Tag Archive: Tatiana Tiliguzova

Transcendent

“The Nutcracker”
Bolshoi Ballet
Bolshoi Theatre
Moscow, Russia
December 29, 2022 (matinee and evening performance)

by Ilona Landgraf
Copyright © 2023 by Ilona Landgraf

1. V.Bessonova (Colombine), “The Nutcracker” by Y.Grigorovich, Bolshoi Ballet 2022 © Bolshoi Ballet / M.LogvinovAfter meeting him at a guest performance with Les Ballets de Monte Carlo six years ago, the Bolshoi’s Semyon Chudin suggested that I see their “Nutcracker” in Moscow. Year after year, one thing or another has prevented me from getting to the Bolshoi at Christmastime. Finally, this year, it happened: on the edge of New Year’s Eve, I watched a matinee and an evening performance.

The Bolshoi’s “Nutcracker” dates back to 1966 – qualifying it neither as trendy nor hip by today’s standards. Perhaps Makhar Vaziev, the company’s artistic director, has kept it in the repertoire for a number of reasons: out of respect for tradition; out of respect for the ballet’s choreographer – Yuri Grigorovich – one of the company’s formative figures; and out of respect for the crowd-pleasing nature of the piece that leads to sold out performances now as ever. (more…)

Drain of the Bavarian State Ballet Worse Than Thought

Bavarian State Ballet
Munich, Germany
July 12, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

Igor Zelensky © Wilfried HöslAccording to media reports one week ago, 18 out of a total of 69 dancers are leaving the Bavarian State Ballet at the end of this season. Names weren’t given. Yesterday the company’s press office emailed its newsletter. It contains messages of success – around 95% of seats were sold throughout the season and important pieces entered the repertoire – as well as announcements of promotions: Jonah Cook to principal, Alexander Omalchenko and Erik Murzagaliyev to first soloists, Dmitry Vyskubenko to demi soloist (Prisca Zeisel had become first soloist already in April); and that Natalia Osipova and Sergei Polunin will appear in Cranko’s “Shrew”.

The press office was, however, economical with the names of the ones leaving. The newsletter’s second to the last paragraph contains only seven names:
First Soloist Matêj Urban (→ Les Ballets de Monte-Carlo)
Demi Soloists: Mai Kono (→ Les Grands Ballets Canadiens de Montréal), Adam Zvonaŕ (→ Czech National Ballet, Prague)
Corps de Ballet: Nicha Rodboon (→ Royal Ballet of Flanders, Antwerp), Radka Příhodová (→ Czech National Ballet, Prague), Robin Strona (→ Semperoper Ballet, Dresden) and Gianmarco Romano (→ Finish National Ballet, Helsinki). (more…)

A Gala without Glamor

“Gala With Stars of the Bavarian State Ballet”
Bavarian State Ballet
Prinzregententheater / Prince Regent Theatre
Munich, Germany
January 15, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. M.Shirinkina and V.Shklyarov, “Parting“ by Y.Smekalov, Bavarian State Ballet © W.Hösl 2017Half a year after Igor Zelensky assembled his new company in Munich, a gala seemed like the ideal opportunity to showcase his dancers’ individual talents. The gala was scheduled for three evenings in the city’s Prince Regent Theatre; the third evening, the one I saw, was even streamed live on the internet. Sadly, the Bavarian State Ballet didn’t take advantage of this opportunity. That wasn’t due to the dancers but mainly because of organizational failures. From the outside, it appeared the gala was a necessary ingredient to promote the repertory for this season, but when the time came, resources were inadequate to make the event special. (more…)

The First Run of “Giselle” in Munich

“Giselle”
Bavarian State Ballet
National Theater
Munich, Germany
October 02, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. Ensemble, “Giselle” by P.Wright after M.Petipa, J.Coralli and J.Perrot, Bavarian State Ballet © W.Hösl 2016The Bavarian State Ballet opened its first season under Igor Zelensky with the revival of Peter Wright’s “Giselle”. Each of the six performances was led by a different couple. Of the guest dancers Natalia Osipova and Sergei Polunin created major excitement on opening night. Further guests included the Bolshoi’s Svetlana Zakharova and Vadim Muntagirov from the Royal Ballet London. Both were paired with Munich principals. Of the four ballerinas cast as Giselle, Osipova and Maria Shirinkina danced twice, Zakharova and Ksenia Ryzkhova once. Albrechts coming from within the ranks of the Bavarian State Ballet were Osiel Gouneo and Vladimir Shklyarov. (more…)

Glitter Globe Classics Plus a Fresh Breeze

“Ballet Gala”
The Maryinsky Ballet
Festspielhaus Baden-Baden
Baden-Baden, Germany
December 26, 2013

by Ilona Landgraf
Copyright © 2013 by Ilona Landgraf

1. M.Shirinkina, A.Lavrinenko, O.Skorik, X.Parish and ensemble, Chopiniana (Les Sylphides) by Mikhail Fokine, Maryinsky BalletThe Maryinsky Ballet’s end-of-the-year visit to Baden-Baden’s Festspielhaus is a long-cherished tradition. Usually the company brings its famous classics to the Black Forest and this year too its holiday programs included Konstantin Sergeyev’s versions of “Sleeping Beauty” and “Swan Lake” as well as a matinee mixed bill for families plus a Ballet Gala on the day after Christmas. I caught the gala. Termed in the playbill “an exhibition of the Maryinsky dancers’ diverse potential”, the gala items ranged from classic bravura to contemporary choreography. Sandwiched between Fokine’s “Chopiniana” (“Les Sylphides”) and an Act 3 “Le Corsair” excerpt (“Jardin Animé”) were William Forsythe’s “The Vertiginous Thrill of Exactitude” and the recently premiered “Choreographic Game 3×3” by Anton Pimonov.

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