Tag Archive: Goyo Montero

Impressive!

“Ballet Matinée”
John Cranko School
Stuttgart State Opera
Stuttgart, Germany
July 16, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. A.Pernão and S.Pompignoli, “Alrededor No Hay Nada” by G.Montero, John Cranko School © Stuttgart Ballet Stuttgart’s John Cranko School has an excellent reputation in the ballet world. In a recent interview, Dutch National Ballet’s Marijn Rademaker talked about the excellent teachers in Stuttgart. I saw quite a few end of the year school performances, but this year’s matinée made me shake my head in disbelief. What outstanding talents has Tadeusz Matacz been training under his roof!

The students’ performance of Leonid Lavrovsky’s “Classical Symphony” could have vied with proper companies. The boys jumped spick and span, landed from tour en l’airs nicely in sync and partnered smoothly. Short Motomi Kiyota of the 6th class was especially intriguing. He soared through the air as if it were his natural space of being. The girls dabbed the choreography onstage, defying weight and gravity and confidently tossed out fouettes. “Classical Symphony” left one with an elevated feeling.

They proved they can also excel in contemporary pieces in “Alrededor No Hay Nada”, new choreography by Goyo Montero, artistic director of the company of the State Theater Nuremberg. (more…)

An Ordeal

“Don Quixote”
Ballet of the State Theater Nuremberg
State Theater
Nuremberg, Germany
April 28, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. N.Sasaki, R.Scott and ensemble, “Don Quixote” by G.Montero, Ballet of the State Theater Nuremberg 2017 © J.Vallinas“Don Quixote” is best associated with the showy dancing of snappy youth, lighthearted joie de vivre and air sizzling with eroticism. The Ballet of the State Theater Nuremberg’s new “Don Quixote” offers the opposite. Goyo Montero, artistic director of the company of around twenty dancers, boiled down the traditional three acts to a single one lasting 90 minutes. According to the program booklet, the production begins in a mental institution, a prison or a refugee camp. Given the huge gunny sacks serving as seats, buffers or protective wall (set design by Eva Adler and Montero), the scruffy gray and brown costumes and the simple bag-like headdresses credited to Angelo Alberto and Montero, I thought of mill hands kept in arrest. But regardless of the place one imagines the figures inhabiting it are insane. (more…)

A Well Assembled Spectrum

“2. International Ballet Gala”
Ballet of the State Theater Nuremberg
State Theater
Nuremberg, Germany
March 20, 2015

by Ilona Landgraf
Copyright © 2015 by Ilona Landgraf

1. J.Vallejo, “Canon in D Major” by J.Bubeníček, “2.International Ballet Gala”, Ballet of the State Theater Nuremberg © B.Stöß 2015Goyo Montero is in his seventh season as artistic director of the State Theater Nuremberg’s ballet. Since then the Spaniard has established the troupe’s reputation – nationally as well as internationally. Last weekend’s ballet gala – the second since Montero took over the reins – gave ample proof that dance prospers in Middle Franconia’s largest city.
Montero, son of a ballerina and a dancing and choreographing father, studied at the Royal Conservatory for Professional Dance in Madrid and the School of the National Ballet of Cuba. Amongst others he danced with the Deutsche Oper Berlin and the Royal Ballet of Flanders. Solidly rooted in classical dance, Montero explores contemporary movement vocabulary in his choreography. This season his company, twenty-two dancers, many of them his compatriots, present works by Nacho Duato, Johan Inger, Ohad Naharin in addition to Montero’s own creations. In early July they will guest with “Cinderella” at the Chekhov International Theatre Festival in Moscow. Dance definitely has moved on from its former niche existence in Nuremberg!
This season’s gala wasn’t sparing with highlights: on the guest list were dancers from Stuttgart Ballet, Semperoper Ballet Dresden, English National Ballet, Les Ballets de Monte Carlo and Stanislavsky Ballet Moscow sharing the program with Nuremberg’s troupe. (more…)