Tag Archive: Paul Lightfoot

Hot Air

“Emergence” (“Speak for Yourself” / “Emergence”)
Ballet Zurich
Opernhaus Zurich
Zurich, Switzerland
January 20, 2018

by Ilona Landgraf
Copyright © 2018 by Ilona Landgraf

1. D.Mulligan, “Speak for Yourself” by S.León and P.Lightfoot, Ballet Zurich © G.Batardon The program booklet for “Emergence”, Ballet Zurich’s new double bill, raised high expectations. The evening’s title was taken from Crystal Pite’s piece. According to the praise lavished on her, she must be phenomenal and talented beyond belief. “Speak for Yourself”, choreography by Sol León and Paul Lightfoot, was dubbed an “alchemistic experiment” in which fire, water, and dance magically merge. Getting in contact with the element water was called a decisive metaphysical moment. Some photos of “Speak for Yourself” were printed with wise sayings quoted from the “Tao Te Ching” by Laozi. Both pieces were danced to recorded music.
Did the program deliver what it promised? (more…)

Weird Matters

“Woke up Blind”, “The Statement”, “The missing door”, “Safe as Houses”
Nederlands Dans Theater / NDT 1
Haus der Berliner Festspiele
Berlin, Germany
December 01, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. Ensemble, “Woke up Blind” by M.Goecke, Nederlands Dans Theater 2017 © R.RezvaniThe last programs I saw of Nederlands Dans Theater’s main company (NDT I) were rather drab. However, the program they presented during their guest appearance in Berlin turned out to be varied and meaty. Its four pieces were by the Argentinian choreographer Gabriela Carrizo, the company’s associate choreographers, Crystal Pite and Marco Goecke (each of them contributing one piece), and by the inseparable team of Sol León and artistic director Paul Lightfoot.

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A Small Retrospective Exhibit of Jiří Kylián’s Work

“Celebrating Kylián!
Nederlands Dans Theater
Zuiderstrandtheater
The Hague, The Netherlands
September 22, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. “Celebrating Kylián!” © A.CorbijnJiří Kylian turned 70 years this March. “Celebrating
Kylián!”, a festival initiated by Kylián Productions, Holland Dance, Nederlands Dans Theater, Zuiderstrandtheater and Korzo Theater has been honoring him throughout the year. Part of the events and programs is a multimedia exhibition at the Zuiderstrandtheater, the home of Nederlands Dans Theater, the company considerably shaped by Kylián. The exhibition opened on September 22nd.

For twenty-four years, beginning in 1975, Kylián headed NDT as artistic director and, after handing the reins over to Marian Sarstädt in 1999, remained the company’s house choreographer for an additional decade. Of the two affiliated troupes he founded – NDT 2, the junior company in 1978 and, for older dancers, NDT 3 in 1991 – the latter was dissolved in 2006 due to financial reasons.

Kylián is best known as choreographer, but has also photographed and made films such as “Zugvögel” and “Car-Men.” The list of choreographies on his website ends with the number 99. The main part, 75 ballets to be exact, were created for NDT. Video excerpts of some of those works – both performances and rehearsals – are now shown on several screens in the foyer and on the first floor. The large video hologram of “Gods and Dogs” attracted the most spectators. Diagonally opposite a black and white picture wall with various portraits of Kylián hangs next to the bar. A few costumes, among them the well known red skirts from “Bella Figura,” greet the visitors opposite the cloakroom.
The exhibition is only open when performances take place. To watch the four documentaries shown in a side room one should arrive early. “The Road to Stamping Ground,” for example, which traces the creation of “Stamping Ground,” a 1983 piece that was inspired by Aboriginal culture and dance, lasts for almost one hour. But it is also on YouTube.
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Three New Pieces for NDT

“Side A: Split into One” (“Proof” / “Soon” / “Sisters”)
Nederlands Dans Theater
Zuiderstrandtheater
The Hague, The Netherlands
September 22, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. A.Anderson and Y.Takaura, “Proof” by E.Clug, Nederlands Dans Theater 2017 © R.RezvaniOn the right side of the Zuiderstrandtheater berths a huge yellow ship, the way on the left side leads directly to the beach. The theater, a plain concrete building with much glass, opened in 2014 in The Hague’s port area. Its neighborhood and the parking lot in front of the house don’t please the eye, but the view out of the huge windows on the first floor does. Between the dunes one can see the sea gleaming in the setting sun.
Inside, the smell of deep-fried fish permeated the foyer. The reception celebrating Nederlands Dans Theater’s first performance this season – a triple bill with entirely new works – was in full swing. The program consisted of pieces by Edward Clug, Medhi Walerski and the inseparable duo Sol León & Paul Lightfoot. Since 2002 León and Lightfoot have been the company’s house choreographers. In 2011 Lightfoot also took over as artistic director succeeding Jim Vincent. (more…)

A Dutch Program at the Bolshoi

“Frank Bridge Variations / Short Time Together / Symphony of Psalms”
Bolshoi Ballet
Bolshoi Theatre
Moscow, Russia
March 02, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. D.Rodkin and E.Shipulina, “Frank Bridge Variations” by H.van Manen, Bolshoi Ballet 2017 © M.Logvinov / Bolshoi TheatreReading the names of choreographers Hans van Manen, Paul Lightfoot and Jiří Kylián as part of the same program one immediately thinks of a performance in Amsterdam or Den Haag, or maybe also in Germany. Yet this triple bill was the Bolshoi’s. It’s a menu that’s not quite so familiar for the Moscow audience. Applause was respectable, though not overwhelming. The dancers, however, were in great shape! (more…)

In a Gray and Surreal World

“Choreographies by Sol León and Paul Lightfoot”
Nederlands Dans Theater (NDT 1)
Festspielhaus Baden-Baden
Baden-Baden, Germany
March 08, 2014

by Ilona Landgraf
Copyright © 2014 by Ilona Landgraf

1. Sehnsucht by Sol León and Paul Lightfoot, NDT 1 Nederlands Dans Theater showed only “Choreographies by Sol León and Paul Lightfoot” on its two day visit to Baden-Baden. Perhaps this was a test run for the coming time of not dancing anything by Jiří Kylián, the company’s former artistic director. Kylian is withdrawing the performing rights to all of his pieces for a three year period that begins in the fall of 2014. Is the idea to boost new creativity? Certainly the repertory’s one-sidedness surprised. NDT is supposed to be at the heart of European modern dance, ever since the company was founded 55 years ago. Instead of showing off NDT’s fascinating vibrancy and diversity (in works by the four associate choreographers – Marco Goecke, Crystal Pite, Johan Inger and Alexander Ekman), we were subjected to much the same fare three times over. A pity! (more…)