Tag Archive: Makhar Vaziev

Leader(s) and Followers

“Five Years and Three Days With Makhar Vaziev”
Bolshoi Ballet
Bolshoi Theatre
Moscow, Russia
February 26, 2021 (documentary)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1. I.Tsvirko and M.Vaziev after a performance of “Ivan the Terrible”, “Ivan the Terrible” by Y. Grigorovich, Bolshoi Ballet 2019 © Bolshoi Ballet / G.Uféras This year marks the fifth season with Makhar Vaziev as head of the Bolshoi Ballet. Upon this occasion, the Bolshoi Theatre released the TV documentary “Five Years and Three Days with Makhar Vaziev”, which is also available on YouTube (and includes English subtitles). For three days at the end of January, a film crew followed Vaziev from meeting to rehearsal to performance and back again, conducting several interviews along the way. Despite COVID-19, everyday work has continued at the Bolshoi. We witness the company’s preparations for two revivals: a performance of “Nureyev”, supervised by its stage director and set designer Kirill Serebrennikov, and a re-run of Sergei Vikharev’s version of “Coppélia(more…)

A Conversation With Guillaume Côté

Moscow, Russia
December 16, 2018

by Ilona Landgraf
Copyright © 2018 by Ilona Landgraf

1. G.Côté rehearsing “Frame by Frame” by R.Lepage and G.Côté, The National Ballet of Canada 2018 © The National Ballet of Canada / A.AntonijevicGuillaume Côté, principal dancer of the National Ballet of Canada, had just made his debut as a guest dancer with Moscow’s Bolshoi Ballet the previous evening, dancing Romeo in Alexei Ratmansky’s version of “Romeo and Juliet” alongside Evgenia Obraztsova. The role was originally created on Côté in 2011. We met early in the morning – a couple of hours before Côté would return to Toronto – to talk about Romeo, love, his career, and Russia. The first topic we touched upon was dance critique.
Côté’s answers are in italics. (more…)

“I feel like Lensky”

Semyon Chudin, Bolshoi Ballet
Royal Opera House
London, Great Britain
August, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. S.Chudin © Bolshoi TheatreI first saw Semyon Chudin dance in Stuttgart Ballet’s end-of-the season gala this July. He had danced the Wedding Pas de Deux from “Sleeping Beauty” next to Anna Osadcenko and immediately caught my attention. Chudin has an aura, which only a great personality is able to radiate.

As it happens the Bolshoi toured London for three weeks during this summer. One and a half weeks after the Stuttgart gala I sat in the Royal Opera House, watching the company in Jean-Christophe Maillot’s “The Taming of the Shrew”. The following day I met Chudin in the Opera House’s cafeteria to talk about his career and his life offstage. We spoke twice, first in the afternoon, and, after rehearsals and with translation support by Sonia Serduk, a longstanding friend of Chudin from St. Petersburg’s Mikhailovsky Theatre, again in the evening. Chudin’s English is good but he feels more at ease when speaking Russian. I guess our group of three attracted attention as we had much fun.

Chudin is natural, kind and easy-going. He does not make the slightest attempt to cultivate a glossy image of himself or to feign a conformist mindset. Telling people what they want to hear isn’t his. The timbre of his voice simply reveals his true opinions. Centered in himself Chudin radiates calmness but at the same time is very self-critical. After the Stuttgart gala he asked Filip Baranciwicz and Mikhail Kaniskin to give him corrections. How many principals act in the same way? “One could always improve something. When you’re satisfied with yourself you should stop,” he later stated. (more…)