Tag Archive: Ted Brandsen

Magnificent!

May 13, 2022

“Raymonda”
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, The Netherlands
May 06, 2022 (stream)

by Ilona Landgraf
Copyright © 2022 by Ilona Landgraf

A mid-January newsletter from the Dutch National Ballet did little to hide the company’s disappointment at having to postpone their premiere of “Raymonda” from mid-February to early April. At the time, ongoing COVID-19 restrictions made uncertain the possibility of re-opening the house at full-capacity, but artistic director Ted Brandsen wanted the production – the biggest of the season – to be seen by as many people as possible. So he chose to wait.

Brandsen’s patience paid off. I watched the online stream on May 6th (filmed on April 19th) and from the moment the new front curtain rose (itself a gorgeous art nouveau design), it was instantly clear that this “Raymonda” would be a marvel. (more…)

Now More Than Ever!

December 31, 2021

“The Nutcracker And The Mouse King”
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, The Netherlands
December 24, 2021 (livestream)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

The Dutch National Ballet’s “Nutcracker” series was abruptly brought to an end due to – what else – “COVID-19 related restrictions.” A lockdown was once again imposed on the entire country – this time until mid-January. Nevertheless, the company decided to dance their Christmas Eve performance, which they’d intended to livestream. As artistic director Ted Brandsen welcomed the online audience from the empty auditorium, it was clear that the situation was a difficult one – emotionally and beyond. (more…)

Unparalleled

September 30, 2021

“TOER” (“Lucifer Studies” / “7th Symphony”)
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, The Netherlands
September 25, 2021 (live stream)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

“Unparalleled.”
That’s how Ted Brandsen, artistic director of the Dutch National Ballet, described Toer van Schayk – Holland’s renowned multi-disciplinary artist. van Schayk, who celebrated his eighty-fifth birthday earlier this month, has excelled across a broad spectrum: as a dancer, choreographer, set and costume designer, painter, and sculptor. His knowledge of the history of the arts combined with his wholehearted dedication to his craft and persistent motivation to create make him one-of-a-kind in the field. Though he has been a pillar of the Dutch National Ballet since its founding, his pieces have rarely been scheduled in recent years – and so it was most welcome that this year’s 60th anniversary season opened with the double bill “TOER”. It consisted of van Schayk’s much-acclaimed “7th Symphony” (1986) and a new ballet titled “Lucifer Studies”. I watched the live-stream on September 25th; it will be repeated on October 6th, 2021. (more…)

Dancers’ Choice

April 9, 2021

“Spring Special”
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, The Netherlands
April 05, 2021 (online)

by Ilona Landgraf
Copyright © 2021 by Ilona Landgraf

For most artists, the flow of opportunities for performance on home stages or abroad has either thinned to a trickle or dried up altogether since the onset of the pandemic. The Dutch National Ballet filled some of those gaps with a “Spring Special” -gala that featured a selection of ten short pieces in total – eight excerpts from the company’s existing repertory, one new acquisition, and one world premiere. Each dancer was able to choose which piece to perform in (with appropriate attention to pandemic-related restrictions of group size). All of the principals, several soloists, and one member of the corps de ballet participated. The gala was streamed live on April 5^th. A second broadcast is scheduled for April 10, 2021 (more…)

Second International Ballet Conference at Dutch National Ballet

March 5, 2019

“Positioning Ballet 2019”
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, The Netherlands

February 16/17, 2019
by Ilona Landgraf

This February, the Dutch National Ballet welcomed international dance professionals for a two-day working meeting at the second “Positioning Ballet” conference. In 2017, at the first iteration of the event, the key topics were heritage, diversity, and identity. The 2019 meeting dealt with the relevance of ballet in the 21st century, the work culture ballet aims to embody, and the types of leadership required from artistic directors. Unlike in 2017, this year’s conference was closed for the press on the first day. As such, I missed the two keynote speeches – one by Jennifer Homans, the author of “Apollo’s Angels”, and the other by Theresa Ruth Howard, the founder and curator of MoBBallet (Memoirs of Blacks in Ballet) – and the discussions that followed. Homans spoke about internal and external threats to the arts and ballet in particular, while Howard’s speech was titled “The Deconstruction of the Anatomy of Culture and Leadership in Ballet”. (more…)

Conversations with Marijn Rademaker and Jozef Varga

July 14, 2017

Dutch National Ballet
Amsterdam, The Netherlands
June, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

The beautiful opera house and national ballet company are as welcoming and open as Amsterdam itself. During my last visit for the premiere of Alexei Ratmansky’s “Shostakovich Trilogy” in mid-June, I took the opportunity to talk with two principal dancers, Marijn Rademaker and Jozef Varga, about their career and their plans for the future.

Rademaker, a Dutchman, returned home in 2015 after many years with Stuttgart Ballet. We met in a cafe opposite the opera house a few hours before the premiere. Rademaker’s answers are in italics. (more…)

Just Dance?

June 24, 2017

“Shostakovich Trilogy”
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, The Netherlands
June 17, 2017

by Ilona Landgraf
Copyright © 2017 by Ilona Landgraf

“Ted, I don’t know what you’re doing with the company,” Alexei Ratmansky said after the premiere of his “Shostakovich Trilogy” at Dutch National Ballet, “but they get better and better.” He was right to praise the dancers. Their dedication and attention to detail – and this piece is replete with details – made the evening a thorough success.

“Shostakovich Trilogy” is the sixth piece by Ratmansky to enter the company’s repertoire and, next to “Don Quichotte”, is the second full-evening one. (more…)

First International Ballet Conference at Dutch National Ballet

February 19, 2017

“Positioning Ballet”
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, The Netherlands
February 11-12, 2017

by Ilona Landgraf
copyright © 2017 by Ilona Landgraf

To discuss fundamental topics concerning the art form of ballet, the Dutch National Ballet assembled a keenly interested, much involved, very international group of guests for a two-day conference last weekend in Amsterdam. At the Saturday session, panel discussions addressed three topics: Heritage, Diversity and Identity. Of the two Sunday morning talks, one focused on networking among companies, and the other advocated inventive entrepreneurship. There was a performance both days, each a mixed bill with works which had been made for the Dutch company (see my reviews of “Made in Amsterdam 1” and “Made in Amsterdam 2”). (more…)

Fighting for Syria’s Dance Culture

December 23, 2016

Dutch National Ballet
Amsterdam, Netherlands
December, 2016

“Every day when I wake up I look around myself, wondering where I am” Ahmad Joudeh tells me. The Syrian dancer grew up and lived in Damascus until in October of this year he had the chance to come to Amsterdam. “The first month I couldn’t accept the situation. Electricity for 24 hours, and water, hot water, every time; there is heat and the house … it’s a very nice house.”

How did things come about? Prompted by a press release from Dutch National Ballet about Joudeh, I skyped with him a few days ago to learn more about his background. (more…)

Van Dantzig, Van Schayk, Van Manen

September 28, 2016

“Dutch Masters”
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, Netherlands
September 25, 2016

Dutch National Ballet’s latest mixed bill was all-Dutch. It assembled four pieces by three pivotal choreographers of the Netherlands: “Vier letzte Lieder” (“Four Last Songs”) by Rudi van Dantzig (1933 – 2012), the company’s artistic director for twenty years; “Adagio Hammerklavier” by Hans van Manen (born: 1932) ; plus “Episodes van Fragmenten” and “Requiem”, both by Toer van Schayk (born: 1936). This wasn’t lightweight entertainment but a program upon which to ponder. I attended the last performance, the Sunday, September 25th matinée. (more…)

A Bright Opening

September 11, 2016

“Gala”
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, Netherlands
September 07, 2016

Amsterdam’s National Opera House always radiates a light and welcoming atmosphere. This was especially so at this season’s opening gala on September 7th, which saw large crowds, women in evening gowns, flocking into the buzzing foyer amid flurries of camera flashes around the red carpet.

From the start the Grand Défilé, which opened the gala, gained warm-hearted applause. The program of the following three-and-a-half hours had been kept as a surprise. It included three highlights. (more…)

Coveted, Discredited and Executed: Mata Hari – a National Celebrity

February 19, 2016 0 Comments

“Mata Hari”
Dutch National Ballet
Dutch National Opera & Ballet
Amsterdam, Netherlands
February 13, 2016

Dutch National Ballet’s YouTube trailer for its new ballet “Mata Hari” reveals two pythons leisurely encircling a ballerina. No need to worry though, no reptiles appear on stage, and there is no snake dance either. Besides that wouldn’t have been appropriate anyway because Mata Hari, whose performances as bayadère during the Belle Époque in Paris made a great stir, was never a snake charmer but rather a charmer of men.

Ted Brandsen, artistic director of the Dutch company, has traced the life of the famous Dutchwoman in his recently premiered story ballet. Mata Hari was born in 1876 as Margaretha Geertruida Zelle. Her parents separated when she was fourteen. Her mother died one year later; her father married again, but Margaretha was brought up by relatives. (more…)