Tag Archive: Maxim Chashchegorov

Fundamental Changes at the Bavarian State Ballet

Ivan Liška and many dancers bid their farewell
Bavarian State Ballet
Munich, Germany
May 25, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. I.Liška and N.Hatano rehearsing the Pas des Odalisques from “Le Corsaire”, Bavarian State Ballet © C.Tandy After eighteen years, Ivan Liška, artistic director of the Bavarian State Ballet, is handing over the reigns to Igor Zelensky at the end of this season. During the last months it had already became apparent that from then on things would not stay as they were.
This week the news became official. Of the ensemble’s seventy dancers twenty-nine will be leaving this summer. Among those are six of the total nine principals: Lucia Lacarra, Ekaterina Petina, Daria Sukhoukova, Marlon Dino, Cyril Pierre and Lukáš Slavicky. Ivy Amista, Javier Amo and Tigran Mikayelyan stay with the company. (more…)

Balanchine, Robbins and a Teddy Bear

“Symphony in C / In the Night / Adam is”
Bavarian State Ballet
National Theater
Munich, Germany
December 28, 2015

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. Ensemble, “Symphony in C” by G.Balanchine, Bavarian State Ballet © W.HöslJuxtaposing established choreography and contemporary work can be intriguing. Yet comparing and contrasting a new piece with those of the masters also carries risks. The Bavarian State Ballet’s new evening of ballet dares to do this. It combines George Balanchine’s “Symphony in C” and Jerome Robbins’s “In the Night” with “Adam is” – a fresh dance by Canada’s Azure Barton. Did the assemblage work? (more…)

More, Please!

“Les Ballets Russes”
Bavarian State Ballet
National Theater
Munich, Germany
May 30, 2014

by Ilona Landgraf
Copyright © 2014 by Ilona Landgraf

1. J.Amo, M.Chashchegorov and ensemble, "Les Biches" by B.Nijinska, Bavarian State Ballet Thumbs up for Bavarian State Ballet! Known for their ambitious programs, the troika of artistic director Ivan Liška and his assistant directors Bettina Wagner-Bergelt and Wolfgang Oberender offer their audiences a varied diet, ranging from the classics to brand-new pieces. While Cunningham, Limón and Massine were already part of this season’s menu, some days ago the Munich trio served up a formidable evening of Ballets Russes. If the remaining two premieres – Oskar Schlemmer’s “Triadic Ballet” and Mary Wigman’s “Le Sacre du Printemps” – are danced with the same verve the prospects for ballet aficionados are happy ones. (more…)