Tag Archive: Wolfgang Heinz

Done For Reid

Stuttgart Ballet’s Festival Weeks: “Gala”
Stuttgart Ballet
Stuttgart State Opera
Stuttgart, Germany
July 24, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. R.Anderson, guests and ensemble,”Stuttgart Ballet Gala” © Stuttgart Ballet 2016Not even a quarter of the way into Reid Anderson’s twentieth jubilee gala, this leader of the Stuttgart Ballet confided to the audience that “We’re both done for and, by the way, I’m a bit gaga.” By “we” he meant himself and Tamas Detrich, his Associate Artistic Director. Detrich, though, will take charge after the 2017/18 season. What was going on ? (more…)

A Thought-Provoking Trip to the Alsace

“All We Love About Shakespeare” (“Ophelia, Madness and Death”, “Fatal”, “Romeo and Juliet”)
Ballet de l’Opéra national du Rhin
Opéra Strasbourg
Strasbourg, France
January 09, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. Ensemble, “Ophelia, Madness and Death” by D.Lee, Ballet de l'Opéra national du RhinThe Ballet de l’Opéra national du Rhin has advantageous conditions in order to prosper. The company is the dance hub of beautiful Alsace, a region much frequented by tourists. It has three venues: Strasbourg’s Opéra, La Filature in Mulhouse and the Théâtre municipal in Colmar. Ballet connoisseurs from Stuttgart or Zurich might come across the Rhine for a visit as well. Quite likely they get served interesting and innovative art, especially as the company was gifted with a National Choreography Center in 1985, the only one of in a total of nineteen being hosted by an opera house. (more…)

A Big Yawn

“Leonce & Lena”
Stuttgart Ballet
Stuttgart State Opera
Stuttgart, Germany
October 11, 2014

by Ilona Landgraf
Copyright © 2014 by Ilona Landgraf

1. D.Camargo and E.Badenes, "Leonce and Lena" by C.Spuck, Stuttgart Ballet Stuttgart Ballet opened its season with a revival of the comedy “Leonce & Lena”, a ballet that Stuttgart’s former resident choreographer Christian Spuck originally created for the Aalto Ballet Essen in 2008. The piece is based on a short, eponymous comedy written by the German author George Büchner in 1836. It’s about the goofy King Peter of the Kingdom Popo aiming to marry his son Leonce, heir to the throne, to Princess Lena of the Kingdom Pipi. “Popo” and “Pipi” are German children’s language and mean “Buttock” and “Urine”. Leonce, being absolutely uninterested in reigning affairs, is unwilling to marry the unknown bride. Stricken by overwhelming boredom he buries his love for his mistress Rosetta, who departs sadly. On the brink of his bride’s arrival, Leonce absconds with his friend Valerio towards beautiful Italy. After half a day’s walk through “a dozen Principalities, half a dozen Grand Duchies and several Kingdoms” they rest at an inn. Princess Lena, for her part, likewise deeply disinclined to the marriage, runs up and away with her governess. As chance would have it, they also turn up at the inn. There, Leonce and Lena naturally fall in love not knowing each other’s real identity. Disguised as automatons the couple returns to King Peter’s court. Monarch Peter, despite lacking his son, is determined to strictly adhere to the original planned wedding. He marries the two automatons as a substitute. Finally Leonce and Lena reveal themselves and become aware of whom they got married to. Deceit, coincidence or providence? Meanwhile Valerio envisions paradise-like conditions in Popo and, above all, a lazy life in the future. (more…)