Tag Archive: Pavel Sorokin

From “Ballet Falsity” to Long-Runner

“The Bright Stream”
Bolshoi Ballet
Bolshoi Theatre
Moscow, Russia
February 10 and 11, 2018

by Ilona Landgraf
Copyright © 2018 by Ilona Landgraf

1. Front Curtain, “The Bright Stream” by A.Ratmansky, Bolshoi Ballet © Bolshoi Theatre / D.Yusupov“The Bright Stream” was Shostakovich’s third score for ballet. After his previous ballets, “The Golden Age” (1930) and “Bolt” (1931), were banned from the stage, Shostakovich attempted to create a new composition that would please everyone. Fyodor Lopukhov (1886 – 1973) was in charge of the choreography, the libretto was by Adrian Pyotrovsky and Lopukhov, and indeed, “The Bright Stream” was enthusiastically received at its premiere in Leningrad – today’s St. Petersburg – in 1935. (more…)

Room for Improvement

“Onegin”
Bolshoi Ballet
Bolshoi Theatre
Moscow, Russia
March 11, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. E.Obraztsova and N.Semizorova, “Onegin” by J.Cranko, Bolshoi Ballet © Bolshoi Theatre / D.YusupovConditions were the same overall on the second of the three evening performances of “Onegin” at the Bolshoi. The sky above the garden of the Larina family’s country house was bright blue, domestic bliss was as yet unclouded, the village folk were in an expansively jolly mood. The Bolshoi Orchestra under Pavel Sorokin, reliable as always, ensured a fine rendition of Tchaikovsky’s music. Yet unlike the evening before the story didn’t gain momentum.

“Onegin” needs four dancers of equal or complementary strength in the leading roles. The role of Olga is smaller than the other three, but her part is pivotal for the dramatic turn the story takes. Saturday’s cast had only one consistently strong dancer, Evgenia Obraztsova as Tatiana. (more…)

Bringing “Onegin” Home

“Onegin”
Bolshoi Ballet
Bolshoi Theatre
Moscow, Russia
March 10, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. A.Tikhomirova, S.Chudin and ensemble, “Onegin” by J.Cranko, Bolshoi Ballet © Bolshoi Theatre / D.Yusupov“John is here” is a well-known saying within the walls of Stuttgart Ballet. People know what they are talking about. Ever since his untimely death more than forty years ago John Cranko’s spirit has energized his Stuttgart company.
Yet last weekend his presence was strongly palpable elsewhere. The Bolshoi performed his “Onegin” on three consecutive evenings at home in Moscow. On first night not only Cranko seemed close but also Reid Anderson, who had supervised the production at the Bolshoi in 2013, and Jürgen Rose, whose costumes and set design are unvaryingly matchless. The Bolshoi Theatre and Stuttgart State Opera merged into one house on this Friday evening uniting their powers in a performance of overwhelming intensity. (more…)