Tag Archive: James Stout

Two Dutch Premieres

“Four Seasons” (“The Two Of Us” / “The Four Seasons”)
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, The Netherlands
June 15, 2021 (live broadcast)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1. A.Tsygankova and C.Allen, “The Two Of Us” by C.Wheeldon, Dutch National Ballet 2021 © H.GerritsenJust one week after the premiere of “Prometheus”, the Dutch National Ballet premiered a second program as part of the annual Holland Festival: “Four Seasons” – a double bill comprised of Christopher Wheeldon’s “The Two Of Us” and David Dawson’s “The Four Seasons”. Two dance films created by members of the company during last year’s lockdown – “Oblivion” and “The Garden” – were shown during the break. The performance was attended by a live audience and, in addition, broadcast online.

“The Two Of Us” premiered at New York City Center’s 2020 Fall for Dance festival and paired New York City Ballet’s principal Sara Means and David Hallberg, close friends who’d never before had the chance to dance together. In Amsterdam, the duet was performed by Anna Tsygankova and Constantine Allen, depicting two tender souls unsure whether to stay together or to part.

As the curtain opens, Tsygankova is seated on the floor, her elbow resting pensively upon her knee. Allen kneels behind her, his hand touching her shoulder. He begins to walk away from her, and at that exact moment we hear the first sounds of a melancholic guitar strummed by Joni Mitchell. “I don’t know where I stand,” Mitchell sings, verbalizing Tsykankova’s state of being. (more…)

A Strong Comeback

“Beethoven” (“Prometheus” / “Grosse Fuge”)
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, The Netherlands
June 08, 2021 (live broadcast)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1. S.Yamada, D.Silva, and ensemble, “Prometheus” by W.Kuindersma, E.Meisner, and R.Wörtmeyer, Dutch National Ballet 2021 © H.GerritsenThe Dutch National Ballet’s celebration of Beethoven’s 250th birthday was, in fact, supposed to premiere a year ago. “We’re a little bit late,” admitted Ted Brandsen, Dutch National Ballet’s artistic director, for reasons dictated by COVID-19. The originally scheduled program would have included Toer van Schayk’s “7th Symphony”. The anniversary program that was ultimately shown on June 8th was an adaption of this program comprised of two pieces: “Prometheus” (a new creation by the choreographer-trio Wubkje Kuindersma, Ernst Meisner, and Remi Wörtmeyer) and Hans van Manen’s “Grosse Fuge”. The break was used for an excursion away from Beethoven to Milena Sidorova’s recently released dance film “Rose”. (more…)

Dancers’ Choice

Spring Special”
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, The Netherlands
April 05, 2021 (online)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

1. N.Tonoli, S.Yamada, J.Spunda, and S.Leverashvili (Peasants), “Giselle“ by M.Petipa after J.Coralli and J.Perrot, production and additional choreography by R.Beaujean and R.Bustamante, Dutch National Ballet 2021 © H.GerritsenFor most artists, the flow of opportunities for performance on home stages or abroad has either thinned to a trickle or dried up altogether since the onset of the pandemic. The Dutch National Ballet filled some of those gaps with a “Spring Special” -gala that featured a selection of ten short pieces in total – eight excerpts from the company’s existing repertory, one new acquisition, and one world premiere. Each dancer was able to choose which piece to perform in (with appropriate attention to pandemic-related restrictions of group size). All of the principals, several soloists, and one member of the corps de ballet participated. The gala was streamed live on April 5th. A second broadcast is scheduled for April 10, 2021 (more…)

Superficies

“Requiem” (“Citizen Nowhere” / “Requiem”)
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, The Netherlands
February 16, 2019

by Ilona Landgraf
Copyright © 2019 by Ilona Landgraf

1. E.Wijnen, “Citizen Nowhere” by D.Dawson, Dutch National Ballet 2019 © H.GerritsenDavid Dawson’s “Requiem” premiered in early February as the second half of an all-Dawson bill from the Dutch National Ballet. The first half was “Citizen Nowhere”, a twenty-or-so minute solo, also created for the Dutch company and first performed in the “Made in Amsterdam 2”-program in 2017.

That “Citizen Nowhere” was inspired by Antoine de Saint-Exupéry’s novella “The Little Prince” only becomes clear when a selection of signaling words and quotations are projected onto the gray backdrop: “Fox: anything essential is invisible to the eyes; one can only see clearly with the heart”; and “SNAKE: The Tears” (Tears is subsequently replaced with EYE and HEART). Instead, Dawson’s reading of the novella is a political one that tackles nationalism, displacement, and – highly topical – the building of walls. (more…)

Celebrating Hans van Manen

“Ode to the Master” (“On the Move” / “Symphonieën Der Nederlanden” / “Sarcasmen” / “5 Tango’s”)
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, The Netherlands
September 17, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. Hans van Manen at the curtain call, Dutch National Ballet 2017 © M.Graste“Were you asked to choreograph about cheese?” the late Stuttgart dance critic Horst Koegler jokingly asked Hans van Manen in a 1982 interview when discussing Van Manen’s first-ever choreography. This first piece premiered at the Netherlands Opera in Amsterdam in 1957, was “nationally tinged,” but by no means about cheese, and has been performed more than 350 times. It was a thorough success. Sixty years later Hans van Manen is still choreographing and still successful. His works have won the acclaim of audiences all over the world. (more…)

Van Dantzig, Van Schayk, Van Manen

“Dutch Masters”
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, Netherlands
September 25, 2016

by Ilona Landgraf
copyright © 2016 by Ilona Landgraf

1. Y.Gyo Choi and Q.Liu, “Episodes van Fragmenten” by T.van Schayk, Dutch National Ballet © H.Gerritsen 2016Dutch National Ballet’s latest mixed bill was all-Dutch. It assembled four pieces by three pivotal choreographers of the Netherlands: “Vier letzte Lieder” (“Four Last Songs”) by Rudi van Dantzig (1933 – 2012), the company’s artistic director for twenty years; “Adagio Hammerklavier” by Hans van Manen (born: 1932) ; plus “Episodes van Fragmenten” and “Requiem”, both by Toer van Schayk (born: 1936). This wasn’t lightweight entertainment but a program upon which to ponder. I attended the last performance, the Sunday, September 25th matinée. (more…)