Tag Archive: Horst Koegler

A Gain

May 1, 2023

“Goldberg-Variationen” (“Tabula Rasa” / “Goldberg-Variationen”)
Vienna State Ballet
Vienna State Opera
Vienna, Austria
April 27, 2023 (livestream)

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

1. A.Vandervelde, D.Dato, G.Fourés, and ensemble; “Goldberg-Variationen” by H.Spoerli, Vienna State Ballet 2023 © Vienna State Ballet / A.Taylor Since Martin Schläpfer took over the reins of the Vienna State Ballet in 2020, his pre-existing and new choreographies entered the company’s repertoire. Most of them I wouldn’t call assets. However, the most recent double bill is a gain. It combines Ohad Naharin’s “Tabula Rasa” (1986) and Heinz Spoerli’s “Goldberg-Variationen” (1993). Sadly, the livestream of the premiere began only after the break, omitting “Tabula Rasa”. Hence, I can only comment on “Goldberg-Variationen”.

I should have known better, but I was not prepared to read the name of Horst Koegler (1927 – 2012) in the piece description on the Vienna State Ballet’s website. It quotes Koegler who labeled “the Goldberg-Variationen as one of the works from Spoerli’s Bach ballet cathedral which describes people and life in a series of poetic, choreographed images and scenes (…)”. Koegler, one of Germany’s renowned ballet critics and the author of a book about Spoerli, was very well versed with the latter’s oeuvre. He loved “Goldberg-Variationen” – both Bach’s music and its interpretation through dance. Would he have liked Vienna’s one? (more…)

A Conversation with Hans van Manen

October 30, 2016

Horst Koegler in Conversation with Hans van Manen in 1982
Altes Kammertheater
Stuttgart, Germany
October 31, 2016

transcribed and translated by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. Hans van Manen, ca. 1980 © Gert WeigeltHorst Koegler (1927-2012) spoke with Hans van Manen in 1982 at the Altes Kammertheater in Stutt­gart during an evening of the Noverre Society, which at the time was directed by Fritz Höver. This article was edited from an audiotape that was transcribed and translated into English by Ilona Landgraf.
Photos courtesy of Dutch National Ballet, Ballett am Rhein, State Ballet Berlin, Stuttgart Ballet, Maryinsky Ballet and the Bolshoi Ballet.The portraits of Hans van Manen and Horst Koegler are by Gert Weigelt. Please click to enlarge.

2. Horst Koegler, ca. 1980 © Gert WeigeltHans van Manen: You ask how I came to speak my German. I think that’s an inborn skill. My mother was German, but we never spoke much German at home. Yet it must be innate because I can speak a quite good German without knowing that many words. What I heard from my mother were mostly nonsense tongue twisters like “Ein Student in Stulpenstiefeln stand auf einem spitzen Stein. Starrte stundenlang auf die still stehenden Sterne.” I think that was the way I learned German. (more…)

The Talent Scout

July 21, 2016 0 Comments

Stuttgart Ballet’s Festival Weeks: “Sketches”
Stuttgart Ballet
Kammertheater Stuttgart
Stuttgart, Germany
July 17, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. A.Osadcenko and J.Reilly, “Delta Inserts” by K.O'Day, Stuttgart Ballet © Stuttgart Ballet 20162. A.Osadcenko and J.Reilly, “Delta Inserts” by K.O'Day, Stuttgart Ballet © Stuttgart Ballet 2016In Stuttgart the ballet season reached its climax this July. Reid Anderson’s twentieth jubilee as artistic director is being celebrated with a vast program of extras for three weeks. On July 3rd he had allowed insight into his life and career in the talk “Everything you Always wanted to Know…”. The film documentation “Miracles and Superheroes – 55 Years Stuttgart Ballet” received its cinema premiere on July 15th. It was broadcast on television on July 20th. (more…)

What Should Ballet Dramaturgy Achieve?

July 19, 2014

by Horst Koegler
Transcribed from a lecture given in 1976 at the Noverre Society in Stuttgart.
Stuttgart, Germany

June 29, 2014
Copyright © 2014 by Ilona Landgraf

1) Horst Koegler, ca. 1976, photo Gert WeigeltHad anyone asked John Cranko what ballet dramaturgy is, I imagine he might have answered, “Ballet dramaturgy is the figment of a frustrated German ballet critic’s imagination, and that person is Horst Koegler.” I have no illusions whatsoever about my persistent demand for more ballet dramaturgy. I dwell on it in order to correct an intolerable situation that puts ballet at a disadvantage compared to drama and opera.

Because the term ballet dramaturgy didn’t exist in the past and ballet got along without it, some people today do not see the need for it. Although I can understand this attitude histori- cally, I don’t agree. Theater dramaturgy has existed ever since Aristotle’s Poetics, which spelled out the rules for comedy and tragedy. We also know what Gotthold Lessing’s Hamburg Dramaturgy accomplished for the German theater. Opera dramaturgy is less explicitly fixed and, despite the Florentine Camerata’s erudite debates on the topic, never produced globally accepted standards. (more…)