Tag Archive: Otto Bubeníček

Neumeier Commenting on his Work

“Workshop”
Hamburg Ballet – John Neumeier
Festspielhaus Baden-Baden
Baden-Baden, Germany
October 03, 2014

by Ilona Landgraf
Copyright © 2014 by Ilona Landgraf

1. C.Agüero and O.Bubenicek, "Vivaldi or What you will" by J.Neumeier, Hamburg Ballet Workshops have been a regular feature of Hamburg Ballet since John Neumeier’s first season there in 1974. Successful from the start, they are so in demand that one can call oneself lucky to get a single seat for just one Workshop per season. One watches the company do barre exercises before Neumeier picks up the microphone. The atmosphere is relaxed and the dancers are in practice clothes, with a bit of costuming showing only here and there.
This autumn Baden-Baden’s audience hit the jackpot with a Ballet Workshop that introduced Hamburg Ballet’s annual visit to the Black Forest where the stage of the Festpielhaus serves almost as a second home for the ensemble of dancers. The first Workshop there took place in 1998. The topics this time were “Shakespeare Dances” and “Giselle”, both of which were shown in their entirety during the company’s stay.

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Light in the Province

“Ballet Gala 2014”
Mainfranken Theater
Wuerzburg, Germany
July 07, 2014

by Ilona Landgraf
Copyright © 2014 by Ilona Landgraf

1. O.Bubenicek, J.Bubenicek, J.Vallejo, Souffle de l'Esprit by J.Bubenicek, National Theater Prague Halfway between Frankfurt and Nuremberg lies Wuerzburg, a medium-scale town in Lower Franconia. It happens to be my seat of residence but it’s not a Mecca for dance. That’s why I usually head elsewhere to see performances. This year’s Ballet Gala at the Mainfranken Theater, however, offered some highlights I didn’t want to miss.
The Mainfranken Theater’s own ensemble presented only one piece. The rest of the program was left to guest artists from smaller companies all over Germany and to a duo from the Czech National Ballet in Prague. Anna Vita, artistic director of Wuerzburg’s ballet company, and her dramaturge, Christoph Blitt, moderated the evening – basically a good idea if it had set the right tone. But to start by naming all the sponsors and relate what is in the program notes was a mood killer and rendered the playbill’s description of the pieces unnecessary. We are capable of reading! (more…)

Summer Ballet Copenhagen

“The Picture of Dorian Gray”, “The Elephant Man”
Bellevue Theater
Copenhagen, Denmark
August 17, 2013

by Ilona Landgraf
Copyright © 2013 by Ilona Landgraf

1. Jiří Bubeníček, The Picture of Dorian Gray by J.Bubeníček, photo Costin RaduEnchanting beauty and monstrous ugliness – both extremes were united in “Summer Ballet 2013” at the Bellevue Theater in Klampenborg, a suburb of Copenhagen. The handsome Dorian Gray, striving after eternal youth in choreography by Jiří and Otto Bubeníček, met the deformed Elephant Man, the title character in Cathy Marston’s new work.

Oscar Wilde’s 1891 novel “The Picture of Dorian Gray”, in which unscrupulous glorification of physical beauty combined with the chase after everlasting youth and ultimate pleasure ends in disaster, inspired the Czech twins Jiří and Otto Bubeníček’s modern adaptation of the subject. Both principal dancers – Otto at Hamburg Ballet and Jiří formerly in John Neumeier’s ensemble and later with Dresden Semperoper Ballet – they’ve been busy staging their own works with other companies as well as with their own troupe, Les Ballets Bubeníček. Although Jiří is usually the choreographer while Otto designs sets and costumes, sometimes also composing the music, there’s no strict division of labor, but rather a cross-fertilization. (more…)

Happy Czechs!

“Les Ballets Bubeníček”
The National Theater
Prague, Czech Republic
January 11, 2014

by Ilona Landgraf
Copyright © 2014 by Ilona Landgraf

1.Ensemble, Le Souffle de l Esprit, Les Ballets Bubenicek, Prague, photo Martin Divisek The Czech twins Jiří and Otto Bubeníček, principals of Dresden Semperoper Ballet ( Jiří) and Hamburg Ballet – John Neumeier (Otto), regularly gather dancers from various ensembles to tour their own creations worldwide under the label “Les Ballets Bubeníček”. To date, Rome and Tokyo as well as different locations in their homeland have lain on their route. After five years, they have returned to Prague’s National Theater for one weekend to present a gala of four of their own choreographies: Two plotless, neoclassical pieces, “Le Souffle de 2. J.Bubenicek, J.Vallejo and M.Tucker, Le Souffle de l Esprit, Les Ballets Bubenicek, Prague, photo Martin Divisek 3. O.Bubenicek and J.Vallejo, Le Souffle de l Esprit, Les Ballets Bubenicek, Prague, photo Martin Divisek l’Esprit” and “Toccata” contrasted with two narrative works, “Faun” and “The Picture of Dorian Gray”.

This time dancers from Dresden Semperoper Ballet made up the major part of the troupe. Augmented by Iana Salenko (State Ballet Berlin) and Arsen Mehrabyan (Royal Swedish Ballet) the Bubeníčeks brought fourteen colleagues along and, to get straight to the point, both scheduled shows – the National Theater has almost 1000 seats – were sold out within a day. For those who couldn’t get a ticket, Czech television filmed the performance. All artists earned heartfelt applause, the twins, however, were celebrated and admired like national heroes.

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The Triumph of Love!

“Romeo and Juliet”
Hamburg Ballet – John Neumeier
Hamburg State Opera
Hamburg, Germany
October 31, 2013

by Ilona Landgraf
Copyright © 2013 by Ilona Landgraf

1. Edvin Revazov and Alina Cojocaru, Romeo and Juliet by John Neumeier, Hamburg Ballet April in lovely Verona, the feast day of the town’s patron San Zeno lies ahead, and there’s a lot going on. Events, from highest bliss to deepest desperation, come thick and fast – as if condensing into a hot spot. In just four days the leading characters of “Romeo and Juliet” will be dead. Although it is almost forty years old, John Neumeier’s highly sophisticated creation to Prokofiev’s score remains a thoroughly convincing synthesis of the arts. Neumeier’s narrative style snares the spectators’ attention. One is transfixed and returns to reality only when the lights come up for intermissions. (more…)