Tag Archive: Ekaterina Petina

Losses

“Illusions – like Swan Lake
Bavarian State Ballet
National Theater
Munich, Germany
June 19, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. M.Urban, “Illusions – like Swan Lake” by J.Neumeier, Bavarian State Ballet, Munich © W.Hösl 2016Melancholy pervaded Munich’s National Theater on Sunday. For the last time the company performed John Neumeier’s “Illusions – like Swan Lake”. With Igor Zelensky taking over as the company’s director, this production will be stored in mothballs for the time being. Also, twelve dancers had their last evening on stage. Twenty-nine members — around forty percent of the ensemble – are leaving. Being part of the audience made me sigh deeply, as did looking at the front curtain’s golden embroidery on a blue-white ground decorated with swans and lilies. Then there were Jürgen Rose’s superb decors and marvelous costumes. What a pity that so much of this will disappear from view.

“Illusions – like Swan Lake” is a 1976 collaboration of choreographer Neumeier and designer Rose. Although steeped in Bavarian history, this version of “Swan Lake” premiered in Munich only in 2011. Neumeier linked the swan story and the fate of Bavaria’s King Ludwig II (1845 – 1886), who had become known as the Fairy Tale Monarch or Swan King.

Parallels between Ludwig II and the ballet’s Prince Siegfried and also with composer Tchaikovsky are striking. Ludwig II struggled with being homosexual, as did Tchaikovsky. (more…)

Fundamental Changes at the Bavarian State Ballet

Ivan Liška and many dancers bid their farewell
Bavarian State Ballet
Munich, Germany
May 25, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. I.Liška and N.Hatano rehearsing the Pas des Odalisques from “Le Corsaire”, Bavarian State Ballet © C.Tandy After eighteen years, Ivan Liška, artistic director of the Bavarian State Ballet, is handing over the reigns to Igor Zelensky at the end of this season. During the last months it had already became apparent that from then on things would not stay as they were.
This week the news became official. Of the ensemble’s seventy dancers twenty-nine will be leaving this summer. Among those are six of the total nine principals: Lucia Lacarra, Ekaterina Petina, Daria Sukhoukova, Marlon Dino, Cyril Pierre and Lukáš Slavicky. Ivy Amista, Javier Amo and Tigran Mikayelyan stay with the company. (more…)

Balanchine, Robbins and a Teddy Bear

“Symphony in C / In the Night / Adam is”
Bavarian State Ballet
National Theater
Munich, Germany
December 28, 2015

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. Ensemble, “Symphony in C” by G.Balanchine, Bavarian State Ballet © W.HöslJuxtaposing established choreography and contemporary work can be intriguing. Yet comparing and contrasting a new piece with those of the masters also carries risks. The Bavarian State Ballet’s new evening of ballet dares to do this. It combines George Balanchine’s “Symphony in C” and Jerome Robbins’s “In the Night” with “Adam is” – a fresh dance by Canada’s Azure Barton. Did the assemblage work? (more…)

The Seeming and the Real

“Artifact II / The Exiles / Zugvögel”
Bavarian State Ballet
National Theater
Munich, Germany
June 19, 2015

by Ilona Landgraf
Copyright © 2015 by Ilona Landgraf

1. E.Barrowman, J.Amo and ensemble, “Artifact II” by W.Forsythe, Bavarian State Ballet, Munich © W.Hösl 2015Munich’s National Theater was packed to the roof for the last performance of “Artifact II / The Exiles / Zugvögel”. The triple bill combines two older pieces – “Artifact II” by William Forsythe and “Zugvögel” by Jiří Kylián – with “The Exiles”, a newly acquired work by José Limón. It is the fourth work by Limón in the company’s repertory. Forsythe’s “Artifact II” is the second part of the full-evening, quadripartite “Artifact” which has been in the company’s repertory since 2009. “Zugvögel” (“Migrating Birds”) is a creation by Kylían which opened Munich’s ballet festival week in 2009. Performance rights of “Zugvögel” are reserved for the Bavarian State Ballet. (more…)