Tag Archive: Daniel Mulligan

Hot Air

“Emergence” (“Speak for Yourself” / “Emergence”)
Ballet Zurich
Opernhaus Zurich
Zurich, Switzerland
January 20, 2018

by Ilona Landgraf
Copyright © 2018 by Ilona Landgraf

1. D.Mulligan, “Speak for Yourself” by S.León and P.Lightfoot, Ballet Zurich © G.Batardon The program booklet for “Emergence”, Ballet Zurich’s new double bill, raised high expectations. The evening’s title was taken from Crystal Pite’s piece. According to the praise lavished on her, she must be phenomenal and talented beyond belief. “Speak for Yourself”, choreography by Sol León and Paul Lightfoot, was dubbed an “alchemistic experiment” in which fire, water, and dance magically merge. Getting in contact with the element water was called a decisive metaphysical moment. Some photos of “Speak for Yourself” were printed with wise sayings quoted from the “Tao Te Ching” by Laozi. Both pieces were danced to recorded music.
Did the program deliver what it promised? (more…)

Something New?

“Nussknacker und Mausekönig” (“Nutcracker and Mouse King”)
Ballet Zurich
Opernhaus Zurich
Zurich, Switzerland
October 20, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. M.Knight and Y.Han, “Nutcracker and Mouse King” by C.Spuck, Ballet Zurich 2017 © G.BatardonThis season the Opera House Zurich launched a new website, new large black and white portraits of dancers of the company decorate the opera’s corridors and side rooms and it also has a new “Nutcracker”. More precisely, its “Nutcracker and Mouse King”, as choreographer and artistic director Christian Spuck based the story on E.T.A. Hoffmann’s original fairy tale of the same title rather than on the sweetened and simplified adaption of Hoffmann’s text Alexandre Dumas père wrote in 1844. The latter served as a libretto for Marius Petipa and Lev Ivanov’s famous ballet to music by Tchaikovsky. Having already created ballets on “The Sandman” and “Mademoiselle de Scuderi”, “Nutcracker and Mouse King” is Spuck’s third ballet on a text by E.T.A. Hoffmann. (more…)

Searching for the Soul

“Corpus” (“disTANZ” / “Lady with a Fan”)
Ballet Zurich
Opernhaus Zurich
Zurich, Switzerland
June 10, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. F.Dell'Aria, J.Fraser, E.Wisenberg and D.Slavkovský, “disTANZ” by F.Portugal, Ballet Zurich 2017 © G.BatardonHow does the soul get into the dance? What relationship does the soul have to the body? Such were the questions, Filipe Portugal and Douglas Lee, the two choreographers of “Corpus” tried to explore in their new works. The double bill premiered at the end of May. Portugal, principal of the company, has been choreographing several years now for his Zurich colleagues as well as for Zurich’s Junior Ballet. “disTANZ”, his most recent creation, was the first on the program. Like Portugal, Lee, a Berlin-based choreographer with British roots, is familiar with the company as well. “Lady with a Fan” is his third creation for Ballet Zurich. Both Portugal and Lee choreographed group pieces. (more…)

An Attempt to Live Up to an Epic Story

“Anna Karenina”
Ballet Zurich
Opernhaus Zurich
Zurich, Switzerland
November 29, 2014

by Ilona Landgraf
Copyright © 2014 by Ilona Landgraf

1. V.Kapitonova and D.Vieira, “Anna Karenina” by C.Spuck, Ballet Zurich © M.Rittershaus 2014Adapting a complex novel of remarkable scale for a ballet is a courageous undertaking. Christian Spuck, Ballet Zurich’s artistic director, took up the challenge. “Anna Karenina”, his new work, premiered earlier this season. It is based on Leo Tolstoy’s eponymous novel, more than one-thousand pages of intricate family histories, written within 1873 – 1878. Spuck boiled them down into a two-hour ballet. How did he approach this task and with what success?

Next to the triangle between Anna Karenina (Viktorina Kapitonova), her husband Alexei Karenin (Filipe Portugal) and her lover Count Alexei Vronsky (Denis Vieira), Spuck also portrays the other protagonists’ love affairs as well as other lesser characters: Dolly’s and the unfaithful Stiva’s messed up marriage (Dolly: Galina Mihaylova, Stiva: Arman Grigoryan) as well as Kitty’s and Levin’s tentative approach to each other, their wedding and apparently happy rural life (Kitty: Katja Wünsche, Levin: Tars Vendebeek). Princess Betsy (Giulia Tonelli), a socialite with dubious morals, and her companion (Wei Chen) – a wimp whom she makes look like fool – are featured as is the rigid Countess Lidia Ivanovna (Eva Dewaele), Alexei Karenin’s later life partner. The settings include those of Moscow’s and St. Petersburg’s high society, the Karenin’s home, a farm harvest with hands at work (Levin’s environment), the famous horse race, Anna’s and Vronsky’s sojourn in Italy and, of course, some train journeys to get from A to B plus Anna’s last fatal encounter with a train. (more…)

Dark times for the love

“Romeo and Juliet”
Ballet Zurich
Opernhaus Zurich
Zurich, Switzerland
June 15, 2014

by Ilona Landgraf
Copyright © 2014 by Ilona Landgraf

1. Eva Dewaele , Cristian Alex Assis, Katja Wünsche and ensemble, Romeo and Juliet by Christian Spuck, Ballet ZurichChristian Spuck, formerly Stuttgart Ballet’s resident choreographer, is in his second year at the helm of Ballet Zurich. “Romeo and Juliet” was his first work for Zurich in 2012. A challenging and appealing task for the newly assembled company back then and a chance for Spuck to contrast with Stuttgart’s Cranko heritage. Spuck deemed Jürgen Rose’s set design for Cranko’s version of “Romeo and Juliet” as too sweetish for the story’s hardship and aimed for more emotional authenticity. He got to work with set designer Christian Schmidt and costume designer Emma Ryott. Did he finally come up with a new, convincing approach? (more…)