Tag Archive: Yulia Stepanova

Grigorovich’s “Giselle”

“Giselle”
Bolshoi Ballet
Bolshoi Theatre
Moscow, Russia
February 18 / 19, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. O.Smirnova and S.Chudin, “Giselle” by Y.Grigorovich after J.Coralli, J.Perrot and M.Petipa, Bolshoi Ballet 2017 © Bolshoi Theatre / E.Fetisova“Giselle” is in the core repertory of almost every ballet company, whether in a modern interpretation or a traditional one. The Bolshoi even holds two traditional versions, one by Yuri Grigorovich, the other by Vladimir Vasiliev. Vasiliev’s 1997 “Giselle” follows the earlier versions of Leonid Lavrovsky and Alexander Gorsky. Earlier in 1987 Grigorovich had instead traced the choreographic lineage directly via Marius Petipa to Jules Perrot and Jean Coralli’s 1841 original. In honor of the 90th anniversary of Grigorovich’s birth, the Bolshoi presented three performances of his “Giselle” as part of the Grigorovich ballet festival, of which I saw two matinées with different casts. (more…)

Olga Smirnova on “The Sleeping Beauty”

“The Sleeping Beauty”
Bolshoi Ballet
Bolshoi Theatre
Moscow, Russia
January 17, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. I.Alexeyev, O.Smirnova, A.Belyakov and ensemble, “The Sleeping Beauty” by Y.Grigorovich after M.Petipa, Bolshoi Ballet © D.Yusupov 2017This Sunday, on January 22nd, the Bolshoi Ballet will stream “The Sleeping Beauty” live to cinemas all over the world. It is the Petipa-based version that Yuri Grigorovich created in 2011 for the re-opening of the Bolshoi’s historic stage which has lavish set designs by Ezio Frigerio and equally sumptuous costumes by Franca Squarciapino. Sunday’s cast includes Olga Smirnova as Princess Aurora alongside Semyon Chudin as her Prince. As the Lilac Fairy, Yulia Stepanova will counter Alexei Loparevich’s Carabosse.
I skyped with Olga Smirnova a few days prior to the cinema broadcast to talk about the piece and her role. Katerina Novikova, head of the Bolshoi’s press office, kindly interpreted from the Russian. Smirnova’s responses are in italics. (more…)