Maillot’s Idea of How to Tame
“Taming of the Shrew”
Royal Opera House
London, Great Britain
August 03, 2016
by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf
The Bolshoi Ballet’s three-week tour to London draws crowds of ballet aficionados to the Royal Opera House. Every evening each of the five productions is sold out. Those include the much-loved classics, “Swan Lake”, “Don Quixote” and “Le Corsaire”, as well as “The Flames of Paris” by Alexei Ratmansky and Jean-Christophe Maillot’s “The Taming of the Shrew” which premiered two years ago at the Bolshoi. “Shrew” was scheduled only twice. I saw the first performance.
Similar to Kurt-Heinz Stolze’s Scarlatti-pastiche for John Cranko’s “Shrew”, Maillot also cobbled together the score. He assembled less well known film music and excerpts of symphonies by Dmitri Shostakovich which go along with the events on stage like lubricating oil. Whether swooshing or romantic, the Orchestra of the Bolshoi Theatre under Igor Dronov’s baton played with verve.
The story sets off at the estate of Baptista, a wealthy lord in Padua. But the two broad, curved outdoor stairs arching over the house’s entrance, designed by Ernest Pignon-Ernest, don’t relate to any specific town. Baptista is beset with two daughters, the prickly Katharina and her younger sister, the much-adored Bianca. But the latter will not be allowed to marry until Katharina first wears her wedding ring. (more…)