Tag Archive: Jean-Christophe Maillot

Olga Smirnova on “The Sleeping Beauty”

“The Sleeping Beauty”
Bolshoi Ballet
Bolshoi Theatre
Moscow, Russia
January 17, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. I.Alexeyev, O.Smirnova, A.Belyakov and ensemble, “The Sleeping Beauty” by Y.Grigorovich after M.Petipa, Bolshoi Ballet © D.Yusupov 2017This Sunday, on January 22nd, the Bolshoi Ballet will stream “The Sleeping Beauty” live to cinemas all over the world. It is the Petipa-based version that Yuri Grigorovich created in 2011 for the re-opening of the Bolshoi’s historic stage which has lavish set designs by Ezio Frigerio and equally sumptuous costumes by Franca Squarciapino. Sunday’s cast includes Olga Smirnova as Princess Aurora alongside Semyon Chudin as her Prince. As the Lilac Fairy, Yulia Stepanova will counter Alexei Loparevich’s Carabosse.
I skyped with Olga Smirnova a few days prior to the cinema broadcast to talk about the piece and her role. Katerina Novikova, head of the Bolshoi’s press office, kindly interpreted from the Russian. Smirnova’s responses are in italics. (more…)

Maillot Revives His Beauty

“La Belle”
Les Ballets de Monte Carlo
Salle des Princes Grimaldi Forum
Monte Carlo, Monaco
December 30, 2016

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. S.Chudin and O.Smirnova, “La Belle” by J.-C.Maillot, Les Ballets de Monte Carlo © A.Blangero 2017Shortly after Christmas Les Ballets de Monte Carlo revived “La Belle”, Jean-Christophe Maillot’s version of “La belle au bois dormant”, written by Charles Perrault in 1697. Maillot kept his original choreography from 2001 as well as Ernest Pignon-Ernest’s set design, but commissioned Jérôme Kaplan for new costumes most of which comically quote details of 16th century fashion. The music is Tchaikovsky’s but trimmed to around two hours.

Perrault took his inspiration from “Sun, Moon and Talia”, a fairytale written by Giambattista Basile in 1834, to which Maillot included some references. (more…)

Maillot’s Idea of How to Tame

Taming of the Shrew”
Bolshoi Ballet
Royal Opera House
London, Great Britain
August 03, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. E.Krysanova and V.Lantratov, “The Taming of the Shrew” by J.-C.Maillot, Bolshoi Ballet © M.Logvinov/Bolshoi TheatreThe Bolshoi Ballet’s three-week tour to London draws crowds of ballet aficionados to the Royal Opera House. Every evening each of the five productions is sold out. Those include the much-loved classics, “Swan Lake”, “Don Quixote” and “Le Corsaire”, as well as “The Flames of Paris” by Alexei Ratmansky and Jean-Christophe Maillot’s “The Taming of the Shrew” which premiered two years ago at the Bolshoi. “Shrew” was scheduled only twice. I saw the first performance.

Similar to Kurt-Heinz Stolze’s Scarlatti-pastiche for John Cranko’s “Shrew”, Maillot also cobbled together the score. He assembled less well known film music and excerpts of symphonies by Dmitri Shostakovich which go along with the events on stage like lubricating oil. Whether swooshing or romantic, the Orchestra of the Bolshoi Theatre under Igor Dronov’s baton played with verve.

The story sets off at the estate of Baptista, a wealthy lord in Padua. But the two broad, curved outdoor stairs arching over the house’s entrance, designed by Ernest Pignon-Ernest, don’t relate to any specific town. Baptista is beset with two daughters, the prickly Katharina and her younger sister, the much-adored Bianca. But the latter will not be allowed to marry until Katharina first wears her wedding ring. (more…)