Tag Archive: Zoltan Mano Beke

A Masterpiece?

“A Midsummer Night’s Dream”
Bavarian State Ballet
National Theater
Munich, Germany
May 26, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. K.Ryshkova, “A Midsummer Night's Dream” by J.Neumeier, Bavarian State Ballet 2017 © W.Hösl Balmy nights that follow days of 86°F are ideal to get one in a dreamy midsummer night’s mood. It was just the right time for reviving John Neumeier’s interpretation of Shakespeare’s iconic comedy, as danced by the Bavarian State Ballet this May. The amorous entanglements Shakespeare invented in “A Midsummer Night’s Dream” are confusingly intricate and very juicy. Theseus, the duke of Athens, is about to marry Hippolyta, the former queen of the Amazons. Oberon, king of the fairies, and Titania, his queen, have come to the forests surrounding Athens to attend the wedding. A bit short of domestic bliss, their quarrels cause great trouble among the four lovers of the human world, Lysander & Hermia and Demetrius & Helena. Chaos intensifies because of Puck, Oberon’s shrewd and knavish sprite. A group of incompetent, amateur actors, preparing to entertain the royal wedding with “Pyramus and Thisbe” adds to the overall confusion.

Neumeier streamlined the knotty story by dropping side characters and subplots and allocating distinct music to the three lifeworlds. Felix Mendelssohn’s compositions for “A Midsummer Night’s Dream” (and other pieces by him) accompany the events at court. The mechanicals rehearse and perform to barrel organ music. Oberon, Titania and their fairies live inside György Ligeti’s electronic soundscapes. The Mendelssohn was played live by the Bavarian State Orchestra under the baton of Michael Schmidtsdorff; of Ligeti, we heard a recorded version. James Lyttle, one of the mechanicals, played the barrel organ. (more…)

Rural Idyll

“La Fille mal gardée”
Bavarian State Ballet
National Theater
Munich, Germany
January 24, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. V.Alberton and ensemble, “La Fille mal gardée” by F.Ashton, Bavarian State Ballet © W.Hösl 2017Given the uncomfortable winter cold in Munich and the even more uncomfortable general political climate, being carried off by “La Fille mal gardée”, a rural late-summer idyll, in the National Theater was a welcome time-out. Frederick Ashton’s work, revived by the Bavarian State Ballet this week, brought us a harvest of good feelings.
The ballet, which premiered with the Royal Ballet London in 1960, is set in a time in which crops were harvested manually and women turned their spinning wheels at home. The tranquil, peaceful farming life “La Fille” depicts and its well-functioning village society with a sweet romance blossoming in secret, remind one of a time gone by. (more…)

Losses

“Illusions – like Swan Lake
Bavarian State Ballet
National Theater
Munich, Germany
June 19, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. M.Urban, “Illusions – like Swan Lake” by J.Neumeier, Bavarian State Ballet, Munich © W.Hösl 2016Melancholy pervaded Munich’s National Theater on Sunday. For the last time the company performed John Neumeier’s “Illusions – like Swan Lake”. With Igor Zelensky taking over as the company’s director, this production will be stored in mothballs for the time being. Also, twelve dancers had their last evening on stage. Twenty-nine members — around forty percent of the ensemble – are leaving. Being part of the audience made me sigh deeply, as did looking at the front curtain’s golden embroidery on a blue-white ground decorated with swans and lilies. Then there were Jürgen Rose’s superb decors and marvelous costumes. What a pity that so much of this will disappear from view.

“Illusions – like Swan Lake” is a 1976 collaboration of choreographer Neumeier and designer Rose. Although steeped in Bavarian history, this version of “Swan Lake” premiered in Munich only in 2011. Neumeier linked the swan story and the fate of Bavaria’s King Ludwig II (1845 – 1886), who had become known as the Fairy Tale Monarch or Swan King.

Parallels between Ludwig II and the ballet’s Prince Siegfried and also with composer Tchaikovsky are striking. Ludwig II struggled with being homosexual, as did Tchaikovsky. (more…)

Today’s Trash and Tradition Warmed Up

“The Girl and the Knife Thrower”, “Le Sacre du Printemps”
Bavarian State Ballet
Reithalle (Riding Hall)
Munich, Germany
June 19, 2014

by Ilona Landgraf
Copyright © 2014 by Ilona Landgraf

1. Ensemble, The Girl and the Knife Thrower, Bavarian State Ballet One of this season’s revivals that dance connoisseurs in Germany awaited with much interest, was Mary Wigman’s “Le Sacre du Printemps”. More than fifty years after its Berlin premiere, the Bavarian State Ballet tried to bring the piece back to the stage together with a modern counterpart: Simone Sandroni’s “The Girl and the Knife Thrower”.

Sandroni’s ballet is based on an eponymous cycle of poems by German writer Wolf Wondratschek about singular moments in the daily life of a circus troupe. The main characters are the knife thrower, his target – a girl, two other young women and a clown. Sandroni relocated the goings-on to a filthy playground and supplemented the group of itinerants by devising roles for two hip-hop Russians.

(more…)