Tag Archive: Fabio Adorisio

Timeless

“Pure Cranko” (“L’Estro Armonico” / “Brouillards” / “Jeu de Cartes”)
Stuttgart Ballet

Stuttgart State Opera
Stuttgart, Germany
October 03, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. D.Moore, M.F.Paixà and ensemble, “L'Estro Armonico” by J.Cranko, Stuttgart Ballet 2017 © Stuttgart BalletThis season is an especially special one for Stuttgart Ballet. John Cranko, who took over the ballet company of the Wuerttemberg State Theater in 1961 and turned it into the “Stuttgart Ballet Miracle”, would have celebrated his 90th birthday this August. In October, the premiere of his “Onegin” will have its 50th anniversary. Moreover, it’s Reid Anderson’s twenty-second – and last – season as artistic director. He’ll pass the torch to Tamas Detrich next summer.

As a result, there are quite a number of events slated for the season – but, with everything being interconnected in Stuttgart, the first program already brought the company full circle. (more…)

Impressive!

“Ballet Matinée”
John Cranko School
Stuttgart State Opera
Stuttgart, Germany
July 16, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. A.Pernão and S.Pompignoli, “Alrededor No Hay Nada” by G.Montero, John Cranko School © Stuttgart Ballet Stuttgart’s John Cranko School has an excellent reputation in the ballet world. In a recent interview, Dutch National Ballet’s Marijn Rademaker talked about the excellent teachers in Stuttgart. I saw quite a few end of the year school performances, but this year’s matinée made me shake my head in disbelief. What outstanding talents has Tadeusz Matacz been training under his roof!

The students’ performance of Leonid Lavrovsky’s “Classical Symphony” could have vied with proper companies. The boys jumped spick and span, landed from tour en l’airs nicely in sync and partnered smoothly. Short Motomi Kiyota of the 6th class was especially intriguing. He soared through the air as if it were his natural space of being. The girls dabbed the choreography onstage, defying weight and gravity and confidently tossed out fouettes. “Classical Symphony” left one with an elevated feeling.

They proved they can also excel in contemporary pieces in “Alrededor No Hay Nada”, new choreography by Goyo Montero, artistic director of the company of the State Theater Nuremberg. (more…)

A Little Summit

Stuttgart Ballet’s Festival Weeks: “John Cranko School Gala”
John Cranko School
Stuttgart State Opera
Stuttgart, Germany
July 23, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. Students of the John Cranko School, “The Four Seasons”: “Spring” by K.Kozielska © Stuttgart Ballet 2016Last Saturday’s gala of the John Cranko School was only expected to be the overture for the company’s big final gala on the following day. Yet it proved to be a treat in itself.
How often is new choreography made on students? On the occasion of the Ballet Festival Weeks celebrating Reid Anderson’s twentieth jubilee as artistic director of Stuttgart Ballet, four former graduates choreographed to the music of Antonio Vivaldi’s “The Four Seasons”, each one responsible for one season. Marco Goecke’s “A Spell on You”, also created for the Cranko School and premiered earlier this year, was shown again. Guest students from schools in Paris, London, Toronto and Hamburg allowed one to compare training, but first and foremost the event highlighted a feeling of togetherness. The gala was streamed live to the outdoor audience of “Ballet in the Park” in front of the opera house. (more…)

Brisk Steps

“Young Choreographers”
Noverre Society
Schauspielhaus Stuttgart
Stuttgart, Germany
May 11, 2016


by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. M.Miccini and B.E.Comak, “Cello contra bass” by R.Novitzky; Noverre Society, Young Choreographers © Carlos Quezada Since the era of John Cranko, Noverre Evenings have been firmly established in Stuttgart. They offer fledgling choreographers a chance to present their works to the audience. This year Rainer Woihsyk, head of the Noverre Society, had chosen thirteen pieces. “The evening is a bit too long”, he told me, “but I never know if one or the other backs out shortly before the premiere. That’s why I usually accept a few more applicants.” This time all succeeded and, as Woihsyk does not withdraw a promise once given, the program amounted to three hours including a break. Yet the pieces had been cleverly arranged, their variety kept one’s attention. (more…)

Those Who Can – Anderson’s Jubilee Menu No. 3

“Kammerballette” (“Kammerballett”, “Arena”, “Neurons”)
Stuttgart Ballet
Schauspielhaus Stuttgart
Stuttgart, Germany
March 04, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. M.F.Paixa, A.Amatriain, J.Reilly, P. v.Sternenfels, D.Camargo and A.Osadcenko, “Kammerballett” by H.v.Manen, Stuttgart Ballet 2016Reid Anderson’s third new ballet evening sticks to the format of the previous ones. Again, three short ballets are assembled on a mixed bill, this time shown on the stage of the Stuttgart Schauspielhaus. Hans van Manen’s “Kammerballett”, choreography from 1995 for the Nederlands Dans Theater, opened the program. It is new for the company enlarging Stuttgart Ballet’s already vast van Manen repertory. “Arena”, the middle piece, is by Glen Tetley, the company’s director in the period 1974 – 1976. Anderson had danced under Tetley’s reign. Their longstanding collaboration originated then. The new piece was saved for the finale: “Neurons”, a world premiere by the Polish choreographer Katarzyna Kozielska. (more…)