Tag Archive: Aaron Watkin

“I am always in love.”

Fabien Voranger
Dresden, Germany
October, 2015

by Ilona Landgraf
Copyright © 2015 by Ilona Landgraf

1. Fabien Voranger, photo: Ian WhalenLove guided and catalyzed Fabien Voranger’s career in several decisive situations. Just aged ten, being infatuated with a young girl fueled his interest in ballet and led to his audition for the Ballet School of the Paris Opera; and, as it happens, he was accepted. Later, while he was in a scholarship study program at the Royal Ballet School in London his girlfriend was his major support during a reorientation forced by injury. Love almost made him follow a ballerina to Australia. His desire to express his art led to many moves but ultimately to success.
Now, at the age of thirty-four, his love is rooted in Dresden, where Voranger, meanwhile principal of Semperoper Ballet, lives with his wife, opera singer Antigone Papoulkas, and two sons. In early October we met there in a French bistro to talk about his career, his life and his vision of the art of ballet.

Voranger started to take ballet lessons around the age of six together with two of his his three sisters in his home village close to Aix-en-Provence in Southern France. (more…)

Marzipan and Sweetmeats

“The Nutcracker”
Semperoper Ballet
Dresden, Germany
November 22, 2014

by Ilona Landgraf
Copyright © 2014 by Ilona Landgraf

1. I.Simon, “The Nutcracker” by A.S. Watkin and J.Beechey, Semperoper Ballet © C.Radu 2014While Dresden is just starting to build up the numerous stalls for its famous Christmas markets, Semperoper Ballet has already begun to put audiences in a festive mood with the first of a series of sixteen “Nutcrackers”.
Rather restrained in choreographing, Semperoper Ballet’s artistic director Aaron S. Watkin replaced John Neumeier’s version of the “Nutcracker” which had been in the company’s repertory until 2010 by his own new creation in 2011. As with “Coppélia” which also premiered in 2011, Watkin collaborated with Jason Beechey, rector of Dresden’s Palucca School for Dance. Putting aside historical records they created completely new choreography yet firmly grounded on classical movement vocabulary. Both two acts of the ballet involve a great number of students of the Palucca School of Dance giving the Christmasy goings-on and the festivities at the Land of Sweets a natural and vivid atmosphere. Almost the whole school participates, around thirty students of different age per cast complemented by eight little children as Polichinelles. (more…)