Tag Archive: Louis Stiens

A Disappointing “Swan Lake”

“Swan Lake”
Stuttgart Ballet
Stuttgart State Opera
Stuttgart, Germany
December 25, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. A.Amatriain and F.Vogel, “Swan Lake” by J.Cranko, Stuttgart Ballet 2017 © Stuttgart BalletAfter a five-year absence from the stage Stuttgart Ballet revived John Cranko’s “Swan Lake” this December. It premiered in Stuttgart in 1963 as Cranko’s second evening-length piece after “Romeo and Juliet” in 1962. Cranko generally followed Marius Petipa and Lev Ivanov’s traditional version, but shifted the focus towards the prince. While the third act’s festivities celebrating the prince’s coming of age (the introduction of the potential brides, the national dances, the Black Swan Pas de Deux and Rothbart’s deceptive maneuver) remained largely untouched, Cranko replaced the waltz and the Pas de Trois at Siegfried’s pre-birthday party in Act I with a Pas de Six. Of the various endings, Cranko chose to the one in which Siegfried drowns when the sea bursts its banks during a heavy thunderstorm, whereas Odette stays under Rothbart’s curse. (more…)

Timeless

“Pure Cranko” (“L’Estro Armonico” / “Brouillards” / “Jeu de Cartes”)
Stuttgart Ballet

Stuttgart State Opera
Stuttgart, Germany
October 03, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. D.Moore, M.F.Paixà and ensemble, “L'Estro Armonico” by J.Cranko, Stuttgart Ballet 2017 © Stuttgart BalletThis season is an especially special one for Stuttgart Ballet. John Cranko, who took over the ballet company of the Wuerttemberg State Theater in 1961 and turned it into the “Stuttgart Ballet Miracle”, would have celebrated his 90th birthday this August. In October, the premiere of his “Onegin” will have its 50th anniversary. Moreover, it’s Reid Anderson’s twenty-second – and last – season as artistic director. He’ll pass the torch to Tamas Detrich next summer.

As a result, there are quite a number of events slated for the season – but, with everything being interconnected in Stuttgart, the first program already brought the company full circle. (more…)

Impressive!

“Ballet Matinée”
John Cranko School
Stuttgart State Opera
Stuttgart, Germany
July 16, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

1. A.Pernão and S.Pompignoli, “Alrededor No Hay Nada” by G.Montero, John Cranko School © Stuttgart Ballet Stuttgart’s John Cranko School has an excellent reputation in the ballet world. In a recent interview, Dutch National Ballet’s Marijn Rademaker talked about the excellent teachers in Stuttgart. I saw quite a few end of the year school performances, but this year’s matinée made me shake my head in disbelief. What outstanding talents has Tadeusz Matacz been training under his roof!

The students’ performance of Leonid Lavrovsky’s “Classical Symphony” could have vied with proper companies. The boys jumped spick and span, landed from tour en l’airs nicely in sync and partnered smoothly. Short Motomi Kiyota of the 6th class was especially intriguing. He soared through the air as if it were his natural space of being. The girls dabbed the choreography onstage, defying weight and gravity and confidently tossed out fouettes. “Classical Symphony” left one with an elevated feeling.

They proved they can also excel in contemporary pieces in “Alrededor No Hay Nada”, new choreography by Goyo Montero, artistic director of the company of the State Theater Nuremberg. (more…)

A Little Summit

Stuttgart Ballet’s Festival Weeks: “John Cranko School Gala”
John Cranko School
Stuttgart State Opera
Stuttgart, Germany
July 23, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. Students of the John Cranko School, “The Four Seasons”: “Spring” by K.Kozielska © Stuttgart Ballet 2016Last Saturday’s gala of the John Cranko School was only expected to be the overture for the company’s big final gala on the following day. Yet it proved to be a treat in itself.
How often is new choreography made on students? On the occasion of the Ballet Festival Weeks celebrating Reid Anderson’s twentieth jubilee as artistic director of Stuttgart Ballet, four former graduates choreographed to the music of Antonio Vivaldi’s “The Four Seasons”, each one responsible for one season. Marco Goecke’s “A Spell on You”, also created for the Cranko School and premiered earlier this year, was shown again. Guest students from schools in Paris, London, Toronto and Hamburg allowed one to compare training, but first and foremost the event highlighted a feeling of togetherness. The gala was streamed live to the outdoor audience of “Ballet in the Park” in front of the opera house. (more…)

The Talent Scout

Stuttgart Ballet’s Festival Weeks: “Sketches”
Stuttgart Ballet
Kammertheater Stuttgart
Stuttgart, Germany
July 17, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. A.Osadcenko and J.Reilly, “Delta Inserts” by K.O'Day, Stuttgart Ballet © Stuttgart Ballet 20162. A.Osadcenko and J.Reilly, “Delta Inserts” by K.O'Day, Stuttgart Ballet © Stuttgart Ballet 2016In Stuttgart the ballet season reached its climax this July. Reid Anderson’s twentieth jubilee as artistic director is being celebrated with a vast program of extras for three weeks. On July 3rd he had allowed insight into his life and career in the talk “Everything you Always wanted to Know…”. The film documentation “Miracles and Superheroes – 55 Years Stuttgart Ballet” received its cinema premiere on July 15th. It was broadcast on television on July 20th. (more…)

Brisk Steps

“Young Choreographers”
Noverre Society
Schauspielhaus Stuttgart
Stuttgart, Germany
May 11, 2016


by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. M.Miccini and B.E.Comak, “Cello contra bass” by R.Novitzky; Noverre Society, Young Choreographers © Carlos Quezada Since the era of John Cranko, Noverre Evenings have been firmly established in Stuttgart. They offer fledgling choreographers a chance to present their works to the audience. This year Rainer Woihsyk, head of the Noverre Society, had chosen thirteen pieces. “The evening is a bit too long”, he told me, “but I never know if one or the other backs out shortly before the premiere. That’s why I usually accept a few more applicants.” This time all succeeded and, as Woihsyk does not withdraw a promise once given, the program amounted to three hours including a break. Yet the pieces had been cleverly arranged, their variety kept one’s attention. (more…)

A Ravishing Cast

“Romeo and Juliet”
Stuttgart Ballet
Stuttgart State Opera
Stuttgart, Germany
March 25, 2016

by Ilona Landgraf
Copyright © 2016 by Ilona Landgraf

1. E.Badenes and D.Camargo, “Romeo and Juliet” by J.Cranko © Stuttgart BalletThough spring is still dawdling away in Stuttgart, in the opera house spring fever has grown into fervent passion. Behind that is Cranko’s “Romeo and Juliet”, back for three performances within one week. The first one was led by Anna Osadcenko and Jason Reilly, followed by Elisa Badenes and Daniel Camargo. Later in the week, Miriam Kacerova and Constantine Allen had their Stuttgart debut as the star-crossed lovers. I saw Badenes and Camargo, each a marvelous dancer, superb when together.

But not until the first encounter of Romeo and Juliet did the story liven up. What was the sticking point? It was not the music, even if James Tuggle and the State Orchestra Stuttgart delivered Prokofiev’s score in a less richly way than on other occasions. Certainly the dancers are not to blame. They were fully engaged. Might it be Jürgen Rose’s sets, used unchanged since the piece’s premiere more than fifty years ago? (more…)

Anderson’s Jubilee Menu No. 1

“Kylián / Van Manen / Cranko”
Stuttgart Ballet
Stuttgart State Opera
Stuttgart, Germany
October 27, 2015

by Ilona Landgraf
Copyright © 2015 by Ilona Landgraf

1. M.Kacerova/F.Vogel, A.Amatriain/J.Reilly, E.Bushuyeva/M.Crockard-Villa, “Forgotten Land” by J.Kylián, Stuttgart Ballet 2015Shortly before setting off on a tour to Korea and Japan Stuttgart Ballet premiered a mixed bill of four pieces by three choreographers. This season is Reid Anderson’s twentieth for which he chose his favorites. Combining choreography by Jiří Kylián, Hans van Manen – both long-term collaborators of the company – and John Cranko is a safe play, yet also a welcome treat. Especially as the company was in sunniest form. (more…)

Only a Fairytale?

“Sleeping Beauty”
Stuttgart Ballet
Stuttgart State Opera
Stuttgart, Germany
July 25, 2015

by Ilona Landgraf
Copyright © 2015 by Ilona Landgraf

1. J.Reilly and M.Simon, “Sleeping Beauty” by M.Haydée after M.Petipa, Stuttgart Ballet 2015 © Stuttgart BalletStuttgart closes this season in high spirits with several performances of Maria Haydée’s “Sleeping Beauty”. The company has every reason to be in good mood. Recently, quite some intricate issues were resolved: after years of debate about financing, the first sod for the new Cranko School building was cut a few days ago. It is scheduled to be ready for the 2018/19 season. Renovation of the Stuttgart Opera House is also pending and, though it is not yet clear where the interim stage will be located during the projected five years of construction, the management, backed by the company’s team spirit, radiates confidence. Also a tricky personnel matter – who should succeed artistic director Reid Anderson? – was solved shortly before the end of the season. (more…)

Light in the Province

“Ballet Gala 2014”
Mainfranken Theater
Wuerzburg, Germany
July 07, 2014

by Ilona Landgraf
Copyright © 2014 by Ilona Landgraf

1. O.Bubenicek, J.Bubenicek, J.Vallejo, Souffle de l'Esprit by J.Bubenicek, National Theater Prague Halfway between Frankfurt and Nuremberg lies Wuerzburg, a medium-scale town in Lower Franconia. It happens to be my seat of residence but it’s not a Mecca for dance. That’s why I usually head elsewhere to see performances. This year’s Ballet Gala at the Mainfranken Theater, however, offered some highlights I didn’t want to miss.
The Mainfranken Theater’s own ensemble presented only one piece. The rest of the program was left to guest artists from smaller companies all over Germany and to a duo from the Czech National Ballet in Prague. Anna Vita, artistic director of Wuerzburg’s ballet company, and her dramaturge, Christoph Blitt, moderated the evening – basically a good idea if it had set the right tone. But to start by naming all the sponsors and relate what is in the program notes was a mood killer and rendered the playbill’s description of the pieces unnecessary. We are capable of reading! (more…)

A lightweight legend of lovers

“Orphée et Euridice”
Stuttgart State Opera and Stuttgart Ballet
Stuttgart State Opera
Stuttgart, Germany
May 08, 2014

by Ilona Landgraf
Copyright © 2014 by Ilona Landgraf

1. Yuko Kakuta and ensemble (2009) Orphée et Euridice by Christian Spuck, Stuttgart Coproductions of opera and ballet are not the order of the day in Germany. Hence I looked forward to Stuttgart’s revival of “ Orphée et Euridice”, a 2009 production based on Christoph Willibald Gluck’s opera, directed and choreographed by Christian Spuck. Then Spuck was Stuttgart Ballet’s resident choreographer. Now he heads the Zurich Ballet.
Spuck used Gluck’s French version of the opera, a quite radical revision of the initial Viennese “Orfeo ed Euridice” from 1762, tackled in 1774 for Paris. Regarding French opera tradition and Parisien taste, Gluck adapted the original score and reworked the orchestration. As castrati singers weren’t established in France, he transposed the part of Orpheus to tenor. Further, the original’s ninety minutes were expanded into the dimensions of a full-evening to make room for extended ballet scenes. (more…)

Who’s as Big?

“Made in Germany”
Stuttgart Ballet
Stuttgart Schauspielhaus
Stuttgart, Germany
October 10, 2013

by Ilona Landgraf
Copyright © 2013 by Ilona Landgraf

1. Constantine Allen in Fancy Goods by Marco Goecke, Stuttgart Ballet 2013, photo Stuttgart BalletOnce upon a time the label “Made in Germany” conveyed craftsmanship and reliability. Innovation, novelty and experimentation weren’t features associated with this phrase in any primary way. Now, Stuttgart Ballet has proven the opposite. “Made in Germany” is the ever so self-confident title of the company’s new ballet program which premiered earlier this month. A mixed bill of twelve little pieces, specially created for the dancers of Stuttgart Ballet by nine choreographers, it serves as nibbles for various tastes. In addition to these miniatures, a vast number of works have been made for the company since Reid Anderson’s directorship began in 1996: more than eighty, seven of them program-filling story ballets. Where else can one find such fertile creativity alongside the careful guardianship of tradition?

Crucial for spotting new choreographic talent is Stuttgart’s Noverre Society. Founded during Cranko’s era, it annually gives as yet unknown choreographers the opportunity to show their creations to an audience. For six of the current evening’s choreographers the Noverre presentations were the doorway to the big stages for which they have subsequently been making work. (more…)