Tag Archive: Edvin Revazov

“Anna Karenina” – Another Lesson By Neumeier

“Anna Karenina”
Hamburg Ballet – John Neumeier
Hamburg State Opera
Hamburg, Germany
July 14, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. M.Arii, M.Huguet, I.Urban, A.Laudere, L.Wang / G.Fuhrman and ensemble, “Anna Karenina” by J.Neumeier, Hamburg Ballet © S.Ballone Several choreographers have adapted Leo Tolstoy’s epic novel “Anna Karenina” for the dance stage. Maya Plisetskaya choreographed the piece for the Bolshoi in 1972 and danced the title role; Alexei Ratmansky created several versions, his latest for the Maryinsky in 2010; Christian Spuck, artistic director of Ballet Zurich, premiered his version in 2014. Now John Neumeier has tackled the subject with Hamburg Ballet. It is a co-production with the Bolshoi Ballet and The National Ballet of Canada, but has been solely produced in Hamburg. (more…)

Almost Holy

“The World of John Neumeier”
Hamburg Ballet – John Neumeier
Festspielhaus Baden-Baden
Baden-Baden, Germany
October 08, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. L.Riggins and ensemble, “Bernstein Dances” by J.Neumeier, Hamburg Ballet © K.West 2016Calling two big stages home is a luxury few can call their own. Hamburg Ballet – John Neumeier enjoyed it for the seventieth time this autumn when touring the Festspielhaus in Baden-Baden for one week. Usually they bring along two pieces and one workshop moderated by Neumeier himself. This year the two ballets were “Romeo and Juliet”, scheduled three times with different leading couples, and “The World of John Neumeier”, a collection of excerpts from autobiographically significant pieces. It premiered in Tokyo earlier this year and was shown on two consecutive evenings in Baden-Baden. I saw the first performance. (more…)

Give Us Today Our Daily Bread

“Turangalȋla”
Hamburg Ballet – John Neumeier
Hamburg State Opera
Hamburg, Germany
July 05, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. C.Evans, “Turangalȋla” by J.Neumeier, Hamburg Ballet © K.West 2016Traditionally Hamburg Ballet opens its annual Ballet Days with the season’s second premiere. This July John Neumeier’s “Turangalȋla” saw the light of day. It is set to Olivier Messiaen’s symphony of the same title, composed in 1948. “Turangalȋla” is derived from the Sanskrit words “turanga” and “lila” roughly meaning a “love song and hymn of joy, rhythm, life and death”. I saw the second performance after the premiere. Unfortunately, one found little to delight in.

Choreographing to Messiaen’s symphony has been on Neumeier’s wish list since the 1960s. But Messiaen persistently refused to give his approval. He deemed the composition a sacral work not meant to be danced to. (more…)

Grand Finale

“Nijinsky-Gala XLI”
Hamburg Ballet – John Neumeier
Hamburg State Opera
Hamburg, Germany
July 12, 2015

by Ilona Landgraf
Copyright © 2015 by Ilona Landgraf

1. J.Collado and A.Robinson, “Clear” by S.Welch, Houston Ballet © H.Badekow 2015Traditionally Hamburg Ballet’s “Ballet Days” end with a Nijinsky-Gala and traditionally John Neumeier presents an extra large format, that is five hours or more. The programs of past galas did not necessarily refer directly to Nijinsky, but this year’s prominently did. Otto Bubeníček bid his farewell as Vaslav Nijinsky in an excerpt from Neumeier’s “’Le Pavillon d’Armide” which was the center piece of the three-part evening. It was in the “Spirit of the Romantic Period”, which was the common theme of the season’s repertory. The first part offered insights into eight different ballets, the final third part was made up of excerpts from five other ballets. Neumeier never presents small snippets, instead he tends to add another pas de deux rather than cutting one. Dancers from the Houston Ballet and the National Ballet of China broadened the spectrum. Other guests were the Bolshoi Ballet’s Svetlana Zakharova and Johan Kobborg who danced with Alina Cojocaru, a permanent guest of Hamburg Ballet. As usual Neumeier in person guided the audience through the program. (more…)

Power Melts Away

“Tatiana”
Hamburg Ballet – John Neumeier
Hamburg State Opera
Hamburg, Germany
June 29, 2014

by Ilona Landgraf
Copyright © 2014 by Ilona Landgraf

1. Edvin Revazov and Hélène Bouchet, Tatiana by J.Neumeier, Hamburg Ballet, photo H.BadekowTraditionally, Hamburg Ballet opens its Ballet Days at the end of the season with a premiere. This year it was “Tatiana”, John Neumeier’s new interpretation of Alexander Pushkin’s “Eugene Onegin”, a production in collaboration with Moscow’s Stanislavsky and Nemirovich-Danchenko Music Theater.

In the playbill, Neumeier emphasized that he wasn’t driven by the notion of outdoing Cranko’s popular “Onegin”. Conjectures regarding this struck a nerve, however. Indeed, one has to agree with Neumeier – why not risk a new approach to the famous verse romance? It is, after all, almost fifty years since Cranko created his masterpiece of a ballet.

(more…)

Rejoice, Exult?

“Christmas Oratorio I-VI”
Hamburg Ballet – John Neumeier
Hamburg State Opera
Hamburg, Germany
December 09, 2013

by Ilona Landgraf
Copyright © 2013 by Ilona Landgraf

1. Lloyd Riggins, Christmas Oratorio by J.Neumeier, Hamburg Ballet John Neumeier recently extended his contract as head of the Hamburg Ballet and general manager of the Hamburg State Opera until 2019. In his tenure’s final phase he has returned to Bach’s “Christmas Oratorio” completing what he had begun in 2007 with the choreography of parts I-III. With the entire “Christmas Oratorio I-VI”, “Saint Matthew Passion” (1981) and “Magnificat” (1987) he has now come full circle: From the lost paradise to Maria as the chosen one, to Christ’s incarnation and finally his crucifixion. Other religiously inspired works were “Requiem” (1991) set to Mozart and “Messiah” to music by George Frideric Handel and Arvo Pärt. Though a practicing Christian and strongly influenced by his long friendship with Jesuit Father John J. Walsh, (who led the drama group at Milwaukee’s Marquette University, where Neumeier took up his studies as young man), Neumeier emphasizes that his choreographies are not religious undertakings. They’re neither substitute services nor an attempt to proselytize. This piece’s key topics are rather universal human values, basic emotional experiences and above all hope for salvation. (more…)

The Triumph of Love!

“Romeo and Juliet”
Hamburg Ballet – John Neumeier
Hamburg State Opera
Hamburg, Germany
October 31, 2013

by Ilona Landgraf
Copyright © 2013 by Ilona Landgraf

1. Edvin Revazov and Alina Cojocaru, Romeo and Juliet by John Neumeier, Hamburg Ballet April in lovely Verona, the feast day of the town’s patron San Zeno lies ahead, and there’s a lot going on. Events, from highest bliss to deepest desperation, come thick and fast – as if condensing into a hot spot. In just four days the leading characters of “Romeo and Juliet” will be dead. Although it is almost forty years old, John Neumeier’s highly sophisticated creation to Prokofiev’s score remains a thoroughly convincing synthesis of the arts. Neumeier’s narrative style snares the spectators’ attention. One is transfixed and returns to reality only when the lights come up for intermissions. (more…)