Tag Archive: Joseph Hernandez

Plays within Plays

July 5, 2022

“Made For Us III” (“The Last Coincidence” / “Nighttime Showtime”)
Ballet of the State Theater Nuremberg
Play House
Nuremberg, Germany
July 01, 2022

by Ilona Landgraf
Copyright © 2022 by Ilona Landgraf

1. K.Cummings (Soldier), S.Vervaecke (Bride), O.Alonso (Magician), P.Lassere (Pierrot), and A.Fernández (Gentleman), “The Last Coincidence” by B.Arias, Ballet of the State Theater Nuremberg 2022 © B.StößThe ballet of the State Theater Nuremberg recently premiered “Made For Us III” and, in so doing, resumed their project of commissioning ballets from external choreographers (a project originated in 2014). This year, pieces by Bryan Arias and Joseph Hernandez shared the stage.

In Arias’s “The Last Coincidence”, two women and three men engage in a lively multi-language debate (or monologue?) on a bare, box-like stage. Huge papier-mâché masks enlarge their heads and make them into distinct characters: a braided, epauleted soldier (Mikhael Kinley), a magician wearing striped knickerbockers (Carlos Blanco), a female Pierrot (Stella Tozzi), and a bride (Kate Gee) in love with a disheveled and portly gentleman (Edward Nunes). When the spotlights are suddenly switched on and the group lines up for a revue dance routine, it becomes clear that we are watching a backstage rehearsal. (more…)

Two Farewells at the Semperoper Ballet

April 3, 2017

“Theme and Variations” (Triple bill: “Theme and Variations”, New Suite”, “She Was Black”)
Semperoper Ballet
Semperoper
Dresden, Germany
March 30, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. F.Voranger, Semperoper Ballet © I.WhalenSemperoper Ballet bid a double farewell on April 1st. True to his announcement last year, Mats Ek withdrew his works from the stage forever as he heads into retirement. “She Was Black”, originally choreographed in 1995, is among those that will retire with him. It has been part of the repertoire of the Dresden company for six years. When I learned about the 2nd goodbye, I thought it might be a premature April Fools’ joke – but it wasn’t. Fabien Voranger, the 36-year old principal of the company, ended his active dancing career with a final pas de deux in “She Was Black” in the middle of the season.

Born in Aix-en-Provence in Southern France, Voranger was trained at the Opéra National de Paris and the Studio Ballet Colette Armand in Marseille. A Prix de Lausanne scholarship led him to The Royal Ballet School before signing his first contract with Roland Petit’s troupe in Marseille. Engagements at the Deutsche Oper Berlin and the Vienna State Ballet soon followed. As Voranger stated in an interview in 2015, he tended to move on to another company whenever he felt stuck in his artistic growth: “There will be always someone who can do more pirouettes than you, who is technically superior. So the most important thing in a career is to find someone who makes something of you.” (more…)

Welcome Innovations

November 29, 2016

“Oracle”
Semperoper Ballet
Semperoper
Dresden, Germany
November 25, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. A.Gibson, “Oracle” by J.Hernandez, Semperoper Ballet © I.Whalen 2016With the new year quickly approaching, the art of prophecy is in great demand in Dresden. One clairvoyant resides in a cozy, tiny hut on a beautiful, rustic Christmas market in the old stable yard next to the Dresden Castle. An expert in palm reading, cartomancy and runes magic, the white-haired lady offers glances into what next year will bring.

Not far from her stall, in the former opera restaurant just recently altered into the studio stage “Semper Two,” another soothsayer, a quite prominent lady, is at work. Or, to be precise, is fed up with work. Alas, there is currently no chance to receive advice from her. Joseph Hernandez, coryphée of Semperoper Ballet and a fledgling choreographer, attended to the matter in the dance theater “Oracle”, his first piece for Semperoper Ballet. Accompanied by a musical mix consisting of vintage jazz as well as cello and violin sounds of various atmospheres, it unveils the Oracle of Delphi’s problem. Exhausted from putting herself into a trance to answer the never-ending questions, the woman priest, simply called Oracle (Aidan Gibson) by Hernandez, wants to get off the hot seat. But how? (more…)