Tag Archive: Anastasia Stashkevich

From “Ballet Falsity” to Long-Runner

“The Bright Stream”
Bolshoi Ballet
Bolshoi Theatre
Moscow, Russia
February 10 and 11, 2018

by Ilona Landgraf
Copyright © 2018 by Ilona Landgraf

1. Front Curtain, “The Bright Stream” by A.Ratmansky, Bolshoi Ballet © Bolshoi Theatre / D.Yusupov“The Bright Stream” was Shostakovich’s third score for ballet. After his previous ballets, “The Golden Age” (1930) and “Bolt” (1931), were banned from the stage, Shostakovich attempted to create a new composition that would please everyone. Fyodor Lopukhov (1886 – 1973) was in charge of the choreography, the libretto was by Adrian Pyotrovsky and Lopukhov, and indeed, “The Bright Stream” was enthusiastically received at its premiere in Leningrad – today’s St. Petersburg – in 1935. (more…)

It’s Done

“Nureyev”
Bolshoi Ballet
Bolshoi Theatre
Moscow, Russia
December 09, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. V.Lantratov, “Nureyev”, chor.: Y.Possokhov, dir.: K.Serebrennikov, Bolshoi Ballet 2017 © Bolshoi Ballet / M.LogvinovAfter the Bolshoi Ballet’s July premiere of “Nureyev” was canceled at the last minute, officials doubled down on security efforts for the rescheduled performance on December 9th. Although guards lined the theater’s entrances and the curtain rose behind schedule, the performance was a smooth ride from start to finish.
And yet only those who attended the dress rehearsal this summer can truly asses whether or not the initial version was tweaked to comply with requests from the authorities. One might have noticed, for instance, that Richard Avedon’s photo of the naked Nureyev was not used as a backdrop, but rather was only projected on a screen for a quick second. But given the fact that the work was finally seen by the public – do these minor changes matter?

Choreographer Yuri Possokhov, stage director and set designer Kirill Serebrennikov, and composer Ilya Demutsky are the artistic core team behind “Nureyev”. Interviews with the trio, who had previously collaborated on the Bolshoi’s ballet “A Hero of Our Time”, were printed in the program booklet, which also contains Serebrennikov’s libretto.

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Universal Love

“Romeo and Juliet”
Bolshoi Ballet
Bolshoi Theatre
Moscow, Russia
November 25, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. V.Lopatin and A.Stashkevich, "Romeo and Juliet" by A.Ratmansky, Bolshoi Ballet 2017 © Bolshoi Ballet / E.Fetisova Last week the Bolshoi Ballet added a second version of “Romeo and Juliet” to its repertoire. By Alexei Ratmansky, it premiered at the National Ballet of Canada in 2011 and is being performed on the New Stage of the Bolshoi Theatre. As during recent years, Yuri Grigorovich’s adaption will be shown on the Bolshoi’s Historic Stage.
Ratmansky cast three leading couples: Ekaterina Krysanova & Vladislav Lantratov; Anastasia Stashkevich & Vyacheslav Lopatin; and Evgenia Obraztsova & Artemy Belyakov; however the pairings switched in the course of the first run. I saw the fourth performance after the premiere; Stashkevich was Juliet alongside Lopatin’s Romeo. (more…)

Bringing “Onegin” Home

“Onegin”
Bolshoi Ballet
Bolshoi Theatre
Moscow, Russia
March 10, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. A.Tikhomirova, S.Chudin and ensemble, “Onegin” by J.Cranko, Bolshoi Ballet © Bolshoi Theatre / D.Yusupov“John is here” is a well-known saying within the walls of Stuttgart Ballet. People know what they are talking about. Ever since his untimely death more than forty years ago John Cranko’s spirit has energized his Stuttgart company.
Yet last weekend his presence was strongly palpable elsewhere. The Bolshoi performed his “Onegin” on three consecutive evenings at home in Moscow. On first night not only Cranko seemed close but also Reid Anderson, who had supervised the production at the Bolshoi in 2013, and Jürgen Rose, whose costumes and set design are unvaryingly matchless. The Bolshoi Theatre and Stuttgart State Opera merged into one house on this Friday evening uniting their powers in a performance of overwhelming intensity. (more…)