Tag Archive: Natalia Osipova

A Patchy Beginning

“The Taming of the Shrew”
Bavarian State Ballet
National Theater
Munich, Germany
September 30, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. J.Amo and E.Kruteleva, “The Taming of the Shrew” by J.Cranko, Bavarian State Ballet 2017 © W.Hösl This August John Cranko would have celebrated his 90th birthday. Stuttgart Ballet honors its founder with several programs, beginning with the triple bill “Cranko Pur” that premiers on October 3rd. The Bavarian State Ballet, which Cranko directed in addition to his Stuttgart company from 1968 – 1972, revives his three big narratives. “The Taming of the Shrew” opened the season. “Onegin” and “Romeo and Juliet” are scheduled for February and April 2018. During the Ballet Festival Weeks next April all three ballets will be danced on three consecutive evenings.
I saw the second performance of “Shrew” led by Natalia Osipova and Sergei Polunin, both guest dancers of the Munich company.

Cranko’s characterization of the figures follows Shakespeare’s comedy closely. We are in Padua in the 17th century. Poor Baptista is kept in suspense by his two daughters. No less than three suitors buzz around the pretty Bianca like bees around the honey pot, but her older sister, the strident Katherina, fights getting married tooth and nail. Bianca is not allowed to marry until Katherina is wed, declares Baptista unceremoniously. But how to marry her off? By accident, Bianca’s suitors – Lucentio, Hortensio and Gremio – run into the young Petruchio and recruit him to court Katherina. (more…)

State of Affairs in Munich and News from Berlin

Bavarian State Ballet / State Ballet Berlin
Munich / Berlin, Germany
September 12, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. I.Zelensky © W.HöslAt the end of last season, the first under director Igor Zelensky, a second wave of dancers left the Bavarian State Ballet. Exact numbers and names weren’t announced by the press office, but according to information from within the company 22 out of a total of 69 dancers packed their bags. My report prompted an email by the press office that corrected the number to 21 and denied that the principals Maria Shirinkina and Vladimir Shklyarov would quit the company. What did finally come of it?

First, over the summer break the number of those leaving increased to 23, because demi-soloist Wentao Li had meanwhile returned to China, his home country, for family reasons and guest ballerina Svetlana Zakharova had withdrawn her commitment. Yet in the course of the last season Zakharova had performed only once in Munich. Secondly, Shirinkina and Shklyarov indeed did bid farewell to the core company and returned to the Maryinsky Ballet. They will appear in Munich as guest dancers.

So the gaps were considerable. How did Igor Zelensky fill them?
The company starts the new season with 66 dancers, four of them guest dancers (Shirinkina & Shklyarov and again, as last year, Natalia Osipova & Sergei Polunin). Five dancers of English National Ballet have joined: (more…)

Munich’s Heroes

“Spartacus”
Bavarian State Ballet
National Theater
Munich, Germany
December 23, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. V.Shklyarov and ensemble, “Spartacus” by Y.Grigorovich, Bavarian State Ballet © W.Hösl 2016Since last Thursday, shortly before Christmas Eve, heroic fighters have commanded the stage of Munich’s National Theater. Hordes of men together with a few women all of them representing characters of either Thracian or Roman lineage, dance “Spartacus”, the epic about a Thracian man who, after having been enslaved by the Roman consul Crassus, engineers a revolt. What will happen, happens: Spartacus dies a hero’s death.

Big doses of fierce fighting and repeated displays of valor need a strong portion of the erotic in order to make them palatable to the audience. That is supplied by two women – Phrygia, Spartacus’s faithful mistress, and Aegina, Crassus’s conniving courtesan. The ballet’s action is based on the novella “Spartaco”, penned in 1874 by Raffaello Giovagnoli, who likely took liberties with historical material from before the Christian era.

There are plenty of “Spartacus” ballets in existence. Budapest, Vienna, Hong Kong and Cape Town have their own productions. Russia has seen four versions: the most recent is Georgy Kovtun’s for the Mikhailovsky Theatre. Aram Khachaturian had composed the music in 1954, and the first staging, by Igor Moiseyev for the Bolshoi in 1956 was short-lived. It was given only two performances, perhaps because it contained much pantomime but too little dancing. (more…)

The Bavarian State Ballet Prepares for the Slave Uprising

“Ballet Extra: Open Rehearsal for Spartacus
Bavarian State Ballet
Ballet Rehearsal Premises, Platzl 7
Munich, Germany
December 16, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. M.Urban and P.Zeisel, “Ballet Extra: Open Rehearsal for Spartacus”, chor.: Y.Grigorovich, Bavarian State Ballet © N.Rodboon 2016Yuri Grigorovich’s “Spartacus” premieres the day before Christmas Eve in Munich. Since September the Bolshoi’s Oksana Tsvetnitskaya and Ruslan Pronin have been rehearsing the troupe. Grigorovich also arrived from Moscow to supervise the production. He didn’t attend Friday evening’s open rehearsal, but Tsvetnitskaya and Pronin were present.

Compared to the last “Ballet Extra,” the queue in front of the company’s rehearsal premises in Munich’s city center was shorter, certainly not because of a lack of interest or Christmas shopping, but due to the limited space in the Bosl-Studio where the event took place. (more…)

The First Run of “Giselle” in Munich

“Giselle”
Bavarian State Ballet
National Theater
Munich, Germany
October 02, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. Ensemble, “Giselle” by P.Wright after M.Petipa, J.Coralli and J.Perrot, Bavarian State Ballet © W.Hösl 2016The Bavarian State Ballet opened its first season under Igor Zelensky with the revival of Peter Wright’s “Giselle”. Each of the six performances was led by a different couple. Of the guest dancers Natalia Osipova and Sergei Polunin created major excitement on opening night. Further guests included the Bolshoi’s Svetlana Zakharova and Vadim Muntagirov from the Royal Ballet London. Both were paired with Munich principals. Of the four ballerinas cast as Giselle, Osipova and Maria Shirinkina danced twice, Zakharova and Ksenia Ryzkhova once. Albrechts coming from within the ranks of the Bavarian State Ballet were Osiel Gouneo and Vladimir Shklyarov. (more…)

Behind the Scenes at the Bavarian State Ballet

“Ballet Extra: A Day of Rehearsals”
Bavarian State Ballet
Ballet Rehearsal Premises, Platzl 7
Munich, Germany
September 10, 2016

by Ilona Landgraf
copyright © 2016 by Ilona Landgraf

1. K.Ryzhkova and O.Gouneo rehearsing “Giselle”, Bavarian State Ballet © S.Ballone 2016Igor Zelensky’s directorship at the Bavarian State Ballet kicked off for the public last Saturday with a “Ballet Extra”. The doors of the rehearsal studios in Munich’s City Center were open from 9:45 AM well into the afternoon. The company – or more precisely its principals, soloists and demi-soloists – rehearsed “Giselle”, the season’s first production, and “Spartacus”. Corps dancers weren’t involved.

People queued up in front of the entrance that morning and it seemed a sizeable crowd although, according to new press spokesperson Annette Baumann, it was slightly smaller than last year’s. Given that it was a lovely late summer day, people may have preferred to spend their free time outdoors rather than in stuffy studios full of hard working dancers. (more…)