WHYWEDANCE, Semperoper Ballet © I.Whalen 2016Semperoper Ballet chose four of the sixty-one dancer portraits of #WHYWEDANCE. The new ensemble brochure presents each in full-page size. In addition they are spread via social media and on billboards and advertising pillars in Dresden. Aaron S.Watkin, in his eleventh year as artistic director, put the spotlight on his company this season whose face has changed since his beginning in 2006. Next to the dancers, Ian Whalen, the troupe’s photographer and multimedia expert, also shot Watkin and staff members. Names, places of birth, ranks within the company and the year when joining the ensemble come along with each portrait. In addition, every dancer sums up their motivation for the profession, the why and wherefore of choosing a career with dance in a single word. (more…)

Coveted, Discredited and Executed: Mata Hari – a National Celebrity

February 19, 2016 0 Comments

“Mata Hari”
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, Netherlands
February 13, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. A.Tsygankova and ensemble, “Mata Hari” by T.Brandsen, Dutch National Ballet © M.HaegemanDutch National Ballet’s YouTube trailer for its new ballet “Mata Hari” reveals two pythons leisurely encircling a ballerina. No need to worry though, no reptiles appear on stage, and there is no snake dance either. Besides that wouldn’t have been appropriate anyway because Mata Hari, whose performances as bayadère during the Belle Époque in Paris made a great stir, was never a snake charmer but rather a charmer of men.

Ted Brandsen, artistic director of the Dutch company, has traced the life of the famous Dutchwoman in his recently premiered story ballet. Mata Hari was born in 1876 as Margaretha Geertruida Zelle. Her parents separated when she was fourteen. Her mother died one year later; her father married again, but Margaretha was brought up by relatives. (more…)