Tag Archive: Iana Salenko

Wasted Effort?

May 26, 2017

“Gala des Étoiles”
Grand Théâtre
Luxembourg
May 20, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

Luxembourg, one of the smallest sovereign states in Europe, has no ballet tradition. To change this is the aim of former dancer Natascha Ipatova and Georges Rischette, both founders of the Luxembourg dance school DanceXperience. This year’s two galas on May 20th and 21st mark the fifth year in succession trying to wet the Luxembourg audience’s appetite for the art form. Unlike the suggestive title of the event, no étoiles of the Paris Opera Ballet were involved. Instead, there were leading principals and their colleagues from various international companies. (more…)

A Bright Spot

May 31, 2016 0 Comments

“Jewels”
State Ballet Berlin
Deutsche Oper
Berlin, Germany
May 26, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

Since Nacho Duato took over as artistic director of the State Ballet Berlin in 2014 positive news about the capital’s company has been rare. Neither has the repertory aroused enthusiasm nor has Duato been in favor with the local press. Though the dancers’ pay disputes and strikes dragging on for months last year met with the audience’s understanding, they caused no positive headlines either. It was high time to reclaim a reputation suitable for a State Ballet. Exactly what the company managed to do with George Balanchine’s “Jewels” which premiered last week. (more…)

Does a Big Name Deliver its Promise?

April 10, 2014

“Ratmansky/Welch”
State Ballet Berlin
Schiller Theater
Berlin, Germany
April 04, 2014

by Ilona Landgraf
Copyright © 2014 by Ilona Landgraf

At the end of his era as head of State Ballet Berlin, Vladimir Malakhov mounted two German premieres: Stanton Welch’s “Clear” and Alexei Ratmansky’s “Namouna – a Grand Divertissement”. Both works showed the company to be in good shape and its atmosphere confident.

“Clear” was Welch’s reaction to the terror attack on the World Trade Center that took place September 11, 2001. It premiered with American Ballet Theatre the same year. However, a connection to 9/11 isn’t obvious at first glance. Seven men and one woman indulge themselves in energetic duos, trios and group numbers. Foremost, these dances radiate verve. They are lively, in accord with the music – Johann Sebastian Bach’s concertos (Concerto for Violin and Oboe in C-Minor and Concerto for Violin in G-Minor, excellently played by violinist Wolfram Brandl and oboist Fabian Schäfer).

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Malakhov’s Upshot

January 31, 2014

“Malakhov & Friends – The Finale”
State Ballet Berlin
Deutsche Oper Berlin
Berlin, Germany
January 24, 2014

by Ilona Landgraf
Copyright © 2014 by Ilona Landgraf

The gala evening “Malakhov & Friends” has its fifth anniversary this season since Vladimir Malakhov became artistic director of State Ballet Berlin, and it’s the final one. After ten years being at the helm the Ukrainian takes his leave. From the next season on he’ll be artistic adviser of the Tokyo Ballet. As an appreciation of his great service for dance in Berlin, Malakhov was awarded the honorary title “Kammertänzer of Berlin” by Berlin’s state culture secretary Andrè Schmitz after the premiere on Tuesday – an act to be understood as keeping face, as Malakhov doesn’t part by mutual consent but was urged to resign. He’ll be succeeded by the Mikhailovsky Ballet’s current artistic director Nacho Duato.

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Happy Czechs!

January 16, 2014

“Les Ballets Bubeníček”
The National Theater
Prague, Czech Republic
January 11, 2014

The Czech twins Jiří and Otto Bubeníček, principals of Dresden Semperoper Ballet ( Jiří) and Hamburg Ballet – John Neumeier (Otto), regularly gather dancers from various ensembles to tour their own creations worldwide under the label “Les Ballets Bubeníček”. To date, Rome and Tokyo as well as different locations in their homeland have lain on their route. After five years, they have returned to Prague’s National Theater for one weekend to present a gala of four of their own choreographies: Two plotless, neoclassical pieces, “Le Souffle de l’Esprit” and “Toccata” contrasted with two narrative works, “Faun” and “The Picture of Dorian Gray”.

This time dancers from Dresden Semperoper Ballet made up the major part of the troupe. Augmented by Iana Salenko (State Ballet Berlin) and Arsen Mehrabyan (Royal Swedish Ballet) the Bubeníčeks brought fourteen colleagues along and, to get straight to the point, both scheduled shows – the National Theater has almost 1000 seats – were sold out within a day. For those who couldn’t get a ticket, Czech television filmed the performance. All artists earned heartfelt applause, the twins, however, were celebrated and admired like national heroes.

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Berlin’s New “Nutcracker” – No Cracker Jack!

November 1, 2013

“The Nutcracker”
State Ballet Berlin
Deutsche Oper Berlin
Berlin, Germany
October 25, 2013

Despite the amazingly mild weather so far, State Ballet Berlin’s premiere of its new “Nutcracker” heralded an early start for this year’s Christmas season. Vladimir Malakhov, in his last year as artistic director of the company, decided to replace Patrice Bart’s production – which had been in repertory from 1999 until two years ago – with one based on St. Petersburg’s 1892 original. Entrusted with the choreography were Russia’s Yuri Burlaka and Vasily Medvedev, both familiar with their homeland’s ballet tradition. Neither of them is unknown in Berlin, having staged an adaption of “La Esmeralda” for the State Ballet in 2011.

A huge spectacle, more splendid, more fairytale-like and magical than ever – those were the superlatives with which Malakhov advertised this “Nutcracker”. Was it to be his proud parting gift (and certainly no cheap one) after his more than ten years tenure? (more…)