Tag Archive: Anna Tsygankova

Sweet Hope

“Cinderella”
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, The Netherlands
December 29, 2018

by Ilona Landgraf
Copyright © 2019 by Ilona Landgraf

1. V.Tsyganova, W.Tietze, S.Kaic, E.Merdjanova and A.Tsygankova, “Cinderella” by C.Wheeldon, Dutch National Ballet 2018 © M.HaegemanGripping storytelling is a gift – and Christopher Wheeldon has it. His “Cinderella”, revived by the Dutch National Ballet this Christmas season, warms the heart. It’s the right ballet at the right time. As I strolled through the foyer during the breaks, I saw the enthusiastic faces of the many children who attended the matinee with their parents, including a few youngsters imitating dance steps and one girl turning cartwheels – which are not in Wheeldon’s choreography – in the entrance hall. (more…)

Creating an Image

Ballet Companies in Germany, the Netherlands and Switzerland
Semperoper Ballet, Bavarian State Ballet, State Ballet Berlin, Stuttgart Ballet, Ballett am Rhein,
Dutch National Ballet, Zurich Ballet
October 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

What kind of image distinguishes Stuttgart Ballet from Dutch National Ballet? Or the Bavarian State Ballet from the State Ballet Berlin? What is it the dancers – and their audience – identify with as their company? How do companies present themselves to the public? Such were my thoughts when seeing the Semperoper Ballet’s new image campaign, #WHYWEDANCE. I asked several major companies to send me images of their choice representing their respective company’s image.

1. R.Martínez, #WHYWEDANCE, Semperoper Ballet © I.Whalen 20162. J.Gray, #WHYWEDANCE, Semperoper Ballet © I.Whalen 2016Semperoper Ballet chose four of the sixty-one dancer portraits of #WHYWEDANCE. The new ensemble brochure presents each in full-page size. In addition they are spread via social media and on billboards and advertising pillars in Dresden. Aaron S.Watkin, in his eleventh year as artistic director, put the spotlight on his company this season whose face has changed since his beginning in 2006. Next to the dancers, Ian Whalen, the troupe’s photographer and multimedia expert, also shot Watkin and staff members. Names, places of birth, ranks within the company and the year when joining the ensemble come along with each portrait. In addition, every dancer sums up their motivation for the profession, the why and wherefore of choosing a career with dance in a single word. (more…)

Van Dantzig, Van Schayk, Van Manen

“Dutch Masters”
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, Netherlands
September 25, 2016

by Ilona Landgraf
copyright © 2016 by Ilona Landgraf

1. Y.Gyo Choi and Q.Liu, “Episodes van Fragmenten” by T.van Schayk, Dutch National Ballet © H.Gerritsen 2016Dutch National Ballet’s latest mixed bill was all-Dutch. It assembled four pieces by three pivotal choreographers of the Netherlands: “Vier letzte Lieder” (“Four Last Songs”) by Rudi van Dantzig (1933 – 2012), the company’s artistic director for twenty years; “Adagio Hammerklavier” by Hans van Manen (born: 1932) ; plus “Episodes van Fragmenten” and “Requiem”, both by Toer van Schayk (born: 1936). This wasn’t lightweight entertainment but a program upon which to ponder. I attended the last performance, the Sunday, September 25th matinée. (more…)

A Bright Opening

“Gala”
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, Netherlands
September 07, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. Grand Défilé, Dutch National Ballet © M.Schnater 2016Amsterdam’s National Opera House always radiates a light and welcoming atmosphere. This was especially so at this season’s opening gala on September 7th, which saw large crowds, women in evening gowns, flocking into the buzzing foyer amid flurries of camera flashes around the red carpet.

From the start the Grand Défilé, which opened the gala, gained warm-hearted applause. The program of the following three-and-a-half hours had been kept as a surprise. It included three highlights. (more…)

Coveted, Discredited and Executed: Mata Hari – a National Celebrity

“Mata Hari”
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, Netherlands
February 13, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. A.Tsygankova and ensemble, “Mata Hari” by T.Brandsen, Dutch National Ballet © M.HaegemanDutch National Ballet’s YouTube trailer for its new ballet “Mata Hari” reveals two pythons leisurely encircling a ballerina. No need to worry though, no reptiles appear on stage, and there is no snake dance either. Besides that wouldn’t have been appropriate anyway because Mata Hari, whose performances as bayadère during the Belle Époque in Paris made a great stir, was never a snake charmer but rather a charmer of men.

Ted Brandsen, artistic director of the Dutch company, has traced the life of the famous Dutchwoman in his recently premiered story ballet. Mata Hari was born in 1876 as Margaretha Geertruida Zelle. Her parents separated when she was fourteen. Her mother died one year later; her father married again, but Margaretha was brought up by relatives. (more…)