Tag Archive: Myron Romanul

Munich Opens Wonderland

“Alice in Wonderland”
Bavarian State Ballet
National Theater
Munich, Germany
April 03, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. Ensemble, “Alice in Wonderland” by C.Wheeldon, Bavarian State Ballet 2017 © W.Hösl The first day of Munich’s Ballet Festival Week heralded the start of an extended cricket season at the city’s National Theater. Captains of noble descent lead the competing teams. Which of the players – half a zoo plus numerous playing cards – fight for the Queen of Hearts and which fight for the Duchess isn’t always clear. Games aren’t played by the rules in Wonderland. (more…)

Rural Idyll

“La Fille mal gardée”
Bavarian State Ballet
National Theater
Munich, Germany
January 24, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. V.Alberton and ensemble, “La Fille mal gardée” by F.Ashton, Bavarian State Ballet © W.Hösl 2017Given the uncomfortable winter cold in Munich and the even more uncomfortable general political climate, being carried off by “La Fille mal gardée”, a rural late-summer idyll, in the National Theater was a welcome time-out. Frederick Ashton’s work, revived by the Bavarian State Ballet this week, brought us a harvest of good feelings.
The ballet, which premiered with the Royal Ballet London in 1960, is set in a time in which crops were harvested manually and women turned their spinning wheels at home. The tranquil, peaceful farming life “La Fille” depicts and its well-functioning village society with a sweet romance blossoming in secret, remind one of a time gone by. (more…)

Sparkling History

“Paquita”
Bavarian State Ballet
National Theater
Munich, Germany
December 13, 2014

by Ilona Landgraf
Copyright © 2014 by Ilona Landgraf

1. D.Sukhorukova and C.Pierre, “Paquita” by M.Petipa and A.Ratmansky, Bavarian State Ballet © W.Hösl 2014Blowing the dust off from an aged stage vehicle like “Paquita” and polishing it up for a premiere usually draws very few out of the woodwork. Bavarian State Ballet, however, promoted the project confidently. Quite rightly as no less than Alexei Ratmansky and Doug Fullington had devoted themselves to revive the love story of the orphan girl Paquita. Bavarian State Ballet’s original plans were that Ratmansky would make his German debut as choreographer with “Paquita” but the indefatigable Ratmansky had already staged his “Namouna” in Berlin and the “Tanzsuite” for Semperoper Ballet Dresden. However, this didn’t harm the project because doing justice to a significant piece of art and its creator was the root of the matter. (more…)